Sentences with phrase «own exhibition format»

The FIF exhibition format remains open plan with polished concrete flooring and no pre-fabricated shell systems.
Within that framework, we strive to create a perfect event, which could be an all - in format (including stand build, space rental, stand furniture and participation in the marketing programme), a space rental only exhibition format, a conference and exhibition (confex), a business summit, a congress or conference — the possibilities are limitless and flexible to best suit the market.
The feature is being self - distributed in theaters exclusively this weekend, and Hauck has partnered with Kodak and Fotokem to spread the message that «film can be affordable and accessible to independent filmmakers as both a shooting and exhibition format
This transition means that IMAX is increasingly an exhibition format, rather than an integrated production and exhibition format.
A similar change occurred in the 1960s when Cinerama was adapted from the complex three - camera and projector system to the «Super Cinerama» exhibition format based around a single 70 mm projector.
Here, the group exhibition format is approached as a work in and of itself, with all of the included pieces echoing Stockholder's idiosyncratic method, and in many cases approximating her work.
Here, the group exhibition format is approached as a work in and of itself, -LSB-...]
The exhibition format Collection on Display showcases selected works from the collection of the Migros Museum für Gegenwartskunst.
Outdoor sculptures, interactive performances, site - specific installations and public artworks within an open and public exhibition format located in Collins Park.
exhibition format, whereby the name of a superstar artist (Rothko, Van Gogh, Warhol etc) is followed by a general category («Britain», «the Modern Age», «Modern Art», etc).
This Biennial shows its curators comfortable, adept, and keen when it comes to including entries from the literary world within the exhibition format.
Other exhibition formats, old and new, have taken their cue from artists» changing modes of creating and presenting work, often intentionally pushing at the limits of what a traditional museum can support.
It's a neat gesture, one that asks whether, like the ubiquitous social media site, the exhibition format is merely a platform and artists are the content providers — and, additionally, who benefits from whom.
Modeled after the iconic French film journal Cahiers du cinéma, The Exhibitionist has served a critical role in examining current curatorial practices by focusing specifically on the exhibition format as a site of experimentation and inquiry.
Focusing its energies on the mounting of exhibitions onsite and off - space, and on the publishing of artist books, La Salle de Bains is working towards new exhibition formats and methods of mediation, such as the 2012 show Tell the Children / Abstraction pour Enfants (an echo of Andy Warhol's Painting for Children Pop art show at Galerie Bruno Bischofberger, Zürich, in 1983), which introduced children (and adults) to very contemporary abstract paintings by artists including Claudia Comte, Lisa Beck and Olivier Mosset — all hung at children's eye height, on vividly patterned wallpaper.
As an incubator, PICA is intensely dedicated to exploring this continual process through its relationship not only to the exhibition format, but publications like the one for which the show is named.
Matthias Borello is a Danish critic and independent curator focused on art practices, exhibition formats and curatorial strategies within social practices.
Daniel Buren, an early practitioner of the critique of institutions, acknowledged that artists have long accepted the exhibition format, and the museum, as «self - evident.»
The exhibition format echoes the symbiotic relationship between Ugo Rondinone and John Giorno, who have been both partners and collaborators for the past two decades.
I am keen to observe the ways in which this sprawling exhibition format might be complicated by the sincerity of a personal / political perspective.
An important part of Overgaden's profile also consists of experimenting with exhibition formats and the relationship between artists, art institution, and audience.
SOLO SHOW is at the same time a solo show and its own deconstruction, which analyses the real meaning of this exhibition format within the context of the contemporary artistic practices and their contradictory relation to the institutional framework as well to the art market strategies.
As always, the mixture of quasi-narrative films, which require the viewer's attention for a fixed period of time, with more traditional exhibition formats where the viewer sets the pace, feels unsatisfactory.
Despite the massive changes that the field of contemporary art has undergone in the past several decades, that saw the dematerialization of the art object and onset of experiential events, most art institutions continue to be oriented around static, object - based exhibition formats.
