Sentences with phrase «own cinematic vision»

Although I was raised in West Virginia, I first learned about these events as a nearly grown man when I saw the movie Matewan, John Sayles's cinematic vision of the seminal events of the mine wars.

(See photos of the cinematic vision of the apocalypse.)

Love it or hate it, Northfork is a cinematic vision (visually and textually) unlike any with which most moviegoers, even arthouse regulars, will be familiar.

Green Room, a film about a punk band trapped in a hostile environment when they stumble across a white power group and their crimes, is one of the most realistic cinematic visions of the punk underground since Penelope Spheeris's Suburbia in 1983.

I could see putting it in the top tier, on the basis of its beauty, sophistication, and unorthodox cinematic vision.

«A Cinematic Vision» (7:12) discusses the unorthodox filmmaking techniques used to convey Jean - Do's point of view, from cameras with latex faces attached to letting its leading man react naturally in a soundproof room.

Often dismissed as oppressively tasteful and aesthetically repressed, their best - known films (A Room with a View, Howards End, The Remains of the Day) were marked less by any singular cinematic vision than by the ability to marshal a team of talented craftsmen — costumers, hair stylists, set dressers, and location scouts — to create a prettily detailed simulacrum of the past.

The most skillful directors possess a cinematic vision that clearly distinguishes them from other filmmakers.

Actor - turned - screenwriter Hampton Fancher came next, as he built out the screen story by adding its noir elements; filmmaker Ridley Scott (Alien) contributed his staggering cinematic vision for a dystopian near - future and ever deeper layers of meaning, aided by late - coming screenwriter David Webb Peoples.

Zack Snyder's stylishly violent swords and sandals epic, 300, was a surprise box office smash (taking in $ 456 million worldwide in the spring of 2007), but no one kids themselves into believing that his cinematic vision was not responsible for that chest - beating comic book adaptation being so enjoyable to watch.

Being that a large part of the film is essentially silent, the towering and conflicted performance from Daniel Day Lewis and the searing score lurking around every corner loom large in creating the tension that creeps up and down your spine when viewing this bold cinematic vision from Paul Thomas Anderson (Hard Eight, Boogie Nights, Magnolia, Punch Drunk Love.)

I think our cinematic vision of New York is more informed by Lumet's films than most people realize.

Under The Skin (Jonathan Glazer, 2013) With the Internet flooded by fan adoration and scholarly analyses already shooting down the pipeline, I'll confine myself to calling this a unique, and uniquely terrifying, cinematic vision in every way.

For fans of the Coens, though (and I consider myself one), it suggests, especially on the heels of No Country for Old Men, that they have rediscovered their cinematic vision after several lean years.

Co - writer / director Kornel Mundruczo can get a little clunky with his reaches for Great Social Cinematic Vision but he has an undeniably confident eye, which sometimes results in striking, memorable imagery.

With so much bonus material offered on an independent release like «Garden State,» the DVD release is impossible to pass on for fans of the film and is also a smart post-Christmas purchase for those who haven't yet experienced Braff's cinematic vision.

That backdrop allows the screenwriters to explore their mysterious main character in more detail as he brings his cinematic vision to life.

It's a tight, unsparing 85 minutes (that will feel much longer to those not engaged by cinematic visions like «Dead Man,» for example, that aren't overly concerned with plot).

Petric argues on behalf of the kinesthetic pleasures of film and complains that the director of Bright Leaf, Michael Curtiz, «doesn't have a cinematic vision.»

Director John Waters (Pink Flamingos, Hairspray) brings his twisted cinematic vision to the seemingly mundane world of suburbia in Serial Mom, an outrageous dark comedy starring Kathleen Turner (Body Heat, Romancing The Stone).

It's a singular, shattering, emotionally bold venture, and that rare example of a completely uncompromised cinematic vision.

Both these films use the idea of time travel to explore the metaphysical workings of memory and trauma, creating a cinematic vision of technology as experienced rather than observed.

Speaking on the process of movie selection and shortlisting, Emirati writer and filmmaker Manal Bin Amro, said: «The main challenge was the large number of entries received from many countries and filmmakers, and also the multitude of excellent films in terms of production, content and cinematic creativity, which created a deep discussion to sincerely try to come up with unbiased and fair results based on a comprehensive cinematic vision that takes into consideration the general approach and categories of the competition.»

Meanwhile, and ad over at Forza developer Turn 10 (via CVG) sees the studio asking for a cinematics art director capable of «defining and driving the cinematics vision and techniques needed to achieve exceptionally high quality content for our Next Generation of games.»

While several of the images in Cinematic Visions appear haunted or suggest heightened states, as in the metaphysical world conjured by Chris Ofili in Ovid - Windfall, 2011 - 2012, others seem subject to unseen forces or interior compressions.

