God values each person in himself, and as a participant in
the creative history of the world.
About Blog The Library of American Comics is dedicated to preserving, in definitive editions, the long and jubilantly
creative history of the American newspaper comic strip.
Featuring wall frescos and 15th - century style artwork which are telling of the city's
creative history.
«The UK has a strong
creative history in the games market and we need to make sure we make games there,» he added.
Initiated in 2001, Making Histories Visible excavates
creative histories and works with major museums to connect communities with their local and international heritage.
... This is beautiful, upbeat work, backed up by an entire
creative history yet to be fully explored.»
While Whitten will be remembered as a giant of American painting and a singular figure in
the creative history of black diaspora, he kept his eye fixed on the deeper currents that connect people across broad cultural divides and vast historical distances.
John Giblin, the curator of the British Museum's fascinating exhibition exploring South Africa's rich
creative history, shares his highlights from the show.
Mayfair Art Weekend, which runs from the 30 June until 2 July 2017, has partnered with the Royal Academy and announced a series of exhibitions, events, talks and tours that explore the cultural landscape of W1,
its creative history and vibrant arts scene.
«Just steps away from the Whitney, «Day's End» would bring a part of this neighborhood's
creative history to life and make what we believe would be an important contribution to our community and the city.»
Engaging children and youth in the cultural life and
creative history of the region is a cornerstone of PAAM's mission.
Owen's installation will be accompanied by a catalog introducing the audience to the rich and
creative history of AAI, told through the perspective of both short - and long - term residents.
In short, this is beautiful, upbeat work, backed up by an entire
creative history yet to be fully explored.
«toute seule» plunges into the world of political and social change over the past five decades, yet leaves a sense of hopefulness that mistakes will be learned from
this creative history and a brighter and better future lies ahead.
The recent
creative history of Winnipeg brings up a number of successful artists influenced by Dadaists, graffiti art, and outsider artists like Henry Darger.
Not exact matches
When Flombaum teaches computer - science courses, he uses storytelling skills acquired while studying
creative writing, and incorporates
history into his lessons, including highlighting the programmer who created the concept at hand.
It simply tells you what the future is going to look like in 10 years and reminds you that we are actually in the most
creative decade of world
history.
In 1666, one of the most influential scientists in
history was strolling through a garden when he was struck with a flash of
creative brilliance that would change the world.
This reflects our tendency to rewrite
history to attribute breakthrough inventions and striking
creative works to a sole person, ignoring supportive work and collaborative preliminary efforts.
Historian, Alexandra Munroe, described the period as «undoubtedly the most
creative outburst of anarchistic, subversive and riotous tendencies in the
history of modern Japanese culture.»
Never Apart helps feed Dasilva's
creative side — this is a guy who swapped computer science for art
history in university, after all.
So, if you find yourself struggling with your creativity, consider the advice below from a few of the most prolifically
creative minds throughout
history.
Consider these insights of some of the greatest
creative minds throughout
history.
«He is one of the most
creative talents in the
history of games,» said Andrew House, president and CEO of Sony Computer Entertainment (SNE) in a video announcing the partnership.
She holds a BA Honours Degree with Distinction from in Literature and
Creative Writing from Concordia University in Montreal, where she also spent time in the university's Communications Studies department looking at the
history of technology and its impact on culture.
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History has shown that the most
creative people leave repressive regimes and create elsewhere By which you mean our version of
History has shown this.
Many of
histories greatest thinkers draw on diverse disciplines to make
creative leaps that lead to innovative breakthroughs.
The Return of Volatility In our long
history of writing these reports, the title above is one of the least
creative we have ever posted for the opening section.
Depending on how many users opt out of Facebook's browsing
history collection practices, the announcement could force advertisers to get more
creative about how they retarget consumers on the platform rather than relying on a code to track activity.
The market is the most
creative economic force in human
history.
«This is the first time in the
history of the world where we as
creatives don't require any permission from anyone in the world to do what we want to do.»
Thus the hierarchical scheme will provide grounds for a general continuity in
history, which can be analyzed logically, and for particular change, which can be accounted for only by description of
creative process.
His idea of the
creative Word, in fact, holds a commanding position in the
history of thought,» and, in its developed form, it has become central to the philosophy of the Christian religion.
And yet they survived, reconstructed their community, and handed down a continuous and developing tradition which exerted a
creative influence upon the whole of subsequent
history.
Camus, probably with Sartre in mind, rejects the notion that existence always precedes essence (Rb 296) and states that there is a
creative source for rebellion against injustice in a «moral or metaphysical rule to balance the insanity of
history» (Rb 251).
This mode of being is the fundamental ground of what has been most dynamic, most
creative, and most redemptive in Western
history and, more recently, in the Westernized
history of the entire planet.
baylor, 350 pages, $ 49.95 Peter Leithart's Gratitude: An Intellectual
History is a
creative, insightful, and ambitious book.
Today, living the Christian life is thought of as a being - at - work in
history — not past but future
history; as a
creative tension toward the future, the
history that is still to be traversed.
It is almost impossible to summarise, as it moves apparently seamlessly in seventeen pages from the
history of natural law to the development of conscience, the Evangelical Counsels and what he calls «
creative justice».
Never in
history have there been two more likely collaborators than Glenn Beck and Vince Vaughn — two universally beloved
creative talents at...
We have already noted the conflict which runs through most of Christian thought between the biblical vision of God as the
creative and redemptive actor in the
history of his creation, and the metaphysical doctrine inherited from the synthesis of the Christian faith with neo-platonic philosophy which conceives God as the impassible, non-temporal absolute.
Restorationism has shown its
creative but potentially destructive force repeatedly throughout the denomination's
history.
If the following passage from Process and Reality is at all significant, the answer must be that that is precisely what Whitehead means: «The oneness of the universe, and the oneness of each element in the universe, repeat themselves to the crack of doom in the
creative advance from creature to creature, each creature including in itself the whole of
history and exemplifying the self - identity of things and their mutual diversities» (347f).
Your old stories are the fantasy tales of ancient Middle Eastern men -
creative guys, with perhaps a smidgeon of facts about their tribe's
history and a few beneficial morality tales, but mainly myth, fantasy and supersit.ion.
This mutual relevance, or coherence, of the two principles is particularly evident when Whitehead says: «The oneness of the universe, and the oneness of each element in the universe, repeat themselves to the crack of doom in the
creative advance from creature to creature, each creature including in itself the whole of
history and exemplifying the self - identity of things and of their mutual diversities» (PR 347f).
Legend, no less than
history, remembers the past; but it remembers it with a
creative abandon, in disregard of
history's concern, always present whatever the degree of interpretation, to give a rational and coherent reconstruction.
Does the belief that the whole world of nature and
history is the
creative and redemptive venture of eternal Love make sense?
They are: i) revelatory experiences are common to all religions, ii) revelation is received under finite human condition, iii) the three types of criticisms, mystical, prophetic and secular help to address the distortions that crept into revealed religions, iv)
History of Religions makes «a concrete theology that has universal significance» possible and v) an acknowledgement that «the sacred is the
creative ground and at the same time a critical judgement of the secular».
The words and work, the life, death, and resurrection of the Lord, all of these objectify God's proposition for the
creative transformation of
history.
Thus, in reclaiming the
creative, everyday nature of the garden, feminist theologians must acknowledge its muddied
history.