Sentences with phrase «own aesthetic language»

Overwhelmingly, he used aesthetic language to describe what he meant — he described males as charming the females.

The gallery's stable of artists, selected for their unique aesthetic language and fascinating vision, are represented in major public and private collections including Kiasma, Museum of Contemporary Art, Helsinki; Victoria & Albert Museum, London; Danish Museum of Decorative Arts, Copenhagen; The Museum of Fine Arts, Boston, The Smithsonian American Art Museum, Washington DC; The Mint Museum, NC; The Museum of Arts and Design, NY; The Guggenheim Museum, NY; and the Metropolitan Museum of Art, NY.

Josephine Meckseper (b. 1964) has developed a practice which melds the aesthetic language of modernism with a profound critique of consumerism In her shop windows, vitrines, installations, photographs, films and magazine projects she draws a direct correlation to the way consumer culture defines and circumvents subjectivity and sublimates the key instruments of individual political agency.

Through this layering of image, scent, and sound, Ulman's Stock Images of War generates an aesthetic language that blurs the distinction between the artist's personal experience and the objects of study.

It also references the artists» process of collecting and storing images and objects, their use of the image as object, as well as their process of taking and recombining contextual information and translating it into an aesthetic language.

Meckseper melds the aesthetic language of modernism with the formal language of commercial display, combining them with images and artifacts of historical undercurrents and political protest movements.

His background in instrument building and exploratory music contributes towards his innovative aesthetic language.

A pure fascination for artists, nature is a great setting onto which inner feelings and progressive ideas of the new aesthetic language and trends can be imprinted.

Josephine Meckseper's noted works meld the aesthetic language of modernism with the formal language of commercial display.

This large work on paper features vivid primary colors and a repeating oval motif, building on an aesthetic language of expression.

Influenced by some of the masters of figurative painting, such as Titian, Rembrandt, and Peter Paul Rubens, Auerbach has helped form a new aesthetic language of painting.

Viewing appropriation as a form of collaboration, Dzama incorporates his sources for imagery, narrative, and subject matter seamlessly, creating an aesthetic language that is at once universal and uniquely personal.

For the past three decades, Fujimura has religiously revisited these and other binaries, searching for the aesthetic language to voice and resolve them.

musician, Kotik is on a continuous journey to form an aesthetic language from these two creative drives.

2013 Exhibition traces the shift and the development of Kendell Geers» aesthetic language, Art Daily, 1 February Bradley, Kimberly, Kendell Geers, Art Review, Issue 68, May, pp. 124 - 125 Kendell Geers Joins Protestors in Istanbul and Postpones Exhibition opening, Artkurio, 3 June Villanueva, Jean Fabian, Haus der Kunst mit Kendell Geers, Base Now, 22 January Haus der Kunst in Munich opens major exhibition by the South African artist Kendell Geers, Blouin ArtInfo, 5 February Kendell Geers at Haus der Kunst, The Collector Tribune, January 2012 Tay, Nastasya, «I am not a politician», iAfrica, 20 July Shaw, Amy, The Art Newspaper, 23 April

By reclaiming the aesthetic languages of oppression, Monkman, with mischievous alacrity, questions the myths propagated by European colonialist ambition.

For both Blake and Wesley, the process of tracing functions as a fundamental step in their artistic methodology — a translation device that allows the artist to transcribe daily imagery into their own aesthetic language.

This formally connects to artworks by Jonathan Binet, Ayan Farah and Sergej Jensen, whom consciously reveal the economy of their making by adding and subtracting existing materials, employing a reduced aesthetic language that traces the manipulation of their respective surfaces and original material purpose.

Collaborative artist duo Roxy Topia and Paddy Gould fashion lively ceramics and fabric works which employ a playful aesthetic language of the grotesque utilising bodily functions and visceral or disquieting physical experiences.

Abstraction, like mimeticism, is an aesthetic language that can be interpreted and used politically in a range of ways.

Feaster has over the years developed a lexicon of painting techniques emphasizing the primacy of process to produce a body of work with a clean and identifiable aesthetic language.

Although never formally trained as an artist, Basquiat's natural talent as a painter and his profound life experiences prepared him for his aesthetic language and ability to illuminate the conflicts of his particular time and place in society including tensions of race, class, identity, and culture.

The avant - garde movements» strategy has been active precisely in the direction of the elaboration of new aesthetic languages capable of isolating and articulating that metaphorical angle.

We look forward to seeing how the participating artists and contributors propose a new aesthetic language for post-anthropocentrism and multi species collaboration.

Her city series first focused on the hidden aesthetic language of Los Angeles mini-malls and the architectural feats of freeway overpasses.

All three female artists in this exhibition share an interest in inventing individual aesthetic languages to articulate the contemporaneity of each time period.

She sought to give female artists a new aesthetic language that did not emanate from the prevailing male - dominated Abstract Expressionism of the time.

ROBERT CREMEAN: THE BEDS OF PROCRUSTES and THE SEVEN DEADLY SINS uses this figurative imagery as well as the artist's highly personal aesthetic language to examine the enforcement of cultural conformity through myth and metaphor, communicating his own spiritual struggles and fundamental truths in a strikingly universal way.

