Not exact matches
About eight years ago Keltie Ferris burst onto the New York
painting scene like a bat out
of hell, that is, if you define hell as the Yale M.F.A.
painting program; back then, her large Day - Glo - colored canvases were perfect crosses between hazy 1970s Color
Field painting, pixilated digital space breaking up and reforming in odd - shaped plates, and painterly abstraction at the same time totally avoiding any derivative
overlap with artists like Kelly Walker or Gerhard Richter.
Joe Camoosa returns to Kai Lin Art with a selection
of large and detailed oil
paintings that
overlap translucent
fields of color with interwoven geometric shapes and lines.
Well known for her approach situated in Color
Field painting, Gualdoni begins her
paintings by pouring acrylic
paint directly onto the canvas, creating
overlapping layers
of capricious and unpredictable ground.
A
field of overlapping solid rectangles, layered with a tracery
of open frames
painted - drawn, really - in contrasting hues, it positions itself somewhere between the famous «Homage to the Square»
paintings and prints
of Josef Albers (1888 - 1976) and the jostling, evanescent windows
of a computer screen.
Employing a brightly colored palette dominated by yellows, pinks and blues, his
fields and angular bands
overlap one another, creating irregular geometric shapes within the
paintings, with linear elements emerging from beneath earlier layers
of paint.
A swish
of color
field painting encompasses the Bridge walls and ceiling adding reflective elements to create
overlapping perspectives and optical illusions.
The
overlapping tongues
of color in Carey's Polaroids recall the lozenges and plumes
of paint in color -
field abstractions by Morris Louis and Larry Poons, minus their
paintings» claim to descent from high - art tradition.
Ten
of the eleven
paintings in the exhibition at Cohan were done between 1962 and» 65,
overlapping with the art world's further shift away from Abstract Expressionism as it embraced Minimalism, Pop Art, and Color
Field painting.
At Gregory Lind Gallery through October 20th, Don Voisine's second solo show exhibits a new series
of paintings that explore and experiment the both the boundaries
of the medium and
of painting's surface and perimeters by central expanses
of overlapping black rectangles against white
fields, bound above and below by elemental color bands.