Sentences with phrase «own architectural theory»

Dr. Neidich studied photography, neuroscience, medicine, ophthalmology and architectural theory

Formal elements within the work reference various art historical movements: from the gesture of Abstract Expressionism to the flatness of Minimalist paintings, to the spatial considerations of architectural theory.

Formal elements within the work reference various art and architectural movements: from the gesture of Abstract Expressionism to the austerity of Minimalist paintings, to the spatial considerations of architectural theory, specifically the work of Frank Gehry.

Trix & Robert Haussmann have been pioneers in breaking with the canonical premises of modernist design, playfully reinterpreting the linguistic dogmas of its architectural theories.

Marianne Zamecznik, Curator, writer and director of Oslo Open, Johanna Agerman Ross, Curator at V&A and co-founder of Disegno, Peter Lang, Design critic, Professor Architectural Theory and History, Architecture, Royal Institute of Art, Stockholm, Sweden.

She is the editor of Architectural Theories of the Environment: Posthuman Territory (Routledge, 2013).

She employs feminist architectural theory and uses color, light and reflection to investigate spatial relationships.

With a previous Ph.D. in Architectural Theory, History and Criticism from Princeton University, Abrams had worked for more than 20 years as an architecture and design critic and editor, organizing numerous conferences and salons, and writing for publications including frieze, I.D. Magazine, Blueprint, and The New York Times.

As the Nancy and George E. Rupp Professor, she teaches architectural design and architectural theory / history courses at Columbia University's GSAPP, where she also directs the graduate program in Advanced Architectural Research.

Socio - urban and architectural theory has argued that space is not self - evident, rather that it is socially produced; we produce the city, the digital landscape, office waiting rooms, the postal system, the nation and its territory by the way we live in and occupy it, use it, by what we wait for in it, send through it, and the violence we use to try to control it.

Taking root from architectural theory, futurology and geopolitics, as well as family photographs and memory of place, his hand - drawn and digital sketches, collages and mobile constructs respond to the psychic and physical impact of space, and to how these experiences are navigated and mapped.

Not exact matches

Plainspoken and witty, it qualifies as social history, film theory, personal reverie, architectural history and criticism, a bittersweet meditation on automotive transport, a critical history of mass transit in southern California, a wisecracking compilation of local folklore, «a city symphony in reverse,» and a song of nostalgia for lost neighborhoods such as Bunker Hill and unchronicled lifestyles such as those of locals who walk or take buses.

Lunch break / Afternoon — BioRock Theory: slide and film presentations on the theory of mineral accretion, reef reconstruction, shore protection and architectural applicaTheory: slide and film presentations on the theory of mineral accretion, reef reconstruction, shore protection and architectural applicatheory of mineral accretion, reef reconstruction, shore protection and architectural applications.

Barry Bergdoll Meyer Schapiro Professor of Art History and Archaeology 19th - and 20th - century Architectural History; Theory and Criticism

Contributors include: Vito Acconci, designer; Kai - Uwe Bergmann, Partner, Business Development at BIG; Mindy Thompson Fullilove, Professor of Clinical Psychiatry and Professor of Clinical Sociomedical Sciences at Columbia University; Ariane Lourie Harrison, principal of Harrison Atelier and a critic and lecturer at the Yale School of Architecture; Seth Harrison, principal of Harrison Atelier and founder of Apple Tree Partners; media artist Brian House; poet Rachel Levitsky; artist, designer and founder of The Center for Urban Pedagogy Damon Rich; artist Martha Rosler; Associate Professor of Architectural History and Theory at Pratt Institute's School of Architecture, Meredith Tenhoor; modular synthesizer artist Ben Vida; and musician C. Spencer Yeh.

He holds a PhD in History and Theories from the Architectural Association, London.

He holds a Ph.D. in Histories and Theories from the Architectural Association, London.

Jeffrey Kipnis is professor of architectural design and theory at the Knowlton School of Architecture at Ohio State University and architecture / design curator for the Wexner Center for the Arts.

