Sentences with phrase «own audio rights»

No wonder Italian rights were sold even before the book was published, and Turkish and audio rights were sold shortly after publication.

Evernote has the ability to allow you to record audio right in the same note that you are typing.

Display audio with 6.1 - inch touchscreen, which allows you to control your audio right in front of you

And so I would then buy that from you and you would retain all of the other rights, audio rights to your book.

And I'd be happy to sell audio rights if there were legitimate interest.

• Subrights — TV and film rights, foreign rights, reprint rights, audio rights, serialization rights, book club sales, online electronic rights.

If you or your company owns over 100 previously produced unabridged audiobooks, or controls the audio rights to more than 100 books, contact us immediately.

But we know what audio rights basically are: The right to read a book aloud, record it, and distribute that recording.

You verify you have the audio rights.

It does not matter how good a substitute the right to read is for audio rights or film rights.

And if I'm that licensee (a publisher) and I haven't licensed the audio rights from the creator, only text rights, can I distribute my text product to an entity like Amazon to enjoy and sell to the public as a text / reading?

Payment is $.08 per word (including audio rights).

What kinds of rights (foreign rights, audio rights, film rights, etc.) are useful for indie authors to know about.

Let's focus on audio rights, the line in yellow.

Payment is eight cents per word (including audio rights).

I mentioned them earlier — film rights, audio rights, translation rights, the rights to make screenplays, the right to make derivative works.

The second question, which is related, is are these talking book rights separate from audio rights or even possibly are they even a third kind of right separate from both text rights and audio rights?

I received a surprising email last week from an editor at Starship Sofa asking if the audio rights to my story «The Schrödinger War» were available.

The same form handles all our opt ins — do I want BVC to handle audio rights for the book, foreign rights, sending our Advance Reader Copies to reviewers?

And when the audio contract goes out of force, the audio rights piece of the pie suddenly appears back in your pie and you can resell it again.

Five years later: we've published well over 200 ebooks, we've incorporated, we've doubled our membership, our ebooks are in libraries worldwide, sold by nearly one hundred retailers worldwide, and we've just sold the audio rights to over one hundred of our books.

I know I've had no luck getting audio rights for my trad pubbed books.

Contact literary agent Mark Gottlieb of Trident Media Group, New York, who represents book / TV / Film / Foreign Rights / audio rights, at:

In cases where the author retains audio rights, Marsal Lyon agents sell directly to a number of audio publishers, including Audible, Brilliance, Tantor, and others.

The current editions will remain available until that time, and since I'm retaining audio rights, there will be no change in the Steve Carlson - narrated version of the book.

For Kay Kenyon we've sold audio rights to her new series with Saga, AT THE TABLE OF WOLVES (July 2017) and SERPENT IN THE HEATHER (April, 2018) to Audible.

We sold the audio rights, international rights and book club rights.

Through Folio she is now able to provide the ability to manage intellectual property rights of authors by selling both domestic and foreign rights, co-agenting film and audio rights, as well as offering the services of a speakers bureau and licensing agency.

Some authors are requesting reversion of their audio rights if they've sold them and they're sitting there unused by the publisher.

Is there a better way to buy the audio rights to a book currently in print?

audio rights, Berne Convention, [copyright], copyright notice, derivative work, digital rights management, economic right, exclusive license, film rights, intellectual property, license, moral right, non-exclusive license, public domain, revert, subsidiary right

The audio rights to the work, the audio files, and the ACX account all belong to the author.

Can you negotiate to buy the audio rights?

As both the audio rights holder and narrator, I wouldn't enter into an RS agreement with myself.

Indie audiobook publishing, where you produce your audiobook and retain all audio rights, follows a similar format as Internet dating.

Authors own the audio rights to their work unless and until they assign the rights to another party.

If the copyright is still valid on the book, you must do research to determine who holds the audio rights.

I'm not the first narrator to acquire audio rights and publish an audiobook of a current book.

I have kept my audio rights for all my books.

If you know the author, you can ask her whether she still has the audio rights to a book.

Many publishers include audio rights as part of a publishing contract for the work.

If you're self - published, you already own your audio rights.

Authors could make more money by exercising as many subsidiary rights as possible for each book, especially the audio rights.

You also could choose to license your audio rights to a publisher or producer.

You also could license the audio rights and become the rights holder.

The book has been so successful that Amazon's imprint Thomas and Mercer signed a deal for the worldwide paperback, digital, and audio rights.

If the book is still copyrighted, the RH could retain the audio rights and hire you as an independent contractor to produce the audiobook.

Many times, the author tells me that her publisher has the audio rights, or she isn't sure who owns them.

Being hybrid means grabbing hold of those options that are available to me and using them to my advantage — whether it's going traditional, having print only deals, getting foreign rights, audio rights... doesn't matter — it's seeing beyond the box called «Indie Publishing» and realizing there are no lines for me to cross — as long as I don't see them.

But a significant minority of these are sales of titles where audio rights that have been sub-licensed from self - published authors, the Big Five, or other traditional publishers.