With an exhibition area of more than 100 square meters the new project space will be dedicated to different exhibition formats of young and experimental art projects (access possible only through the central staircase)
This exhibition format gives an opportunity to expose and interpret perceptions of one's or another's nation or nationality, and, at their best, international biennials are platforms to question ideas of who we are and also how we are interrelated.
A dozen artworks are accessible via a playlist, creating a layered salon - style exhibition format which debuted this summer at the Minnesota Street Project in San Francisco (2016).
Its mission is to create a space in which to experiment with ideas and exhibition formats, to foster an active collaboration between artists and curators while challenging their roles.
8:30 - 10 pm PUBLIC Opening Festivities The Public sector of Art Basel Miami Beach offers its visitors a chance to see outdoor sculptures, interventions, and performances, sited within an open and public exhibition format at Collins Park.
LAGE EGAL is distinguished in its approach to experimenting with exhibition formats.
He is co-founder of the exhibition format WELT OHNE ZEIT, the collective IKONOSTASE and the movement art ahram.
For me, going on television was as much about the medium as it was about using it as a kind of exhibition format.
Works by Moebius and Jim Shaw mark the show out as a paranoiac's equivalent to the «eccentrically taxonomized highbrow junk shop» exhibition format recently explored by artists including Mark Leckey («UniAddDumThis», now at Gavin Brown's Enterprise, Rome) and Camille Henrot («The Pale Fox», Chisenhale, London, 2014).
The show wishes to consider the exhibition format itself as ritual, and would like to exaggerate these aspects of exhibition - making and artistic practice.
The pavilions will undergo a radical reconstruction, and more than twenty artists and designers of all ages, ranging from established to emerging ones, will contribute to creating a different kind of exhibition format, one that will appear closer to a film set than a conventional art display.
She has dedicated her efforts towards the integration of art, science, nature and language, exploring new art forms and exhibition formats.
It reflects a shared interest on behalf of Byrne and Pierce as well as Zolghadr in testing the possibilities of the exhibition format, in terms of both durational frame and spatial divisions.
The TRANSFER Download is a virtual exhibition format that presents a «download» of artists exploring simulation, algorithm, procedural animation and online practice.
«Filter Bubble» marks 89plus's interest in translating three years of research into an exhibition format harnessing the reflective nature of its long - term inquiry.
The New Scenario project was launched by Paul Barsch and Tilman Hornig as a time - based platform for performative exhibition formats taking place «outside the realm of the white cube», and the two founders team up to for the concept and curation of Jurassic Paint, described as having works on canvas and «live size (sic) dinos».
Each work is accessible via a playlist, creating a layered salon - style exhibition format first tested during Art Basel Miami in 2014.
Natalie Campbell is an independent curator and arts worker active in DC and New York whose interests include alternative exhibition formats and artists» books.
He often speaks about spaces, buildings and the society that inhabits them, with the exhibition format acting as vehicle for ideas and medium for his artistic practice.
Alexandre Singh (b. 1980, Bordeaux, France) Currently based in New York, Alexandre Singh explores a variety of media and exhibition formats, working with collages, installations and performances.
Organisers of the 2012 edition of Art Jog hope to stand out on the now - crowded Asian art fair calendar with their focus on emerging practitioners and an artist - centred exhibition format.
Today OFCA International is developing exhibition concepts, lectures, writing and research in fine art such as the exhibition formats «Prima Visione» and «RE-PLAY», which have shown the works of Heri Dono, Entang Wiharso, Anusapati, Handiwirman Saputra and Filippo Sciascia and Sally Smart among others over the course of 2013 - 2018.
do it began in Paris in 1993 with a discussion between the artists Christian Boltanski and Bertrand Lavier, and curator Hans Ulrich Obrist, who was experimenting with how exhibition formats could be made more flexible and open - ended.
Starting late April, The Doll's House adapts Hart's 2015 multimedia ballet, The Dolls, into a contemplative exhibition format.
This multi-faceted environment presents the artist's interest in the potential for an object or a space to be imbued by a live event, as well as a questioning of the adequacy of the exhibition format to represent the absent live act.
Harald Szeemann's late projects, in which he conceived the exhibition format itself as a Gesamtkunstwerk, are also a touchstone.
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