In a focused manner, Maunz's work mines the history of classical art, architectural structures abstracted from memory, particular aspects of the artist's past, and family and childhood psychological theory.

With Revd Dr Richard Davey, Shawcross explains how he approached the courtyard installation and how scale, failed theories and architectural space all influence his practice.

About Pablo León de la Barra Pablo León de la Barra, Curator, Latin America at the Solomon R. Guggenheim Museum, New York; and associate curator at MASP, Museu de Arte de São Paulo, and holds a Ph.D. in Histo - ries and Theories from the Architectural Association, London.

Martin Hartung is a doctoral fellow at the Institute for the History and Theory of Architecture (gta) at ETH Zurich, Switzerland, where he researches the exhibition history of architectural projects on the art market.

Born in Mexico City in 1972, Leà ³ n de la Barra earned his PhD in histories and theories from the Architectural Association, London.

Primary influences arise from issues surrounding the Israeli - Palestinian conflict, architectural and queer theories, and personal history.

Primary influence arises from issues surrounding the Israeli / Palestinian conflict, architectural and queer theories, and personal history.

Sabina Andron is a teaching fellow in Architectural History at the Bartlett School of Architecture, University College London and Lecturer in Interiors History & Theory, Univeristy fo East London.

Sabina has taught architectural history and theory at several universities across London.

Besides architectural commissions, murals, painting and printmaking, he published books on art theory and produced an enormous amount of silkscreen prints.

Until 2010, Arakawa and Gins painted large canvases that consistd of letters and numbers arranged geometrically, in which they meditated on their theory of the «mechanism of meaning»; these works enabled the couple to financially support their architectural projects.

Pablo León de la Barra is an exhibition maker, independent curator, researcher, editor and blogger, and holds a PhD in History and Theories from the Architectural Association, London.

Meredith TenHoor teaches architectural history and theory and coordinates the history - theory curriculum at Pratt Institute.

Contributions by: Vito Acconci, designer; Diana Balmori, Landscape and Urban Designer; Kai - Uwe Bergmann, Partner, Business Development at BIG; Mindy Thompson Fullilove, Professor of Clinical Psychiatry and Professor of Clinical Sociomedical Sciences at Columbia University; Ariane Lourie Harrison, principal of Harrison Atelier and a critic and lecturer at the Yale School of Architecture; Seth Harrison, principal of Harrison Atelier and founder of Apple Tree Partners; media artist Brian House; poet Rachel Levitsky; artist, designer and founder of The Center for Urban Pedagogy Damon Rich; Associate Professor of Architectural History and Theory at Pratt Institute's School of Architecture, Meredith TenHoor; modular synthesizer artist Ben Vida; and musician C. Spencer Yeh.

They developed an aesthetic and spatial language around their research interests, ranging from utopian social theory and architectural history, to urban nature experiments.

The imagery appears to extend or recede from the surface of the picture plane through the artist's carefully developed variations on colour theory and architectural elements with influences of Op art and Mathematical perspectives.

Co-directors of DAAR, an architectural office and artistic residency programme that combines conceptual speculations and architectural interventions, their theory and practice moves between art, architecture and education.

Created at the height of postmodern theory, Kasten's Architectural Sites submits iconic buildings to distorting angles and colored lights, thus transforming already vertiginous structures into truly illusory spaces.

Sylvia Lavin is a leading figure in contemporary architectural history, theory, and criticism.

Founded in NYC in 1967 as an alternative forum for architectural research, education, and practice, the IAUS was a place of immense energy and effervescence, whose young founders and participants, while hardly known at the time, would shape architectural practice and theory for decades.

Elements of Balzer's work run parallel to contemporary influences on graphic, industrial, and architectural design, the flatness of the vibrantly colored foils create a contemporary twist on the theories of non-representational neoplasticism, cubist sculpture and the Japanese Superflat movement.