Sentences with phrase «over the film version»

During the public controversy over the film version of The Last Temptation, a conservative commentator snarled that Kazantzakis, in addition to being a disseminator of heresy, was «hard left.»
Maybe it's the fact that I grew up watching my aunts, grandmother and mom cry over the film version of Somewhere in Time, but I have long had a soft spot for time - travel stories.

Not exact matches

The attack shut down most of the studio's network for more than a week and hackers have released sensitive data over the Internet, including employee salaries and Social Security numbers along with high - quality digital versions of several unreleased films.
A good example of the clash over meanings is the 1988 controversy about «The Last Temptation of Christ,» a film version of the book by Nikos Kazantzakis.
In an adjudication published today, the Advertising Standards Authority (ASA) has upheld complaints against Phones4U over an advertisement depicting a cartoon version of the Buddy Christ from the comedy film Dogma, along with the tagline «Miraculous deals on Samsung Galaxy Android phones.»
Synthesized from a combination of modified versions of the amino acid glycine, the new film is flexible, allows greater control over desired interactions through introduction of specific side chains, and is far more thermally and chemically stable than those assembled from natural polypeptides or lipids.
I shared our five - minute wedding video back in November and just when I thought I couldn't love MacKenzie and Philip any more, the twenty - minute feature film version arrived in my inbox and we got to relive every little detail all over again, just in time for our six month anniversary!
Carried over from the TV version was director Sidney Lumet, here making his feature - film debut.
Noticeably cut from an R - rating as if one is watching an edited version on cable, the film shies away from some of the bloodier bursts of violence, and yet still comes off pretty vicious, but even more so, a few uses of the F - words are dubbed over with «frickin»,» allowing Gabrielle Union to finally use the PG - 13 rating's allowance of one F - word.
Worth noting is the fact that the video commentary, having been converted from an NTSC source, runs at the film's correct speed and comes in over five minutes longer than the PAL version as a result.
His screenplay for the 1959 film version of Tennessee Williams» Suddenly Last Summer was the most overt example of out - of - the - closet cinema of the fifties, while his contributions to the screenplay of Ben Hur (1959) were intended to suggest that Judah Ben Hur and Messala enjoyed more than just a warm friendship (Ben Hur star Charlton Heston bristles to this day over Vidal's claiming responsibility for the tone and texture of the screenplay; Heston insists that director William Wyler rejected Vidal's script suggestions after a single cold reading).
In case you haven't been paying attention to what's been going on over at Relativity Media, I'll give you the short version — they're scrambling to release their slate of films while in the midst of bankruptcy, now replacing Mike Flanagan's Before I Wake with the D.J. Caruso - directed The Disappointments Room, which was originally going to see a release -LSB-...]
In case you haven't been paying attention to what's been going on over at Relativity Media, I'll give you the short version — they're scrambling to release their slate of films while in the midst of bankruptcy, now replacing Mike Flanagan's Before I Wake with the D.J. Caruso - directed The Disappointments Room, which was originally going to see a release in November.
The final act of the film finds Trevante Rhodes playing a twenty something Chiron now buff and chiseled on the outside but still fighting those inner demons of how he can be a better version of himself despite the horrible influences he has had over the years.
Starring Paul Rudd (Ant - Man), in his first feature film, as Tommy Doyle, and introducing J.C. Brandy as the new Jamie Lloyd (taking over the role from Danielle Harris), «Halloween 666» is the original title for what would ultimately become the infamous «Producer's Cut» of Halloween: The Curse of Michael Myers, a very different version of which was released in theaters in 1995.
Critic Consensus: Over the years, Flaubert's Madame Bovary has proven an exceedingly difficult novel to film — and this version adds another disappointing entry to the list.
Adapted from the hit stage musical, Norman Jewison's film version of Fiddler on the Roof has established itself as a classic over and over again since its release in 1971.
Also noteworthy, in the category of cinema ruled by cultural concerns and actual political events, was Carlos (d. Olivier Assayas), which kept a packed auditorium of critics in their seats for over five hours with a glossy, but intelligent action film version of the 1970s exploits of a terrorist born Illich Ramirez Sanchez, but known internationally as the Jackal, also by the code name Carlos; and Des Hommes et des dieux (Of Gods and Men, Xavier Beauvois), a film, elegantly minimalist in design, based on a real - life encounter between Algerian fundamentalist Islamic terrorists and a community of ascetic Christian monks.
The four stories play out with a deliberate direction that emphasizes the stillness and the film runs just over three hours in this new restoration, which is 20 minutes longer than the version previously released on film and disc in the U.S.
In the film «Saving Mr. Banks,» the children's author P.L. Travers finds herself in tense negotiations with Walt Disney over the 1964 film version of Travers» classic stories featuring the magical English nanny Mary Poppins.
Over the years, her chatty subjects have inspired movies like Clueless, Bridget Jones's Diary and Bride and Prejudice, in addition to film versions of her books.
The commentary by film historian Jon C. Mirsalis, also carried over from the Image release, is on the 1929 reissue at 24 fps, and accessed through the audio options available on that version.
Verdict: Easily one of our most anticipated of the year, we started to worry if we'd ever see «Snowpiercer,» the English - language debut of Korean master Bong Joon - Ho («The Host,» «Memories Of Murder,» «Mother «-RRB-, given the bubbling controversy over the film and Harvey Weinstein «s intentions to release a severely truncated version.
Ridley Scott, who directed the original BLADE RUNNER (and its numerous versions over the years), was involved as Executive Producer, and to put things in perspective, the first film was released the same year as TOOTSIE and TRON.
