Sentences with phrase «over the twentieth century at»

Several previous analyses of tide gauge records1, 2,3,4,5,6 — employing different methods to accommodate the spatial sparsity and temporal incompleteness of the data and to constrain the geometry of long - term sea - level change — have concluded that GMSL rose over the twentieth century at a mean rate of 1.6 to 1.9 millimetres per year.

Not exact matches

Entering into the disputes over all the necessary distinctions and qualifications lands us right back in the sixteenth century, which, one is inclined to believe, is not where the Holy Spirit intends to lead the Church at the end of the twentieth century.

The question posed by the title of this book is a simple one, which, on the face of it, fits squarely within the debate over the relation of religion to politics and to conflict that has emerged at the end of the twentieth century.

In addition, as Mahoney points out, anyone who reads The Russian Question at the End of the Twentieth Century can see that Solzhenitsyn repeatedly criticizes Russian tsars for favoring imperialism over internal development.

A top - notch actress who managed to remain a complete unknown as far as the general moviegoing public was concerned (spending over a decade starring in numerous art - house flicks for ex-husband Nicolas Roeg probably had a lot to do with that), Theresa Russell enjoyed a soupçon of mainstream success when she co-starred in Twentieth Century Fox's production of Black Widow, an ever - so - modest box office hit ($ 25 million) back at the start of» 87.

CEO of IMAX Entertainment Greg Foster expressed enthusiasm over the agreement, saying, «We are thrilled to sweeten the existing deal with our friends and partners at Twentieth Century Fox.»

Trank recently made his film directorial debut with the Twentieth Century Fox feature film «Chronicle», which was made on a $ 12 million budget and raked in over $ 127 million at the box office.

Using a historically specific twentieth - century apparatus (Max Fleischer's Setback Camera and Walt Disney's Multiplane camera) to not only capture images over the course of her residency at the New Museum, but also to interpolate the material culture of more contemporary imaging technologies, Craycroft builds an accretive, time - based examination of personhood and anthropomorphism.

Assembled over a period of eighty years at the Black Star photo agency in New York City, the photographs in the Black Star Collection represent the personalities, events, and conflicts of the twentieth century.

Over the following decades, Judd wrote a number of essays on Russian artists, including «Kandinsky and his Citadel,» a review of the exhibition, Vasily Kandinsky, 1866 — 1944: A Retrospective Exhibition, at the Solomon R.Guggenheim Museum in 1963; a review of Kazimir Malevich, an exhibition in 1963 also at the Guggenheim Museum; and in 1981, a long essay «Russian Art in Regard to Myself,» on the importance of Russian art of the early twentieth century for Art Journal.

The Å «uvre of this outstanding artist from the watershed period at the beginning of the twentieth century will be represented in over one hundred masterpieces, mostly on loan from major collections in Moscow and St Petersburg.

Curated by John Elderfield, Chief Curator Emeritus of Painting and Sculpture at The Museum of Modern Art, New York, «In the Studio: Paintings,» exhibited at 522 West 21st Street, spanned from the mid-sixteenth through the late twentieth centuries and included over 50 paintings and works on paper by nearly 40 artists.

Curated by John Elderfield, Chief Curator Emeritus of Painting and Sculpture at The Museum of Modern Art, New York, «In the Studio: Paintings,» on view at 522 West 21st Street, spans from the mid-sixteenth through the late twentieth centuries and includes over 50 paintings and works on paper by nearly 40 artists.

At Art Basel Miami Beach, an exclusive selection of 260 leading art galleries from North America, Latin America, Europe, South Africa and Asia will exhibit art of the twentieth and twenty - first centuries by over 2,000 artists.

Although the work of Jay DeFeo has been exhibited consistently over the years, mainly on the West Coast, her inclusion in the 1995 exhibition Beat Culture and the New America: 1950 - 1965 at the Whitney redefined her significance within the history of twentieth - century American art and prompted a reexamination of her entire life's oeuvre.

The Conway Library database of images of twentieth - century British sculpture — a teaching and research collection held at the Courtauld Institute of Art, containing over one million images.

«One of the rarest phenomena in regards to creative artists in the twentieth century is to sustain, over more than fifty years, a level of accomplishments that is as strong at the end as it was at the beginning and the middle.

In 2003, an untitled work of Calder sold for over $ 5 million at Christie's New York, confirming Calder's status as one of the greatest twentieth century sculptors.

Frédéric Brenner (b. 1959) is a French photographer best known for his opus Diaspora, the result of a twenty - five year search in over forty countries to create a visual record of the Jewish Diaspora at the end of the twentieth century.

Our gaze wanders over to the output of central figures of twentieth - century art history caught by Picasso's Stalin portrait in the Communist cultural journal Les Lettres françaises from 1953, Andy Warhol's poster promoting the German Green Party from 1978 (at the suggestion of Joseph Beuys, who also appears in the exhibition), or Robert Rauschenberg's poster for the United Nations» International Conference on Population and Development in 1994.

Featuring seminal pieces at the forefront of institutional and social critique, the show gathers over 200 works, primarily from the 60s and 70s, tracing Broodthaers» ever - poetic texts, objects, and installations as cemented within a twentieth century context.

It's the latest research in more than a decade of work producing a climate «hockey stick» — graphs of global or regional temperatures showing relatively little variation over a millennium or more and then a sharp uptick since the middle of the twentieth century (the blade at the end of the stick).

So, we now know, apparently that all those AGW critics believe that AGW is responsible for 50 % + of warming over at least the last 50 years (and possibly over the twentieth century).

Over the twentieth century, the methods used to measure the temperature at the surface of the ocean have changed.

A separate meta - analysis summarizing over fifty twentieth century studies of spaced repetition showed that users improved testing results by at least half a standard deviation by use of spaced repetition.

Over the course of the twentieth century, however, as divorce became more common, an increasing share of children experienced a breakup in their families of origin and went on to spend at least some portion of their childhood or adolescence living with just one parent or with a parent and stepparent.