During the public controversy
over the film version of The Last Temptation, a conservative commentator snarled that Kazantzakis, in addition to being a disseminator of heresy, was «hard left.»
Maybe it's the fact that I grew up watching my aunts, grandmother and mom cry
over the film version of Somewhere in Time, but I have long had a soft spot for time - travel stories.
Not exact matches
The attack shut down most of the studio's network for more than a week and hackers have released sensitive data
over the Internet, including employee salaries and Social Security numbers along with high - quality digital
versions of several unreleased
films.
A good example of the clash
over meanings is the 1988 controversy about «The Last Temptation of Christ,» a
film version of the book by Nikos Kazantzakis.
In an adjudication published today, the Advertising Standards Authority (ASA) has upheld complaints against Phones4U
over an advertisement depicting a cartoon
version of the Buddy Christ from the comedy
film Dogma, along with the tagline «Miraculous deals on Samsung Galaxy Android phones.»
Synthesized from a combination of modified
versions of the amino acid glycine, the new
film is flexible, allows greater control
over desired interactions through introduction of specific side chains, and is far more thermally and chemically stable than those assembled from natural polypeptides or lipids.
I shared our five - minute wedding video back in November and just when I thought I couldn't love MacKenzie and Philip any more, the twenty - minute feature
film version arrived in my inbox and we got to relive every little detail all
over again, just in time for our six month anniversary!
Carried
over from the TV
version was director Sidney Lumet, here making his feature -
film debut.
Noticeably cut from an R - rating as if one is watching an edited
version on cable, the
film shies away from some of the bloodier bursts of violence, and yet still comes off pretty vicious, but even more so, a few uses of the F - words are dubbed
over with «frickin»,» allowing Gabrielle Union to finally use the PG - 13 rating's allowance of one F - word.
Worth noting is the fact that the video commentary, having been converted from an NTSC source, runs at the
film's correct speed and comes in
over five minutes longer than the PAL
version as a result.
His screenplay for the 1959
film version of Tennessee Williams» Suddenly Last Summer was the most overt example of out - of - the - closet cinema of the fifties, while his contributions to the screenplay of Ben Hur (1959) were intended to suggest that Judah Ben Hur and Messala enjoyed more than just a warm friendship (Ben Hur star Charlton Heston bristles to this day
over Vidal's claiming responsibility for the tone and texture of the screenplay; Heston insists that director William Wyler rejected Vidal's script suggestions after a single cold reading).
In case you haven't been paying attention to what's been going on
over at Relativity Media, I'll give you the short
version — they're scrambling to release their slate of
films while in the midst of bankruptcy, now replacing Mike Flanagan's Before I Wake with the D.J. Caruso - directed The Disappointments Room, which was originally going to see a release -LSB-...]
In case you haven't been paying attention to what's been going on
over at Relativity Media, I'll give you the short
version — they're scrambling to release their slate of
films while in the midst of bankruptcy, now replacing Mike Flanagan's Before I Wake with the D.J. Caruso - directed The Disappointments Room, which was originally going to see a release in November.
The final act of the
film finds Trevante Rhodes playing a twenty something Chiron now buff and chiseled on the outside but still fighting those inner demons of how he can be a better
version of himself despite the horrible influences he has had
over the years.
Starring Paul Rudd (Ant - Man), in his first feature
film, as Tommy Doyle, and introducing J.C. Brandy as the new Jamie Lloyd (taking
over the role from Danielle Harris), «Halloween 666» is the original title for what would ultimately become the infamous «Producer's Cut» of Halloween: The Curse of Michael Myers, a very different
version of which was released in theaters in 1995.
Critic Consensus:
Over the years, Flaubert's Madame Bovary has proven an exceedingly difficult novel to
film — and this
version adds another disappointing entry to the list.
Adapted from the hit stage musical, Norman Jewison's
film version of Fiddler on the Roof has established itself as a classic
over and
over again since its release in 1971.
Also noteworthy, in the category of cinema ruled by cultural concerns and actual political events, was Carlos (d. Olivier Assayas), which kept a packed auditorium of critics in their seats for
over five hours with a glossy, but intelligent action
film version of the 1970s exploits of a terrorist born Illich Ramirez Sanchez, but known internationally as the Jackal, also by the code name Carlos; and Des Hommes et des dieux (Of Gods and Men, Xavier Beauvois), a
film, elegantly minimalist in design, based on a real - life encounter between Algerian fundamentalist Islamic terrorists and a community of ascetic Christian monks.
The four stories play out with a deliberate direction that emphasizes the stillness and the
film runs just
over three hours in this new restoration, which is 20 minutes longer than the
version previously released on
film and disc in the U.S.
In the
film «Saving Mr. Banks,» the children's author P.L. Travers finds herself in tense negotiations with Walt Disney
over the 1964
film version of Travers» classic stories featuring the magical English nanny Mary Poppins.
Over the years, her chatty subjects have inspired movies like Clueless, Bridget Jones's Diary and Bride and Prejudice, in addition to
film versions of her books.
The commentary by
film historian Jon C. Mirsalis, also carried
over from the Image release, is on the 1929 reissue at 24 fps, and accessed through the audio options available on that
version.
Verdict: Easily one of our most anticipated of the year, we started to worry if we'd ever see «Snowpiercer,» the English - language debut of Korean master Bong Joon - Ho («The Host,» «Memories Of Murder,» «Mother «-RRB-, given the bubbling controversy
over the
film and Harvey Weinstein «s intentions to release a severely truncated
version.
Ridley Scott, who directed the original BLADE RUNNER (and its numerous
versions over the years), was involved as Executive Producer, and to put things in perspective, the first
film was released the same year as TOOTSIE and TRON.
