Again I realize these aren't supposed to be taken so seriously, but even a silly,
over-the-top film like this can be too silly and over-the-top.
This is the same guy who made the strikenly visual and
over-the-top films like «Romeo + Juliet» and «Moulin Rouge!».
Not exact matches
It can be overindulgent at times and Myers»
over-the-top lens through which he projected his early comedy
films can seep into the narrative and produce some overbearing results at times, though «Supermensch» feels
like a work of minimalist restraint compared to
films like «Wayne's World» and «Austin Powers».
Once again, instead of Falcone elbowing us to sneer at her pit stains
like the
film's one
over-the-top snob (played with zest by Debby Ryan), he aligns us with Deanna's friend and classmate Helen (Gillian Jacobs), who stares down the haters and cheers her buddy on.
Considering how that
film was not exactly a commercial success, this may not sound
like a big deal to many of you but as someone who believes that bleak and bruising comedy - drama to be one of the great unsung movies of the decade — the kind of
film that the great Billy Wilder might have made once upon a time — I went into the screening with the kind of
over-the-top sense of anticipation that many felt as they walked into «Avengers: Infinity War.»
On the one hand, the
film seems
like it could be fun in a gleefully ridiculous,
over-the-top way — bombs!
The best thing about
films like this for composers is that they usually allow them to go wildly
over-the-top because the filmmakers want music that's as loud and frenetic as possible.
To me, this Dalmatians feels less
like its source
film and more
like a tamer and much longer version of the
over-the-top climax from Hughes» Home Alone 2.
There isn't much to recommend Wasabi except for the offbeat mix of
over-the-top humor and overly stylized action, and taken as a pure entertainment kind of
film, it'll please most audiences who
like French action - comedies.
Though it is a thriller at heart, and does have a high - speed driving subtext, the
film feels more
like a throwback to the music video stylized, R - rated crime dramas of the 1980s than the new Fast & the Furious
over-the-top, CGI - infused modern action - thrillers.
Returning for this sequel is Kristen Wiig as Lucy (a different character than Wiig voiced in the first
film), sounding more or less
like a boisterous version of the actress's natural persona, and coming on board is Benjamin Bratt (Snitch, The Great Raid), completely not
like himself with an
over-the-top Mexican accent for Eduardo, Antonio's father.
Cregger's bland yet personable turn as the central character is certainly in sharp contrast to Moore's aggressively zany performance, with the actor's incessantly
over-the-top work hitting the viewer
like nails on a chalkboard and ensuring that the
film becomes more and more of a chore to sit through as it progresses.
In every step of his quest to clean up the mess of sibling mad - and - bureaucratic scientists Claire (Malin Akerman, looking
like True Lies «Tia Carrere's twin) and Brett Wyden (Jake Lacy, whose
over-the-top doofus act is better in a Farrelly Brothers»
film)-- the chemical agent that causes a crocodile, a wolf and Johnson's character's albino gorilla friend (Jason Liles) to upsize uncontrollably is a creation of theirs — Morgan's Russell behaves as if he's from a time where cheesy one - liners rule and to be American is to be Texan.
The director, one of China's most respected visual artists after his stunning work on crossover hit wu xia
films like House of Flying Daggers and Hero, is no stranger to
over-the-top stylization.
Like most
films of its ilk, Walk Hard may go too
over-the-top to prove itself, but there is something charming about it, underscored by its genuine love of music and affinity for musicians.
At first glance, it would seem
like an amusing premise for a satire, yet for large stretches the
film takes itself seriously on the one hand, then completely goes for bad
over-the-top theatrics and schlock in the other.
This
film looks
like it could be
over-the-top fun even before Jeff Goldblum shows up in the trailer.
While the
film is completely
over-the-top and seems
like a parody of our current situation, it is hiding an agenda to get its viewers to think about who is controlling some of the puppet candidates in real life.
Before it gets too Teorema on us, a mid-film reveal about military experiments will either tickle your fancy or slide you off into distraction, though it's presented with such poker faced seriousness that Lance Reddik's
over-the-top performance feels every bit at home here as similar twists in blockbuster fanfare
like something from the ongoing Bourne
films (as well as a distant echo of The Manchurian Candidate).
Rather than heavily abuse CGI, practical effects were used as much as physically possible, and means each action sequence manages to feel awesome without going so far
over-the-top as to feel utterly unbelievable, again grounding the entire
film and creating the sensation that a future
like this could well happen.
I took away a good amount of amusement from the game's nutty, gloriously
over-the-top interludes; the larger than life fight sequences and lively camerawork were very entertaining, engaging me and inspiring me to root for the good guys
like the best overblown action
films do.
However no one truly expects to see an action
film like this for high - art; it's all about the mindless
over-the-top antics, scantily clad women and tight - shirt wearing men as they defy physics for 90 minutes.