Sentences with phrase «own film editor»

Whether it's the collage artist who consciously dumps scraps into disorderly boxes or the film editor who prefers old - fashioned editing technology that forces him to scroll through more footage to find the clip he thought he was looking for, all these artistic greats understand that disorder has one exceptionally valuable side effect — more serendipity.

Also: Jim Bissell, designers; Mark Goldblatt, film editors; Leonard Engleman, makeup artists and hairstylists; and Rob Friedman, public relations.

A BBC film editor met me to watch his first fight.

(And this time it's personal...) Al - Jazeera launches YouTube channel, apparently leaving film editor at home.

A similar technique could help a film editor work out how effective different edits are for an audience's understanding of a film.

The film editor used Domino to get rid of the wires with an electronic airbrush.

Only after each system had produced a sophisticated representation of the world did the brain combine their perceptions into one experience of reality, like a film editor adding a soundtrack to a movie.

Once you brought on director Mark Levinson, who also has a doctorate in particle physics, and acclaimed film editor Walter Murch, who took home Oscars for both Apocalypse Now and The English Patient, was your role in the movie strictly on - screen?

They talked to the music teacher, and I was able to connect them with a friend who is an award - winning film editor.

Growing up, on her regular trips to her birthplace of Kolkata, India, film editor Bipasha Shom frequently photographed the people she met.

Carmen (not her real name), 27, is a film editor in Los Angeles who has had repeat infections of bacterial vaginosis (BV).

I am currently a college student aspiring to become a film editor / screenwriter.

I'm a freelance film editor.

After USC, he worked in Santa Monica for a year as an assistant film editor.

The job of assembling all of this was given to film editor Fred Raskin, who, while working closely with Tarantino, cut the film to a final run time of two hours and 45 minutes, leaving almost two additional hours of footage on the cutting room floor.

Wunder became «hooked» on the cinema in 1950 when his father took him to the premiere of George Pal's «DESTINATION MOON» Seminal films during Wunder's formative years as a critic were: The HORROR movies of the 1950's THE KILLING (1956) Dir: Kubrick VERTIGO (1958) Dir: Hitchcock ON THE BEACH (1959) Dir: Kramer MANCHURIAN CANDIDATE (1962) Dir: Frankenheimer 2001 (1968) Dir: Kubrick Wunder graduated from college in 1963 as an Electrical Engineer and immediately got a union job as an associate film editor for MPO, then, the largest producer of commercial and industrial films in the US.

After spending nearly a year assembling Django Unchained, Raskin, who is now armed with a BAFTA nomination, opens up about his work on the Oscar - nominated film, the job of a film editor, and working with one of his cinematic heroes.

Considering the age of the child protagonist and his appeal to young viewers, it's too bad film editors couldn't have punched out of few of the profanities in favor of a more family friendly bout.

Lastly, New Yorker film editor Richard Brody's fine essay puts The Darjeeling Limited into context when considering the influence of Satyajit Ray and Jean Renoir, while also exploring the film in terms of Anderson's small oeuvre.

In 1966, Wunder was «forced» by his political, moral and social views to leave MPO, where he was now an assistant film editor, and become a teacher in the N.Y.City school teacher; a job that was exempt from the draft.

In films until the 1960s, Kent Smith was also briefly a regular on TV's Peyton Place; his credits should not be confused with those of film editor Kent Smith.

Oscar - winning film editor Claire Simpson had a heavy heart as she finished working on «All the Money in the World.»

A graduate of the University of North Carolina at Chapel Hill, Brent Simon is a three - term president of LAFCA, a contributor to Screen International and Magill's Cinema Annual, and film editor of H Magazine.

Prior to that I spent 10 years as Entertainment Editor at the Lawrence Journal - World and seven years as music / film editor at Kansas City's The Pitch.

Special kudos must be given to film editor Michael Kahn, whose facility with these completely unhinged battle sequences should shame anybody who's ever worked on a Michael Bay movie; to cinematographer Janusz Kaminski, who has given these scenes a dull grey cast evocative of nightmares torn from America's sleeping subconscious brain; and to sound designer Gary Rydstrom, who has crafted a World War II soundscape that rattles and unnerves you even when your eyes are closed.

Very few if any feature film editors have won three top awards for best editing all in one month: BAFTA Awards, Feb 8, INDIE SPIRIT Awards Feb 21, and The OSCAR Award, Feb 22.

Other honorees include New York Sen. Chuck Schumer, union boss Thomas O'Donnell and film editor Thelma Shoonmaker

In 2016, she became only the second film editor, after Margaret Booth, to receive an honorary Oscar.

Apart from the occasional studio interference, most film editors are good at what they do, hence the Academy Award in that category.

