For starters,
the overall style of the film is just way too busy.
Writer / director Neil Burger has chosen to give
the overall style of the film a very period look, as the movie looks as if it were hand - cranked.
Cinematography is strong for the most part, although a few shots break with
the overall style of the film.
Not exact matches
The
overall style of Sleeping Beauty is also more modern than that
of the older Disney fairy tales; both figures and backgrounds are somewhat sharp edged and angular, in the manner
of 1950s commercial art, rather than softly rounded as in the earlier
films.
Formulaic, cheesy with its fluff and histrionics, - to the point
of superficializing a sense
of narrative weight, and inconsistent with its tone, pacing and
overall structure, this
film falls as a pretty forgettable war drama, flavored up by the decent visual
style, worthy subject matter, lively direction and endearing performances which secure Jesse Hibbs» «To Hell and Back» as an almost thoroughly entertaining and sometimes effective, if ultimately underwhelming account
of Audie Murphy's struggles as a farm boy - turned - military man.
For some, it will be very bad news that Ritchie (who co-wrote King Arthur: The Legend
of the Sword with Joby Harold and Lionel Wigram) stays in his lane with this
film; if you didn't enjoy the look and pace and
overall vibe
of other Ritchie movies, such as Snatch or Sherlock Holmes, then you might feel that his often jarring and visually exhausting
style could overpower the strong performances from a great cast.
While it is not unlike «Sin City,» «Streets
of Fire,» or even «Dick Tracy,» the
film's
overall style mixes in elements
of paper mache, cardboard cutouts, comic books, communist propaganda posters, and puppet shows into a plot that feels like Walter Hill «s wet dream.
Overall, the
film, which was produced by Tim & Eric themselves along with Will Ferrell, Adam McKay and Dave Kneebone, is a true celebration
of an off - brand
style of niche cult humor that so many viewers still look for in shows like The Eric Andre Show, Check It Out!
A genre
film is more about how the
film works within the rules
of the genre, how it inverts them, and how the plot and
style and
overall human bits and pieces splash out onto the screen (more a more succinct Ebert quote, «It's not what the
film is about, but how it is about it») and by that test, Kick - Ass is pretty damn successful in my book.
Overall, The Limey has numerous pleasures (not the least
of which are supporting roles including Leslie Ann Warren, Luis Guzman and a lizard - like Peter Fonda), but the constant displacement
of the dialogue across the visual and temporal space give the
film a wholly unique
style and feel.
With a great young cast, a great balance between laughs and frights, a phenomenal soundtrack and
overall visual
style, this is a small
film that is a true contender for my favorite
films of the year.
Live by Night is no exception; to this reviewer the
film almost reads as a clumsy marriage between Michael Mann's Public Enemies, in
overall style and milieu, and Miami Vice, if Colin Farrell's character was on the other side
of the law.
The retro
styling of the
film's music is also in place and «retro» as theme
overall is the strength
of this game.