Cinematic Visions examines how, through a variety of painterly strategies and gestures, figuration starts to break down and, conversely, how a residual figurative substratum can be found in even the most apparently abstract image.

It is through these shifts and nuances of pace and touch that the paintings in Cinematic Visions address the slippery world of image making and image reading in the twenty - first century, where access can be instantaneous yet often at one remove and the screen dominates experience.

The Photographers» Gallery's latest exhibition offers an insight into the polaroids of a previous generation through the cinematic vision of Wim Wenders.

A twelfth work in the series of specimen is also currently up for examination in the «Cinematic Visions» exhibition at Victoria Miro Gallery in London.

We're so excited to be featuring John Akomfrah's cinematic vision in the exhibition.

«The Turner Prize», Ebrington, Derry - Londonderry (cat) «Art from Britain and Poland since 1990», Centre for Contemporary Art, Ujazdowski Castle, Warsaw «Folk Devil», David Zwirner, New York «Cinematic Visions: Painting at the Edge of Reality», Victoria Miro, London «The Future Generation Art Prize@Venice 2013», 55th International Art Exhibition — la Biennale di Venezia, Palazzo Contarini Polignac, Venice «The Encyclopedic Palace», 55th Venice Biennale, Venice «The Souls — A Twice - Told Tale», CEAAC, Strasbourg «The Roving Eye: Aura and the Contemporary Portrait», Oakland University Art Gallery, Oakland University, Rochester, MI

«Entitled, The Cinematic Impulse», Nasher Museum of Art at Duke University, Durham, North Carolina, USA «Un été Sicilien», Le Château de Nyon, Nyon, Switzerland «Cinematic Visions: Painting at the Edge of Reality», Victoria Miro Gallery (co-curator with James Franco and Glenn Scott Wright), London, UK

Dean's works on paper — photographs drowning in gouache or composed in cinematic visions inscribed with Twombly - like arcana — have since evolved into some of the most powerful works being made anywhere this century.

,» Ellis King, Dublin, Ireland; «Imagine,» Brand New Gallery, Milan, Italy; «Introductions,» La MaMa La Galleria, New York, NY; «Eden, éden,» Galerie Torri, Paris, France, curated by Timothée Chaillou; «The Ukrainian Diaspora: Women Artists 1908 - 2015,» The Ukrainian Museum, New York, NY; «Painters NYC,» Páramo Galeria, Guadalajara, Mexico, traveled to Museo de los Pintores Oaxaqueños (MUPO); «Disturbing Innocence,» The FLAG Art Foundation, New York, NY; «Sargent's Daughters,» Sargent's Daughters, New York, NY; «The Golden Ass,» Blindarte Contemporanea, Naples, Italy; «Cinematic Visions: Painting at the Edge of Reality,» Victoria Miro, London, England; «Pivot Points: 15 Years & Counting,» Museum of Contemporary Art North Miami, Miami, FL; «Fairy Tales, Monsters and the Genetic Imagination,» Frist Center for the Visual Arts, Nashville, TN, traveled to Winnipeg Art Gallery, Winnipeg, Canada; Glenbow Art Museum, Calgary, Canada; and «The Sound of Painting,» Palazzo Saluzzo Paesana, Turin, Italy.

«From the Collection: Looking at Process,» de le Cruz Collection Contemporary Art Space, Miami, FL, December 3, 2013 — October 11, 2014 «Postscript: Writing After Conceptual Art,» MCA Denver, Denver Colorado, June 21 — September 2, 2013 «Cinematic Visions: Painting at the Edge of Reality,» Victoria Miro Gallery, June 8 — August 3 2013 «Black and White,» Galerie Sho Contemporary Art, May 7 — June 8, 2013 «Speak, Memory,» The Wallach Art Gallery, New York, NY, May 1 — June 8 2013 «Network of Mutuality: 50 Years Post-Birmingham,» The Art Gallery, University of Maryland, College Park, MD, January 30 — April 27, 2013

Yes, Los Angeles is, in the cliché view, a cultural wasteland ringed by a wasteland of desert and scrub whose main industry in turn cranks out rote cinematic visions of postapocalyptic wastelands.