Oh, fine, Russell Crowe), devouring trailers, and nodding with approval
over the awards praise showered upon the
film version of «Les Misérables» by the Screen Actors Guild and the Hollywood Foreign Press.
In the
film world, it's been done in various forms
over the years, with perhaps the most popular being Disney's 1976
version of Freaky Friday, which is the same story told with female protagonists.
Aside from offering the uncensored
version of the
film in a 1.85:1 video transfer and 5.1 Dolby Digital audio track, the single - disc release includes a few hours of special features and hilarious interactive menus that show the duo arguing
over the audience's failure to choose an option.
As well as Jackman (who worked with Allen on Scoop), some other Allen alumni appeared, including Patricia Clarkson (Vicky Cristina Barcelona, Whatever Works) and Harvey Fierstein (the
film version of Bullets
Over Broadway).
Tsui Hark, the producer, eventually took
over as director, recasting the female lead, and the
film was finally released four years after it began shooting, in a
version disowned by Yim (though the
film credits list him as the only director).
The
film's nadir is a scene in which Curtis recites a poetic «song» to a group around a campfire and which becomes the occasion for a montage devoted to the beauties of a kitschy soundstage
version of «nature,» followed by glimpses of other salt - of - the - earth slaves at rest who register like warmed -
over Depression archetypes.
Ann Sheridan, with lots of oomph, takes
over Bette Davis» old role (and Jeanne Eagels») in this Americanized remake of the
film versions of the classic W. Somerset Maugham short story «The Letter.»
The single unqualified advantage that the new
version has
over William Wyler's 1939
film is that it tells the whole story, instead of stopping after the death of Kathy.
There have been numerous movie
versions over the years, and none have matched the excellence of director Sidney Lumet's 1974
film with an incredible all - star cast alongside Albert Finney's Poirot.
Directed by David Fincher (The Social Network) this English - language
version is actually a rarity in that it is an improvement
over its foreign
film original.
When I was at college, I was hung
over once, I had a Cornetto ice cream and I felt much better» The flavours featured in each of the tasty Ice Creams loosely follow each of the
film's themes: There's the red of strawberry in Shaun of the Dead (blood), the blue classic original flavour in Hot Fuzz (Police) and the green of the mint chocolate
version in The World's End (Aliens).
When going
over what the
film actually is, I immediately realized that Spotlight is essentially a religious
version of All the President's Men minus «Deep throat,» but with a couple of extra reporters working on an explosive story.
The
film was originally released in the US in a butchered
version cut by
over an hour and torn from its evocative time - shifting structure to a traditional linear narrative.
It becomes more visually interesting with Christian Bale posed upside down (he does not appear to be falling) against the fool moon
over Hollywood, and sticking with the topsy - turvy theme, if you look closely you will see the text for the title of the
film has a ghostly inverted
version super imposed.
By 2004, the
film had grossed
over $ 14 million in video sales and rentals — enough for Newmarket and writer / director Richard Kelly to release a new and expanded
version of the
film three years later - not on DVD but boldly back in the theatres.
The Blu - ray's menu moves around the cover image and two more suggestive publicity photos while playing Kitty White's night club
version of «Rather Have the Blues», an original tune Nat King Cole sings
over the radio in the
film's opening sequence.
Just more evidence of the mounting excitement
over the Ron Howard - directed Han Solo origin
film, starring Alden Ehrenreich as a younger
version of the galaxy's greatest pilot and smuggler.
I've lost count of how many «
versions» there now are of his early sci - fi masterpiece Blade Runner (1982) and, after years of threats, that
film will have a sequel this October, Blade Runner 2049, though Scott opted to pass the directorial reigns
over to Denis Villeneuve (Arrival).
What was put back in the broadcast
version was fat to spread the
film out
over two nights — completely unnecessary stuff that slowed things down and was justifiably trimmed off.
The 2.0 cut was a new
version of the
film with
over 250 reworked scenes, remastered by Mamoru Oshii himself including a new voice cast recording and brand new score from Kenji Kawai.
Shot for $ 1.5 million
over 30 days, Laughlin's
film, while heavy on extended takes and a few awkward edits, overall looks very nice, and Elite's transfer marks the first time the
film's been available with its original, evocative Technicolor - styled cinematography by Louis Horvath (who also photographed «Chandler,» and Laughlin's other directorial efforts); and in its original aspect ratio, which, in previous full screen
versions, chopped Condon's second appearance as a «dead kid».
Word is that
over twenty minutes were cut from the finished
film following the Toronto premiere, and a good chunk of that missing footage appears to have been from this story, for, as it stands in its current
version, is neither funny nor makes any complete sense.
«Alien Covenant» almost completely gives itself
over to the scary stuff; director Ridley Scott dredges up a little of the «Prometheus» balloon juice (this
film is a direct follow - up to that prequel), but he's more interested in an interstellar
version of «Friday the 13th,» with a respectable ensemble of actors as the camp counselors and various fanged slimeballs filling in for Jason Voorhees.
THE BLU - RAY DISC Aptly, the new Blu - ray Disc from Blue Underground has to be described as the quintessential
version of The New York Ripper, delivering a mind - bogglingly good, negative - sourced HD transfer that's apparently free of censorship or any of the other editing shenanigans that have resulted in reported alterations to the
film over the years.
As I recall, the 1979 original
version of the
film directed by Stuart Rosenberg wasn't a critical success, but it did rake in
over $ 86 million and spawned a couple of low - grade sequels.
It could mean that we might see a badass
version of Laurie Strode in the
film, But we just hope it's not Halloween: H20 all
over again.