Sentences with phrase «overbearing score»

The original mono Italian dub track comes with optional English subtitles, and Roman Vlad's overbearing score relaxes during the film's middle, before he re-applies the film's unsubtle main theme of TERROR!

For starters, there's no overbearing score, but Younger, Seiple and the sound department make the audience see and hear every punch Vinny takes.

Furthermore, the aggressively overbearing score of dreary, atonal classical music seems at odds with a lot of what Lanthimos is doing.

Everything is rushed, yet each scene drags on interminably, convinced that its absurd monsters are scary and that an overbearing score can induce suspense with nothing to back it up.

These probing questions and others are emphasized at every turn with an overbearing score, in case you might miss the emotionally moving moments.

It's a long way from George P. Cosmatos's 1993 film Tombstone, with its histrionic action movie cliches and overbearing score and pace.

And while some of the creative team are top - tier, the contributions of composer Alexandre Desplat «s overbearing score and the great Robbie Ryan «s handsome, but atypically anonymous photography are a bit disappointing.

With an overbearing score, «Breaking In» telegraphs almost everything that happens yet still provides several jolts amid its occasionally questionable twists.

Heavy, overbearing score thunders above it all, reinforcing the po - faced absurdity.

The DVD allows another look at this arduous journey, by way of Totino's tremendous landscapes and dramatic interiors (and another listen to James Horner's overbearing score).

Not exact matches

Appropriately heartbreaking, these close - ups manage more effective storytelling than the overbearing music score or gigantic shots, conveying little context but lots of instruction on how to respond.

An overbearing music score by Tim Kvasnosky and Jake Shears also weighs down the narrative.

Rob Cohen makes his first film since the awful Stealth, and reunites with his favourite composer Randy Edelman, who continues in the series which began so strong musically with Jerry Goldsmith's rollicking adventure score, before the considerably - inferior sequel which had its overbearing (but unbelievably popular) Alan Silvestri one.

Alas, there are problems with the lack of solidity to the lightweight material, with an overbearing calypso score which mars the film from taking off to high gear.

The largely interior, dialogue intensive picture sometimes veers into feeling like a TV movie (not helped by Howard Shore «s often overbearing, obvious score) with its static visuals, but strong turns by Del Toro and Amalric (who thankfully ditches a sea of quirks early on and settles into the part) at least keep things engaging, even if the narrative remains stuck in neutral for large chunks of the film.

James Newton Howard's score, generic to the action genre, is overbearing to a kind of silly point with electronic percussion and distorted electric guitars.

Alexandre Desplat's piano and strings score is a nice compliment without ever becoming overbearing, and the use of actual war newsreels adds just enough reminder of what the mission was for this group of geeks (today's terminology).

But seeing as how everyone showed up to do some work — even Stephen Trask's slightly overbearing, omnipresent score excels — it would have been nice if McCarthy had something for them to do after the movie hits the one hour mark.

Underscoring practically every moment is the score by Elmer Bernstein, which is always obvious but never overbearing in the slightest; it's a perfect fit.

The electro - synth score by Cliff Martinez is also great, lending the film a pulse and upping the intensity without ever becoming overbearing.