Sentences with phrase «own formal architecture»

They made their own pottery, had fewer stone tools, and erected no buildings with substructures, or formal architecture.

At about 600 A.D. construction of formal architecture was under way at these and several other sites, and the general site plans as they appear in the Terminal Classic period were being developed.

Los Renegados includes no formal architecture, only dense residential debris, and the floors of perishable buildings.

In the Whitney's «Remote Viewing,» they offered a model for abstraction that can blur the lines between a drawing's own formal architecture and a museum installation's real one.

The colors also congeal into overlapping patches, approaching a formal architecture, but with no particular logic and no sign of a grid.

Carter Ratcliff has written: «rendered in black and white and all the intervening tones, Thiebaud's drawings lay bare the formal architecture that endows even his most lushly chromatic images with their startling clarity.

Todd Bura's drawings - an outrigger to his fine solo show across town at Triple Base - similarly poise a formal architecture on the edge of meaninglessness.

While she joins Thomas Nozkowski and Tomma Abts, at least on an elementary level, in terms of small - scale abstraction, Greenbaum's compositions explode beyond the former artists» more formal architectures.

Despite the challenges, L&D has now entered the formal architecture of the UNFCCC, first with the establishment of the Warsaw International Mechanism in 2013, and later as part of the Paris Agreement in 2015.

Not exact matches

The designer has no formal fashion education — he studied architecture and civil engineering — but used the skills he learned from his seamstress mother to obtain an internship at Fendi alongside Kanye West in 2006.

I have always wanted to have a statement dining room, but the architecture of my 1980's house doesn't lend it to formal wainscoting or over the top lighting.

The furniture in this room is among the very first we bought as newlyweds and while it goes slightly more formal, it fits perfectly with the architecture and style of our home.

All Green's films share a formal rigor and an increasingly refined modulation between the playfully comic, the urgently human, and the transcendent, and they are each as exquisitely balanced as the baroque music and architecture that he cherishes.

Return to Porto, stopping en route for a visit to the formal gardens on a visit to the Casa de Mateus, an ornate manor house that exemplifies Portuguese baroque architecture.

Perched high on a hill with a breathtaking view of the mountains and the sea, the castle also features magnificent Spanish architecture, panoramic courtyards with fountains, and formal gardens.

A second dining option at Pink Sands Resort, serving dinner only, is Malcolm 51, a more formal setting, celebrating the history and traditional architecture of Harbour Island homes.

Vibrant installations of commissioned art by emerging British artists can be found throughout the hotel, punctuating the formal spaces created by the glorious Georgian architecture.

It's lush tropical setting surprises guests with its unexpected yet sophisticated European elegance characterized by classical architecture and a wide central piazza, reminiscent of European - style squares and made complete with duty - free shops, formal gardens, places to dine and be entertained and, but of course, a romantic café.

From gothic underground architecture to the four formal great halls that serve breathtaking views of the lake, there is plenty to explore at Chillon Castle.

Themes of historical architecture, ornamental objects and untamed natural landscapes create the formal basis for her works.

Similar to Owen's other works, this site - specific installation responds to the particular architectural properties — formal qualities as well as spatial patterns — of the Market and the gallery space, and is constructed out of modest and / or ephemeral materials, which seemingly grow from and within the architecture.

I talked to other artists realized it would be important to share the kinds of things I was getting from works by reading the formal language that I had clarified for myself working in the architecture school.

While the purview of his practice expanded to include a variety of materials and formal concerns, his pursuit of a poetic coalescence of painting, sculpture, and architecture never wavered.

This exhibition creates a visual landscape in which formal elements are a medium to address larger concerns in the recent history of architecture.

Infusing symbols that have been traditionally used in architecture, the artists in the exhibition question other formal enquiries and the relationship between man, objects and the space they inhibit.

Far from being solely formal preoccupations, abstract paintings are connected to the world that they inhabit, addressing architecture, interrogating design and reviewing their own history.