Her works juxtapose contrasting aesthetic languages that have ranged from traditional tea ceremonies to Manga and cyber culture, fusing Shintoism and Buddhism with the hard planes of science and technology.

Such research helped to build a fresh kind of a relationship between the object and the space, not to mention the original aesthetic language.

Over the course of his career, Pettibone employed the aesthetic language of Pop art and its propensity for appropriation with an almost absurdist, Dada sensibility akin to that which underlies Duchamp's works.

Once he and Mondrian have grown to share this basic aesthetic language, he becomes a really inventive artist.

Not exact matches

But Truth and Method moves steadily forward, past the preoccupation with the humanities, «horizons,» the «historical and aesthetic consciousness,» past conversation and language to its ultimate task, which is breaking down the «ontological prejudice» that modernity has housed in a thousand institutions.

Much later, as a graduate student at Northwestern University's School of Speech, I began to develop some tools for investigating intersections between language and action, angling toward such forms of aesthetic expression as oral reading, acting and directing in the theatre, and storytelling.

That is, as an aesthetic object which finds completeness in performance but which is brought into the liturgical frame in order to be broken by a different, but related «language of actions, a language of sounds».

The principle is that in regard to the presentation of subjective aims, God has to «speak» to each actual occasion in its own «language,» that is, at its own level, in a manner harmonious with the character of the sort of data which are in general operative in the aesthetic synthesis which is the concrescence of the actual occasion in question.

Such a miracle would involve the suspension of the laws of nature at the level of primitive actual occasions, but if we accept the principle that God «speaks» to a given actual occasion in its own «language,» and if the «language» of primitive actual occasions in nature is such that the character of the data available for aesthetic synthesis in the concrescence of such occasions admits only of absolutely miniscule contrasts with the givenness of the character of the past, then God has no leverage via subjective aims to introduce shifts in the social structures conditioning the possibilities available for aesthetic synthesis in the concrescences of such primitive actual occasions.

In our generation there is danger and hope — danger that these noncognitive accouterments will lose their aesthetic harmony and hypnotic power when integrated with the basic prehensions of science, and be reverted into impotent and empty symbols, jarring, ugly, and without force in final satisfactions: hope that the power of Jesus as lure will reassert itself in an aesthetic context devoid of supernaturalism, a context such that (the language now picks up echoes of van Buren) the vision of Jesus, the free man, free from authority, free from fear, «free to give himself to others, whoever they were «1 — such that this vision in its earthly, human purity will lure our aims to a harmonious concrescence, integrating scientific insight and moral vision and producing a modern, intensely fulfilling human satisfaction.

Both art and religion are rooted in the Logos, and the language of both is symbolic; for symbols, whether religious or aesthetic, open up levels of reality which are otherwise closed for us and unlock dimensions of our soul which correspond to that reality.

According to Roger Ames (NAT 117), an «aesthetic order» is a paradigm that: (1) proposes plurality as prior to unity and disjunction to conjunction, so that all particulars possess real and unique individuality; (2) focuses on the unique perspective of concrete particulars as the source of emergent harmony and unity in all interrelationships; (3) entails movement away from any universal characteristic to concrete particular detail; (4) apprehends movement and change in the natural order as a processive act of «disclosure» — and hence describable in qualitative language; (5) perceives that nothing is predetermined by preassigned principles, so that creativity is apprehended in the natural order, in contrast to being determined by God or chance; and (6) understands «rightness» to mean the degree to which a thing or event expresses, in its emergence toward novelty as this exists in tension with the unity of nature, an aesthetically pleasing order.

Ways of speaking reflect the aesthetic and communicative values of both a particular congregation's culture and tradition; our language for worship is designed to link the vernacular with the formal.

In Living, she uses the language of criticism to make the paths we choose to walk matters of individual aesthetic choice.

Both make excellent points and rightly focus on the aesthetic tastefulness of gay rights language: love, tolerance, acceptance, inclusiveness, safety, etc..

Since the language of a sermon has a constitutive or «dramatic» function, preaching can be understood as an example of «aesthetic communication.»

While Spitzer's regret or half regret for the destruction of the old belief in world harmony faded, as no illusion could long keep his allegiance, he surely preserved his aesthetic admiration for the old world - picture, his historical interest in understanding it and his feeling for its survivals in our time and in our languages.

Indeed, the director had set his sights on remaking Murnau's shuddery unauthorized Dracula adaptation, shooting both German and English language versions and applying his own unique cinematic aesthetic to the oft filmed tale of the bloodsucking undead.

Best - case scenario: You thoroughly enjoyed Sorrentino's previous English - language effort, This Must Be The Place, and will appreciate the opportunity to experience a similar tone and aesthetic without the distraction of Sean Penn playing (essentially) The Cure's Robert Smith.

And there is of course the aesthetic value of reading influential works in their original language!

evaluating Aesthetic and Artistic Development, under the heading Artistic Development and Awareness, using the learning outcomes of the fine arts curricula, although the Primary Program document also lists some language arts learning outcomes under this area of development

Because the visual aesthetic is beautiful and the text examples are vivid, students will find figurative language easy to understand and remember.