Sentences with phrase «over viewers of all ages»

Altogether, Blockers is a raunch comedy for a new age, with plenty of hilarity and emotion to win over viewers of all ages (or, at least, all ages able to catch the R - rated comedy).

Not exact matches

The average age of an O'Reilly viewer was over 70, which means that even within an already aging demographic — cable - TV viewers — the network skews old.

(5) Solt, in a study of religious program audience in a New York county, found significant differences occurring at age 44, (6) while Buddenbaum found that frequent viewers of religious television were most likely to be over the age of 62, while those who never watch are more likely to be under age 34.

For the most part, the three collaborators keep up a steady stream of reminiscence and genuine reaction to their aging baby, but an icon in the upper left of the screen allows the viewer to skip over the brief gaps (typically only a few seconds long) to the next segment (for whatever reason, a few brief portions of the commentary are audio only).

It's consequently not difficult to see why Election is now considered a classic high school comedy, although the presence of several decidedly adult themes (ie lesbianism, adultery, etc) ensures that viewers over a certain age will probably get a whole lot more out of the film than teens.

He doesn't have to; he's Steven Spielberg, the one filmmaker viewers of every age and nation give a pass to for the wealth of exciting wonderment he has given over the years.

Bottom line: «Bears» is an accomplished bit of filmmaking that would have been an unqualified success were it not for narration that periodically insults the intelligence of viewers over the age of eight.

That was my experience of Zootopia (re-named «Zootropolis» in the UK), as myself and four friends of a similar age found ourselves in a sparsely populated cinema where the average age of the viewer was over twenty.

MONDELLO: The plot's not going to tax anyone over the age of 12, but Spielberg crams the screen with visuals eye - popping enough to make viewers not care - grimy and dystopian for the real world, bright and cyber-sparkly for an OASIS that's just unreal enough to ring a little hollow.

The result is neither moving nor charming — not to mention particularly funny to viewers over the age of ten — and the lackluster work of the B - level star cast (which also includes Arquette-less Courteney Cox and Andie MacDowell) makes one further yearn for the days of animated features starring bonafide voice actors.

You can limit your audience to viewers over the age of eighteen if you're concerned about appropriate content.

In one weird, hyphenated word, NOW - ISM insists that the works in it are both of the moment — particular to the circumstances in which they were made and attuned to the digital phase of the Information Age as it hurtles us through the first decade and a half of the twenty - first century — and outside of time: unshackled by the constraints of context and the restrictions of history because, as works of art, they are fully present in the moment and available to be intimately engaged by innumerable viewers, over and over again, in perpetuity.

In viewing one of Moseholm's works, whether it be a large monochromatic painting of an image reminiscent of Hitchcock's «The Trouble with Harry» or the reflection of a woman's face floating over a polychromatic, nocturnal megalopolis as in the «Rosebud ll,» the viewer has the feeling of being directly exposed to a fundamental understanding of the logic in the media age.

Over the stairwell is a work that combines the familiar gold - leafed cardboard boxes with numerous suspended metal implements: various rusted tools for which the agricultural purpose is long forgotten sit alongside objects that even the most metropolitan of 21st century viewers can identify as the savage animal traps of a less enlightened age.