While I might not have cast Willem Dafoe as Norman Osborn or Joe Manganiello as the bully jock Flash Thompson, neither particularly detracts from
the overall feeling of the film to do any damage.
How do things like sound effects, musical score and camera angles add to
the overall feel of a film?
Others looking for a good epic love story will think the many instances of traditional Jackie - isms to mar
the overall feel of the film, often encroaching into the realm of cheese.
The entire cast is quite likeable, as is
the overall feel of the film, and when the going is good, you feel good along with them.
And with a script that's otherwise uneven and a little empty, these moments detract from
the overall feel of the film far more than they did in Rise.
Not exact matches
Happily, I can say that this is a movie made with care and the
overall impact
of the
film is
felt by the time the credits roll.
Overall I
felt that this
film was decent at best, and it never realizes its potential, but in the larger view
of things, this is also the ninth
film in the series, so it was only a matter
of time for the quality to be downgraded due to lacking ideas in terms
of storyline.
Schwartzman and Byington together
feels right to me and I am curious what the
overall outcome
of this
film will be.
These golden nuggets
of cinematic genius are peppered throughout the
films conservative eighty - four minute narrative, each presenting a different
overall feel and visual tone to each scene, and it is this impressive variety along with the
films pace and subtle humour that is key to its success.
For some, it will be very bad news that Ritchie (who co-wrote King Arthur: The Legend
of the Sword with Joby Harold and Lionel Wigram) stays in his lane with this
film; if you didn't enjoy the look and pace and
overall vibe
of other Ritchie movies, such as Snatch or Sherlock Holmes, then you might
feel that his often jarring and visually exhausting style could overpower the strong performances from a great cast.
But this is Lawrence's
film, and this is perfectly demonstrated by the inclusion
of an apallingly misguided scene featuring Lawrence as a secondary character — Preacher Don — whose impact contributes to the
overall feeling of «why?»
This featurette sees director Dean DeBlois talking about this sequel and how he
feels the 3D format contributes to the audience experience and the
overall success
of his
film.
I
felt that the
overall running time
of the
film was far too long for the story, therefore the plot became stretched and thin.
One
of the problems with a movie this long taking that approach is once the
overall premise
of the
film is set up, you
feel like you know what is going to happen and the movie has a shocking lack
of dramatic tension.
The scene
of the Weasley twins» revolution should be a joyous celebration
of teenage rebellion; instead it's curiously workmanlike and hollow — and those are the words I'd use for the
feel of the
film overall.
The critics» first social media reactions to Deadpool 2 are actually on - line, following the preliminary spherical
of press screenings, and it kind
of feels the
overall consensus is reasonably sure, with some even hailing this
film as being higher than the primary one.
The connection to Cloverfield (which Abrams and Burk also produced) was added late in the
overall development cycle, which might be why the final act
of the
film feels like the characters have suddenly been dropped into another movie.
The plot is meaningless, Lawrence — though great — is tormented for perceived enjoyment, and the
overall impact
of the
film feels like we should be kicking Aronofsky in the balls rather than praising him.
In discussing the original
film with the rest
of The Mary Sue editors, Teresa pointed out that The Warriors was all about toxic masculinity, and she's absolutely right; I imagine what one thinks the movie says about toxic masculinity will be very dependent on how one
feels about toxic masculinity
overall.
On a personal note, being a hardcore Spidey fan, I
felt I might be bothered by some
of the modifications made to the origin, but after watching the finished
film, I must say that none
of the changes really have any bearing on the
overall story, and it's remarkably accurate as far as the characters go.
Cinematographer John Seale (The English Patient, Cold Mountain) and production designer Colin Gibson have created such visually jaw - dropping imagery that further deepens the rich look
of the
film and enhances that
overall feeling of living and breathing in this desert.
A scene exploring his abnormal bathroom habits exhibits del Toro's ability to rustle together playful and discomforting tones, probably the best description
of the
film's
overall feel.
The
overall feel and tone
of the
film seems to be in constant flux, often making it
feel as though you are watching several different movies all at the same time.
While it is not unlike «Sin City,» «Streets
of Fire,» or even «Dick Tracy,» the
film's
overall style mixes in elements
of paper mache, cardboard cutouts, comic books, communist propaganda posters, and puppet shows into a plot that
feels like Walter Hill «s wet dream.
What could have been a super fun, super cool superhero adventure about a character that wears a ring that allows him to literally make anything he wants with it actually turned out to be one
of the year's silliest
films, not just the ins, outs and whathaveyous
of the story but just the
overall look and
feel of it.
