Each painting is a collaboration between owner and artist, as the owner was given complete say
over the location depicted on the monitor, though neither artist nor owner had full control as many elements were left to chance conditions present during the thirty site visits.
Not exact matches
Meanwhile, sound editors Christopher S. Aud and Aaron Glascock discuss their unique approach to foley on the film, which involved creating effects in
locations that acoustically mimicked the environments
depicted on screen — an ethos Kaufman says carried
over into leaving in the imperfections of the dialogue recording (like breathing) that animation studios normally edit out.
For additional images from the set, including some concept art
depicting familiar and unfamiliar
locations, I recommend heading
over to Entertainment Weekly and taking a look.
-LSB-...] don't
depict Seal Point but rather are meditations on the ineffable qualities of a place as Walker has experienced it — color, light, motion, shape, texture — recording the narrative of how the artist feels about this special
location over the course of changing seasons, months and years.
Crosman writes that these paintings «don't
depict Seal Point but rather are meditations on the ineffable qualities of a place as Walker has experienced it — color, light, motion, shape, texture — recording the narrative of how the artist feels about this special
location over the course of changing seasons, months and years.»