Sentences with phrase «over visuals marked»

Not exact matches

The visual effects required for «The Irishman» are part of the reason the film's budget is over the $ 100 million mark.

It was also a period in which Schepisi started to come to terms with the pragmatics of international filmmaking, a set of lessons and experiences that have marked his subsequent, tenacious career as both a jobbing director — he has taken over a number of projects such as Mr. Baseball (1992) and Fierce Creatures (1997)-- and a filmmaker whose work displays an intermittently consistent thematic and visual style.

It's clear immediately that The Hunger Games: Catching Fire, in certain respects, marks a vast improvement over its immediate predecessor, with, especially, filmmaker Francis Lawrence's decision to jettison the inept visuals of the first installment - ie no more shakycam!

For exclusive behind - the - scenes digital content, head over to Target where specially marked Blu - ray combo packs include exclusive access to «Defying Reality: The Art and Visual Effects of Doctor Strange» — a featurette only available through Target.

The special features include a commentary featuring creator Todd MacFarlane, director Mark Dieppe, producer Clint Goldman and visual effects supervisor Steve «Spaz» Williams; an interview with Todd McFarlane, a behind - the - scenes Making of Spawn feauterette, a Spawn sketch gallery with over 200 original concept illustrations, scene - to - storyboard comparisons; original Todd McFarlane sketches; Filter & the Crystal music video and the original theatrical trailer.

There are few visual reminders of the state takeover now in progress at five schools in Indianapolis and Gary — a process marked with frustration over countless detail questions for administrators.

If the driver takes their hands off the wheel for a defined period of time, or the vehicle crosses a lane marking without use of a turn signal, the system countersteers and later provides an audible warning and a visual warning in the instrument cluster, asking the driver to take over steering.

If the driver takes their hands off the wheel for a defined period of time, or the vehicle crosses a lane marking without use of a turn signal, the system countersteers and later provides an audible warning and a visual signal in the instrument cluster, asking the driver to take over steering.

As visual marking (claw marks on wooden surfaces) also encourages a cat to replicate this behavior in the same place, the only way to prevent more scratching is to sand and paint over the surface.

While few expected the game to rival the 360 version's visual splendor, question marks remain over just why the game looks as poor as it does.

However, with Activision's showing off their next - gen engine over at GDC, it's a given that this year's CoD title would mark the use of a new engine for the series, and one can except a sea change in the game's visuals, which were extremely dated till now.

«Staying true to these roots, WG Labs and NGD Studios» reimagining of Master of Orion also adds a universe's worth of new content and improvements, including new visuals, full - voice over from a star - studded cast including Mark Hamill, Alan Tudyk and Michael Dorn, a new race, real - time tactical battles and more.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

But for Joseph C. Thompson, the museum's folksy director who's nursed Mass MoCA into existence over the past 30 years, the Wilson building marks something else as well: the museum's most convincing bid yet to turn its out - of - the - way campus of old factories into an international magnet for contemporary visual and performing arts.

It is humbling to be at the helm of this powerhouse of contemporary visual culture as we mark our 50th birthday, and to celebrate the impact that artists and their ideas have had on millions of visitors like me over the decades.

Surrealist artists, many of them refugees from Europe living in New York during the war years, brought with them an interest in primitive and archetypal subject matter, together with the technique of automatism, in which the artist, by relinquishing conscious control over pencil or brush, creates marks which may trigger visual or conceptual associations.

Day With (out) Art / World AIDS Day December 1, 2010 Visual AIDS and Ira Sachs partner to mark over 20 years of action and remembrance of Day With (out) Art by sreening Last Address today, December 1, 2010, at the Whitney, New Museum, Museum of Art & Design, El Museo del Barrio, Tate Modern, The Getty, Andy Warhol Museum, Wexner Center for the Arts, Museum of Sex, Nakamura Keith Haring Collection, Memphis Brooks Museum of Art, Rachel Uffner Gallery, Cleopatra's, Leslie / Lohman Gay Art Foundation, Grey Art Gallery at NYU, Center for Curatorial Studies at Bard College, School of the Art Institute of Chicago, Union Gallery at University of Arizona, Fales Library & Special Collections at NYU, and The LGBT Center of NYC, among others.

While which one you go with will largely come down to what games you like to play and where your friends play, both are a marked visual upgrade over their 1080p HD counterparts.

Although its lenses are the same fresnel design with the same visual artifacts in high - contrast scenes, its newly detailed AMOLED displays mark a stark improvement over the Rift's.