Movies based on true stories are already hard enough to critique on a plot or character level, but when you're dealing with such a harrowing, difficult story as the one about what happened on New Year's Day
of 2009 in a BART Station by Oakland, California, there are a lot
of things that need to be acknowledged, regardless
of your
overall feelings for the
film as a whole.
I saw the special edition in Imax a couple
of months ago, and did
feel the additions made for a better
overall film.
Solid look at how the X-Men came to be - Stellar Cameos - January Jones looks rockin» in go - go boots Cons: - The original X-Men were not used - Some
of the dumbest characters were chosen for this
film - Azazel» action sequences couldn't hold a light to Nightcrawler» in X2 - The action
overall felt held back and the
film lacked any «real» edge - The ending was too predictable and too conveniently wrapped up Impressions: Matthew Vaughn is an incredible director and Brian Singer has done solid work with this material.
I did like Marco Beltrami's atmospheric score, and
felt it really enhanced the moody design
of the
overall film (even if said mood dragged on and on and on...).
For its technical mastery, CIA tricks, and
overall who can I trust
feel I do recommend viewing it but its unfortunate that the
film couldnt be wrapped a bit tighter to make more
of a masterpiece.
There are a few scenes that
feel quite abrupt, namely the Hunger Games opening ceremony which isn't allotted enough time to show all the tributes» outfits, but
overall, the
film is wildly successful in terms
of presenting the material in an understandable and emotional fashion.
Overall, while there were some enjoyable performances, and a couple
of amazing songs, the
film was not the experience that I
felt it should have been and, by the final scene, I was just ready for it to end.
I am going to stick with the Japanese track each
of these
films since they generally end up
feeling much more natural and an
overall a slightly better track, no question.
A few snips here and there, and a reduction in running time
of at least twenty minutes, may benefit I Saw The Light's
overall feel, because, as it stands, the
film, in a very ironic way, is the complete opposite
of the subject matter it is trying to portray.
It was one
of my favorite parts about the entire
film, because it was used in such a way that it would enhance each scene and the greater story
overall, but never
feel overbearing or forced.
I
felt that the
overall conclusion was very anti-climatic and wasn't nearly as scary as the first 3 / 4ths
of the
film.
Though the
film's attempts at character - driven diversions
feel a bit muddled, director Matt Wolf
overall does an effective job
of showing the similarities
of teens through the years.
The
film has an
overall gritty
feel, which adds to the realism, and some
of the scenes with Billy and Leila are surprising and emotionally powerful.
Overall, these clips give a general
feel and tone
of the
film and gives comic book fans mutant power «porn».
Overall, The Limey has numerous pleasures (not the least
of which are supporting roles including Leslie Ann Warren, Luis Guzman and a lizard - like Peter Fonda), but the constant displacement
of the dialogue across the visual and temporal space give the
film a wholly unique style and
feel.
At large, however, the
film feels like a somewhat superficial treatment
of its
overall premise.
As with Lanthimos» previous
films, the story playing out in The Killing
of a Sacred Deer takes its time even if the
overall sense
of discomfort can be
felt from the
film's initial opening moments.
There are a few good action sequences to keep things interesting, including a nifty bit in which Lara finds herself dangling from the decaying remains
of a crashed bomber straddling a raging waterfall, but by the time the
film is deep into its second hour, the
overall lack
of intrigue and charm makes it
feel like a long, heavy slog to the end credits.
Saw it today, its a strong
film, maybe not in my top 10, but strong, with great performances, more good work from Deakins, and has the kind
of themes and
overall feel you normally get in a Best Picture nominee.
Overall the
film feels more carefully crafted than «Bad Words,» with Bateman again working with cinematographer Ken Seng to create a lived - in look
of muted, autumnal colors.
Overall, Manchester by the Sea is a moving
film that refuses to compromise its unflinching examination
of unrelenting grief to pander to its «
feel - good» counterparts.
Overall the
film feels scattered, an assortment
of scenes and ideas that mostly represent a notebook full
of thoughts from Nancy Meyers.
As indeed is Smaug's assault on Lake - Town, but Battle
of the Five Armies only succeeds in bits and pieces, and
overall feels less like a
film than an enormously long episode in some vast follow - up adventure serial.
There is this home movie
feel that detracts from the
overall message
of the
film.
He updated this 50 + year old
film with some outstanding technology but
overall, the
film feels too dark for me and doesn't have that cheer
of the original.