Not exact matches
Far be it from me to expect any sort of cerebral
experience from a slasher about a doll, but it's evident that a degree of thought DID go into this, which makes its
overall failure as a horror
film all the more disappointing.
Flanagan does a wonderful job in sucking you into this premise, and I believe this easily could've been a very boring idea, even though my
experience of this
overall film did drag a bit.
While not quite as polished and satisfying
overall as Chicago, the strength of the music, production and commentary on the ups and downs of the music industry do make for an interesting, thoughtful, and enriching
experience to justify making a
film version of, despite some of the more dated aspects of the original material.
This featurette sees director Dean DeBlois talking about this sequel and how he feels the 3D format contributes to the audience
experience and the
overall success of his
film.
The trailer indicates that Ridley's
film is as much a work of Impressionism about Hendrix's
experience performing as part of the 1960s London music scene as anything else - a sentiment backed up by the early reviews, with the Seattle Times» Moira Macdonald calling the movie «a mood piece, not a biopic» in her
overall positive critique.
While «Farewell, My Queen» does boast admirable elements (more on those below)
overall, despite some showy trappings it is a frustratingly empty
experience, built around a character whose blankness is supposed to be a virtue, but ends up costing the
film dearly in terms of identification and interest.
Overall the
film is an engrossing
experience, but not one likely to demand repeated viewings.
For a
film with such a great soundtrack and such epic battle scenes, the DTS really makes a big difference in the
overall experience.
It's a visceral, pounding
experience that works as a vintage Bay action
film even as it skirts the bigger
overall picture.
Finally, there are some lines of dialogue that are ridiculous, but this adds to the
overall experience and will amuse those viewers struggling to take the
film seriously.
Deadpool 2 is far more ambitious than the first
film, elevating the action, humor and
overall scope for an even more fun
experience in the sequel.
The
film becomes increasingly far - fetched over the last half hour as a miniature mob war erupts in the pokey take - away setting, but
overall it's a pleasantly enjoyable
experience and won't give many viewers much to complain about.
As Creed director Ryan Coogler has said when talking about the talented women he's worked with, there's always room for strong voices, who will end up elevating the
overall level of
films being made, because they'll have different points of view and
experiences, in addition to talent.
Overall, while there were some enjoyable performances, and a couple of amazing songs, the
film was not the
experience that I felt it should have been and, by the final scene, I was just ready for it to end.
Deadpool 2 is vulgar enough to entertain less - demanding audiences, but the discerning viewer knows from
experience that you can incorporate these elements into an
overall stronger
film.
It's true that Altman's
overall ensemble methods — which typically meld the materialist
experience of making a
film with the illusionist
experience of watching one — parallel Renoir's aesthetics in certain respects.
Overall, despite a weak script, there is action aplenty throughout the
film, but that doesn't bog down the viewing
experience like many overcooked comic - book sequels.
The
film is by no means perfect — it could have been shorter and the narration that appears midway through is a little disruptive — but most of its flaws are niggling problems that don't affect the
overall experience.
I can only offer my take, and that is to say that the strengths and weaknesses are both there, but the
overall experience is so strong, that whatever faults one can ascribe to the
film are overshadowed by the things which Rodriguez does so well.
No doubt, my own lacking familiarity with 50s Hollywood was a barrier for entry and at least a sizable contributor to my
overall unmoved intake of the
film but let that serve as a warning to all: those unversed with the ins and outs of the entertainment industry circa six decades ago will likely find the
experience similarly cold.
Despite how many problems I had with the
film's inconsistent narrative, the Coens still manage to make the
overall experience quite entertaining.
The end result is a
film you respect and a
film with some incredibly strong moments, but a rather vapid
experience overall.
«The
film experienced a strong increase in box office on Saturday with a 71 %
overall bump from Friday to Saturday.
The
overall experience left me disappointed and I can only hope that the Godzilla 2 will improve on this
film's problems and focus on about 40 % Godzilla and 60 % on better crafted and developed characters that we can actually root for.
The
film never really sits still, which greatly improves the
overall experience.
Overall, this weirdness makes the
film a very interesting and enjoyable movie
experience.
Robert Pattinson and Mia Wasikowska play against type but the
film never takes off and doesn't result in an engaging
experience overall.
Creating ephemeral monuments through
film, photography, and assemblage Cordova seeks to expand the
overall experience of the visual arts as a platform for discussing our common
experiences, needs, and struggles.
Premium lint rollers do not shed or release lint into the paint
film as you go, enhancing your
overall paint
experience and the end result.