Reduced color palettes and the repetition of simple geometric forms, as well as industrial materials that have a symbiotic relationship to architecture, create new mash - ups that mix formal rigor with sensuality, subjectivity, personal narrative, and contemporary sexual politics.

In an exhibition architecture that exaggerates the formal language of fairs for the museum context, the show will present objects from design, the media and art that seek to exploit the emotions associated with weapons for their own aims.

New works conceived for this exhibition consider how the formal designs of modernist architecture and planning, and the aggressive, deeply politicized modernization of Newark, have impacted the everyday lives of residents and their communities.

Formal yet liquid, amorphous yet figurative, the sculptures explore notions of traditional architecture while encompassing elements of painting, stagecraft, and suggestive, open - ended narratives.

Her work exists at the intersection of sculpture, drawing and architecture where her formal interest in light, air and movement is coupled with an intuitive understanding of colour and texture.

From the gallery - «King takes formal directives from architecture, building infrastructure, and road signs, among other things.

Three - dimensional depth map sculptures drawing on «the formal relationship of both the photographic negative and the binary relationship between cast and mould» will populate the site - specific networked installation, taking over the entire building and exploring «the mutability of symbolism held in form» in dialogue with its architecture.

Based on a background in architecture, Meier holds a distinct appreciation for the distinct formal characteristics of each location.

It's possible to see his art fusing together his realistic take on Caribbean domestic architecture with the formal, vibrant rhythms of geometric abstraction animating work by such Latin American artists as Carlos Cruz - Díez and Carmen Herrera.

Internationally acclaimed British artist Catherine Yass was nominated for the Turner Prize in 2002 for her highly distinctive practice in which she explores the psychological and formal properties of architecture and built environments.

Al - Hadid's rich, formal allusions cross cultures and disciplines, drawing inspiration from myriad sources including architecture, ancient invention, science, myth, and Old Master works.

In «Landscapes» Rubell responds to the unique architecture of Fondation Beyeler and its connection to its formal and natural landscape setting.

During his service in World War II, Marca - Relli absorbed the texture, solidity and inherent formal order of the architecture of ancient and Renaissance Rome.

Sze studied painting and architecture, and intersected these disciplines to arrive at sculpture, where her formal interest in light, air and movement is coupled with an intuitive understanding of composition, colour and texture.

In the same way that Albers's paintings teach us that opposites of value and hue interact and intensify through close proximity, here the formal geometries of art and architecture amplify their counterparts in a display that would make any Bauhausian proud.

Utilizing his formal training as an architect, Navarro's practice, objects and architectures operate as nodes of meaning and conceptual signification within a broader system of relations.

Eric Wall's work encompasses a wide variety of subject matters including empty interiors, landscapes, architecture, as well as formal issues like space, pattern, and perspective.

Beck's practice extends to writing, exhibition - making and designing, intervention, photography and video, illuminating the socio - economic and historical determinants of exhibition - making with particular emphasis upon the formal language of Modernism as it pertains to art, architecture and design, frequently collaborating with Julie Ault.

The areas in which Zobernig works are as varied as his roles and are always aimed at exploring formal and substantive potential: his work is located on the interface between sculpture, space, architecture and design.

Seen together, the images deliver a poignant mix of formal beauty, classically inspired architecture, and themes reverberating on social, political, and personal levels.

His training in architecture is reflected in his strict use of formal and distinctive symbols.

Mixing a love of formal, modernist art with a madcap, idiosyncratic sensibility, Lins's work interrogates both itself and its engagement with architecture and viewers.

Using the miniature or model to allow the totality of a body to be seen at once, the MEMES replace anatomy with the formal language of architecture and construct volumes that articulate a range of 33 body postures.

After a formal training at Camberwell School of Arts and Crafts Philip Hearsey spent many years working in and exploring different aspects of interiors, furniture and architecture.