If all this weren't enough, Mannix also has to contend with twin gossip columnists (played by Tilda Swinton) who are circling the studio in search of scandal; a near - fatal accident involving a film editor (Frances McDormand); an accountant (Jonah Hill) enlisted to see whether the pregnant ingénue can legally adopt her own child; and a song - and - dance star (Channing Tatum) harboring more than one Big Secret.

The work of the film editor, Robert Aldrich interviewed Roots, remembering Henri Langlois, Alain Resnais's Providence, Jean - Luc Godard's Made in U.S.A.

In presenting the honor, Richard Gere described Coates as «the greatest of the great, great film editors.»

The reason South African - born film editor Margaret Sixel and her husband, director George Miller, slept in on the day the Oscar nominations were announced in L.A. is that they were at home in Sydney, Australia.

Our own film editor A.A. Dowd would no doubt approve of this choice; it's one of his favorites as well.

This is my third year writing about the Toronto International Film Festival with film editor A.A. Dowd (our dispatches will run on alternating days), and right now everything feels out - of - whack: On the flight, where I sit behind a snoring guy with a Viking topknot and steroid acne and across from a fiftysomething...

; Scarlett Johansson plays a femme fatale with a hefty Brooklyn accent, a string of broken mobster marriages and a knack for swimming; and Frances McDormand's blink - and - you'll - miss - it turn as a chain - smoking film editor is equal parts hilarious and harrowing.

Legendary British film editor Anne V. Coates has died at the age of 92.

He often collaborates with his wife, producer Emma Thomas, and his brother, screenwriter Jonathan Nolan, as well as cinematographer Wally Pfister, film editor Lee Smith, composers David Julyan and Hans Zimmer, special effects coordinator Chris Corbould, and actors Christian Bale and Michael Caine.

Revered film editor George Bowers has died, aged 68.

The week before Thanksgiving we screened Creed with writer - director Ryan Coogler, a loyal USC alumni, and his colleagues, most of whom attended school with him and worked on his first feature, Fruitvale Station: co-writer Aaron Covington, composer Ludwig Göransson, and film editors Michael Shawver and Claudia Castello.

And below - the - line, screenwriter Hossein Amini («The Wings of the Dove») and film editor Claire Simpson («Platoon») also bring prior awards cred.

For this week's edition of Film Club, A.V. Club film editor A.A. Dowd and staff critic Ignatiy Vishnevetsky take a look at Transformers: The Last Knight, which finds Michael Bay, the maestro of pyrotechnic wreckage, pitting alien robots against the audience's patience for the fifth time.

The DVD production was helped along with the loving hands (certainly one of my favorite pair of hands on earth) of film editor Thelma Schoonmaker, Michael Powell's widow.There's fantastic commentary with cinematographer Jack Cardiff and Ian Christie, as well as Martin Scorsese, a close, dear friend of Powell's.

New to this edition are the featurettes «A Ticking Clock» with film editor Mark Goldblatt (6 minutes), «A Stanley Kramer Production» with filmmaker and film historian Michael Schlesinger (14 minutes), «Imitation of Life: The Blacklist History of High Noon» with historian Larry Ceplair and blacklisted screenwriter Walter Bernstein (10 minutes), and he visual essay «Oscars and Ulcers: The Production History of High Noon» narrated by Anton Yelchin (12 minutes).

[Vulture] • In remembering film editor Sally Menke, Lawrence Bender discusses the «Hi, Sally» Tarantino tradition.

A.V. Club film editor A.A. Dowd and staff critic Ignatiy Vishnevetsky are back with another edition of Film Club to discuss Tomb Raider, the latest adaptation of the popular video - game franchise.

A.V. Club film editor A.A. Dowd and staff critic Ignatiy Vishnevetsky are back with another edition of Film Club, this time discussing A Wrinkle In Time, the latest adaptation of Madeleine L'Engle's beloved YA novel.

I even got them to go with me to a Vertigo screening at the Music Box (film editor A.A. Dowd informed me I was doing the lord's work); they're 11, but they barely squirmed, even though that movie can be a bit slow, what with all the snail's pace car chases at the beginning.

On this week's episode of Film Club, A.V. Club film editor A.A. Dowd and staff critic Ignatiy Vishnevetsky take a look at the latest Dwayne «The Rock» Johnson vehicle, Rampage, loosely based on the arcade game of the same name.

I recently spoke to cinematographer Roger Deakins, production designer Kristi Zea, costume designer Albert Wolsky and film editor Tariq Anwar about their work on the film, a 1950s period piece featuring the on - screen reunion of Leonardo DiCaprio and Kate Winslet.