Oh, fine, Russell Crowe), devouring trailers, and nodding with approval over the awards praise showered upon the film version of «Les Misérables» by the Screen Actors Guild and the Hollywood Foreign Press.
In the film world, it's been done in various forms over the years, with perhaps the most popular being Disney's 1976 version of Freaky Friday, which is the same story told with female protagonists.
Aside from offering the uncensored version of the film in a 1.85:1 video transfer and 5.1 Dolby Digital audio track, the single - disc release includes a few hours of special features and hilarious interactive menus that show the duo arguing over the audience's failure to choose an option.
As well as Jackman (who worked with Allen on Scoop), some other Allen alumni appeared, including Patricia Clarkson (Vicky Cristina Barcelona, Whatever Works) and Harvey Fierstein (the film version of Bullets Over Broadway).
Tsui Hark, the producer, eventually took over as director, recasting the female lead, and the film was finally released four years after it began shooting, in a version disowned by Yim (though the film credits list him as the only director).
The film's nadir is a scene in which Curtis recites a poetic «song» to a group around a campfire and which becomes the occasion for a montage devoted to the beauties of a kitschy soundstage version of «nature,» followed by glimpses of other salt - of - the - earth slaves at rest who register like warmed - over Depression archetypes.
Ann Sheridan, with lots of oomph, takes over Bette Davis» old role (and Jeanne Eagels») in this Americanized remake of the film versions of the classic W. Somerset Maugham short story «The Letter.»
The single unqualified advantage that the new version has over William Wyler's 1939 film is that it tells the whole story, instead of stopping after the death of Kathy.
There have been numerous movie versions over the years, and none have matched the excellence of director Sidney Lumet's 1974 film with an incredible all - star cast alongside Albert Finney's Poirot.
Directed by David Fincher (The Social Network) this English - language version is actually a rarity in that it is an improvement over its foreign film original.
When I was at college, I was hung over once, I had a Cornetto ice cream and I felt much better» The flavours featured in each of the tasty Ice Creams loosely follow each of the film's themes: There's the red of strawberry in Shaun of the Dead (blood), the blue classic original flavour in Hot Fuzz (Police) and the green of the mint chocolate version in The World's End (Aliens).
When going over what the film actually is, I immediately realized that Spotlight is essentially a religious version of All the President's Men minus «Deep throat,» but with a couple of extra reporters working on an explosive story.
The film was originally released in the US in a butchered version cut by over an hour and torn from its evocative time - shifting structure to a traditional linear narrative.
It becomes more visually interesting with Christian Bale posed upside down (he does not appear to be falling) against the fool moon over Hollywood, and sticking with the topsy - turvy theme, if you look closely you will see the text for the title of the film has a ghostly inverted version super imposed.
By 2004, the film had grossed over $ 14 million in video sales and rentals — enough for Newmarket and writer / director Richard Kelly to release a new and expanded version of the film three years later - not on DVD but boldly back in the theatres.
The Blu - ray's menu moves around the cover image and two more suggestive publicity photos while playing Kitty White's night club version of «Rather Have the Blues», an original tune Nat King Cole sings over the radio in the film's opening sequence.
Just more evidence of the mounting excitement over the Ron Howard - directed Han Solo origin film, starring Alden Ehrenreich as a younger version of the galaxy's greatest pilot and smuggler.
I've lost count of how many «versions» there now are of his early sci - fi masterpiece Blade Runner (1982) and, after years of threats, that film will have a sequel this October, Blade Runner 2049, though Scott opted to pass the directorial reigns over to Denis Villeneuve (Arrival).
What was put back in the broadcast version was fat to spread the film out over two nights — completely unnecessary stuff that slowed things down and was justifiably trimmed off.
The 2.0 cut was a new version of the film with over 250 reworked scenes, remastered by Mamoru Oshii himself including a new voice cast recording and brand new score from Kenji Kawai.
Shot for $ 1.5 million over 30 days, Laughlin's film, while heavy on extended takes and a few awkward edits, overall looks very nice, and Elite's transfer marks the first time the film's been available with its original, evocative Technicolor - styled cinematography by Louis Horvath (who also photographed «Chandler,» and Laughlin's other directorial efforts); and in its original aspect ratio, which, in previous full screen versions, chopped Condon's second appearance as a «dead kid».
Word is that over twenty minutes were cut from the finished film following the Toronto premiere, and a good chunk of that missing footage appears to have been from this story, for, as it stands in its current version, is neither funny nor makes any complete sense.
«Alien Covenant» almost completely gives itself over to the scary stuff; director Ridley Scott dredges up a little of the «Prometheus» balloon juice (this film is a direct follow - up to that prequel), but he's more interested in an interstellar version of «Friday the 13th,» with a respectable ensemble of actors as the camp counselors and various fanged slimeballs filling in for Jason Voorhees.
THE BLU - RAY DISC Aptly, the new Blu - ray Disc from Blue Underground has to be described as the quintessential version of The New York Ripper, delivering a mind - bogglingly good, negative - sourced HD transfer that's apparently free of censorship or any of the other editing shenanigans that have resulted in reported alterations to the film over the years.
As I recall, the 1979 original version of the film directed by Stuart Rosenberg wasn't a critical success, but it did rake in over $ 86 million and spawned a couple of low - grade sequels.
It could mean that we might see a badass version of Laurie Strode in the film, But we just hope it's not Halloween: H20 all over again.
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