,» Ellis King, Dublin, Ireland; «Imagine,» Brand New Gallery, Milan, Italy; «Introductions,» La MaMa La Galleria, New York, NY; «Eden, éden,» Galerie Torri, Paris, France, curated by Timothée Chaillou; «The Ukrainian Diaspora: Women Artists 1908 - 2015,» The Ukrainian Museum, New York, NY; «Painters NYC,» Páramo Galeria, Guadalajara, Mexico, traveled to Museo de los Pintores Oaxaqueños (MUPO), Oaxaca, Mexico; «Disturbing Innocence,» The FLAG Art Foundation, New York, NY; «Sargent's Daughters,» Sargent's Daughters, New York, NY; «The Golden Ass,» Blindarte Contemporanea, Naples, Italy; «Cinematic Visions: Painting at the Edge of Reality,» Victoria Miro, London, England; «Pivot Points: 15 Years & Counting,» Museum of Contemporary Art North Miami, North Miami, FL; «Fairy Tales, Monsters and the Genetic Imagination,» Frist Center for the Visual Arts, Nashville, TN, traveled to Winnipeg Art Gallery, Winnipeg, Canada; Glenbow Art Museum, Calgary, Canada; and «The Sound of Painting,» Palazzo Saluzzo Paesana, Turin, Italy.

More on eco-disaster movies: Eco-dystopia: Trendy Cinematic Vision for the Planet?

Not exact matches

In «Digging for Fire,» he begins with an impulse, a sentiment, an experience, and elaborates it into a vision that's at once dramatically complete and utterly natural; he conveys an inevitability that makes it seem as if it has always been there, like a cinematic song, and that appears, for exactly that reason, too self - evident, simple, and straightforward to be as furiously original as it is.

Working through an enormous canon of cinematic influences in a far more satisfying way than Carax's glib offering (Gomes» titular allusion to Murnau is no coincidence), Melbourne's resplendent Forum Theatre proved a fittingly grand venue for Gomes» expansive vision: this film is a joy to watch.

Nolan's vision of Batman has amounted to the best comic adaptation in cinematic history.

After the unsuccessful performance of I Heart Huckabees, David O. Russell didn't make a film for 6 years, depriving the audience of his particular vision and cinematic delivery.

And though that may limit the willingness of some to embark upon Park's vision, those willing to invest in the various threads of his ouroboros narrative and allow themselves to become an author in Park's craning whirligig of Shakespearean tragedy and sardonic sexual exasperation will find the The Handmaiden is filled with sick pleasures many and makes for a rather rewarding cinematic experience.

Director Edgar Wright was initially slated to direct but as actress Evangeline Lilly has already revealed, it is thought his vision for the character did not fit in the Marvel Cinematic Universe and he consequently left the project.

The intensity of the film can't match the bolt - tightening, ticking - bomb tension of The Hurt Locker, but the real - world stakes provide tremendous consolation, culminating with a killshot that's both alarming and apropos in its anticlimactic - ness (don't expect any glorified, cinematic catharsis at the end of that night - vision raid).

Hellman is a true artist with a vision for disorientation that carries all the way through «Road to Nowhere,» but the lasting impact of the film will be up to the individual viewer and their personal appetite for cinematic riddles.

IFJA's «Original Vision Award» recognizes a cinematic achievement that is extraordinarily innovative or represents outstanding achievement in experimental and / or original filmmaking.

He doesn't take quite the gonzo cinematic approach McKay did, but he keeps things visually interesting via unflattering freeze frames and drug - fueled conversations glimpsed through night vision goggles as he zooms from Miami and Vegas to Jordan and Albania.

Gilbert returns to his dark, claustrophobically overdecorated Victorian house, hangs a kabuki sword on the wall of his study, and, in one of the most perfectly implausible and liberating subjective flash - forwards in cinematic history, has a five - minute vision of a fully staged scene from The Mikado, sung by soloists and chorus on a dazzlingly bright stage decorated in eye - popping pinks and greens.

... is set for release on April 29th 2016 in the UK and May 6th 2016 in the States, with Anthony and Joe Russo (Captain America: The Winter Soldier) directing a cast that includes Marvel Cinematic Universe veterans Chris Evans (Steve Rogers / Captain America), Robert Downey Jr. (Tony Stark / Iron Man), Anthony Mackie (Sam Wilson / Falcon), Jeremy Renner (Clint Barton / Hawkeye), Scarlett Johansson (Natasha Romanoff / Black Widow), Sebastian Stan (Bucky Barnes / The Winter Soldier), Elizabeth Olsen (Wanda Maximoff / Scarlet Witch), Paul Bettany (The Vision), Don Cheadle (James Rhondes / War Machine), Paul Rudd (Scott Lang / Ant - Man), Emily VanCamp (Sharon Carter) and Frank Grillo (Brock Rumlow / Crossbones) and William Hurt (General Thaddeus «Thunderbolt» Ross) alongside new additions Chadwick Boseman (Get on Up) as T'Challa / Black Panther, Daniel Bruhl (Rush) as Baron Zemo, Martin Freeman (Sherlock) and Tom Holland (The Impossible) as Peter Parker / Spider - Man.