Sentences with phrase «own human comedy»
For Bob Sutton, leadership is not a set of abstract principles and behaviors but an expression of human comedy and tragedy.
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Meanwhile, back here on earth, the human comedy has been renewed for yet another season.
«the whole human comedy wrapped in a single, frail envelope of flesh.»
As the TV evangelist repeats pious Amens, many of us in the viewing audience are likely to look upon the «cure» as a part of the human comedy that we don't understand.
For example, he says, Honoré de Balzac's The Human Comedy was released in serial form as a work of «popular» fiction, but has since attained the status of a classic.
By focusing on the volatile relationship between brothers Micky and Dicky, Russell finds a wealth of emotional material, not to mention human comedy.
He is, simply put, one of our great contemporary observers of the human comedy.
The intent regarding this humble human comedy is clear: to represent a community (the Hasidic culture of New York) and its language (Yiddish) in an unfiltered yet fictionalized fashion.
In 2012, she completed work with Griffin Dunne on Justin Schwartz's film THE DISCOVERS, a human comedy about a dysfunctional family.
He also received a Best Actor nomination in 1944 for «The Human Comedy» and earned Best Supporting Actor nods in 1957 for «The Bold and the Brave» and 1980 for «The Black Stallion.»
He crams those visually arresting minutes with as much deeply flawed human comedy as possible.
It is a human comedy that touches the human factor.
Yes, romantic comedies are stupid and predictable and follow a rigid formula, but we love them because they mirror our own human comedy, one that reflects our flaws back at us through a prettier face.
Instead of yuck, we get something wonderful: a scrappy human comedy that takes an honest path to laughs and is twice as funny and touching for it.
He provides the role of straight man in the human comedy — and because he's such a good actor, he makes it look easy.
Betrayal, treachery, the loss of innocence and the scars of love, pave the road in this intense emotional and human comedy about becoming a true boss of family and enterprise facing a world of unforgiving commerce.
But these are defects in a movie that, for the most part, is bracingly perceptive about the human comedy.
There is no smarter director of wry and human comedy than Alexander Payne, whose filmography includes gems like Election, Nebraska, About Schmidt and Oscar - winning scripts like Sideways and The Descendants.
Brown is best - known for MGM family tearjerkers «The Yearling» (1947) and «National Velvet» (1946), which starred young Elizabeth Taylor and Mickey Rooney, who also starred in Brown's nominated William Saroyan story «The Human Comedy» (1944).
Clint Eastwood and Taylor Hackford did great jobs of trusting their respective stories, and Alexander Payne has pretty much perfected his approach to the human comedy.
Östlund's method, as always, is to stage the human comedy in miniature: Nearly every scene is presented as an impeccably framed tableau, a tactic that effectively transforms characters, extras and audiences alike into participants in a grand sociological study.
Sideways is a great human comedy.
It's this collision - course perception that makes «Blood Simple» such a gratifying, corrosive human comedy.
Are these scenes as successful as the human comedy that has preceded them?
From awkward interactions to fractured relationships, Lynn Shelton is a master at capturing modern day human comedies, frequently focusing on characters in a state of arrested development.
Ithaca (PG for mature themes, smoking and a violent image) Meg Ryan makes her directorial debut with this adaptation of The Human Comedy, William Saroyan's Pulitzer Prize - winning novel, set in 1942, revolving around a 14 year - old's (Alex Neustaedter) attempt to provide for his widowed mother (Ryan) and siblings (Spencer Howell and Christine Nelson) after his older brother (Jack Quaid) goes off to fight in World War II.
The source material is the 1943 novel «The Human Comedy» from Pulitzer Prize winning writer William Saroyan; and it's the directorial debut of Meg Ryan, the one - time «America's Sweetheart» who reunites with her Sleepless in Seattle co-star Tom Hanks (in a ghostly cameo).
Scott Neustadter and Michael H. Weber have written a terrific adaptation of the Sestero book that never goes for the easy joke but always is aware this is first and foremost a human comedy.
Based on his one - man show of the same name (which was in turn inspired by actual events from his life), the film is a witty, sharply written human comedy about professional rejection and the fear of commitment.
Not quite every year brings a new Mike Leigh film, but the years that do are blessed with his sympathy, penetrating observation, and instinct for human comedy.
Based on his one - man show of the same name (which was in turn inspired by actual events from his life), the film is a witty and consistently funny human comedy about the fear of commitment, and hands - down my favorite movie at this year's SXSW.
Those eruptions, more often than not, don't enlarge the jokes or provide a scarier, more comprehensive take on the human comedy.
This film debut by the theater writer and director Martin McDonagh is an endlessly surprising, very dark, human comedy, with a plot that can not be foreseen but only relished.
The human comedy never runs out of material!
Easily the best frat boy comedy since Animal House, Neighbors crams its visually arresting 96 minute running time with as much deeply flawed human comedy as possible.
An endlessly surprising, very dark, human comedy, with a plot that can not be foreseen but only relished.
Lady Bird is an absolute gem of human comedy and personal drama, a coming - of - age story turned on its ear by virtue of its intense female gaze and crushing human subtlety.
Dramatic films which have portrayed the «homefront» during times of war, and the subsequent problems of peacetime adjustment include William Wyler's Mrs. Miniver (1942) about a separated middle - class family couple (Greer Garson and Walter Pidgeon) during the Blitz, Clarence Brown's The Human Comedy (1943) with telegram delivery boy Mickey Rooney bringing news from the front to small - town GI families back home, John Cromwell's Since You Went Away (1944) with head of family Claudette Colbert during her husband's absence, and another William Wyler poignant classic The Best Years of Our Lives (1946) with couples awkwardly brought back together forever changed after the war: Dana Andrews and Virginia Mayo, Fredric March and Myrna Loy, and Harold Russell and Cathy O'Donnell.
Preston Sturges, who contributed to screenplays for more than 40 films from 1930 to 1958, twelve of which he also directed, is widely celebrated for his human comedies.
Looking back at Ken Kwapis» back catalogue, one gets the impression that he's definitely well - suited in human comedy - dramas -LSB-...]
The human comedy factory Judd Apatow and the moody, dreamy art - house director David Gordon Green (George Washington, Snow Angels) make an unlikely team, but here they are, and the result may well be the funniest movie of the year.
Operating in the Alexander Payne vein, co-directors Gastón Duprat and Mariano Cohn have crafted a perceptive human comedy about the insecurity / vanity that fuels creative personalities, and the disconnect between artists and their audience.
He gives this mousy little clerk the hapless expression and submissive body language of the resigned patsy in a bleak human comedy, happy to toiling in the backrooms of city hall until he's hauled out to record an official meeting.
I wish I could say «Landline» pulled itself together into an incisive human comedy, but it's mostly merely cute on a scene - by - scene basis.
As Sidney Offit concludes, «Few writers in the history of literature have achieved such a fusion of the human comedy with the tragedies of human folly in their fiction.»
Ofir Touché Gafla shows us how the touching, hilarious, and poignant human comedy continues on the other side - but a comedy finally faced with open eyes; one that reveals, as a mirror, the truth of our own lives here and now.
«While best known as a writer of thrillers, Highsmith is concerned with crafting stories to evoke the human comedy.
«As in all the Commissario Brunetti novels, Venice, brooding over the human comedy, Venice watchful of the sea is always a main character... Leon's mysteries are always welcome companions because they offer the intellect, as well as the heart, the food they crave.»
Her friendship with Joe Gould, who claimed to be writing an «Oral History of the World,» inspired Neel to create what she called a «Visual History of the World» and which she compared to Balzac's «The Human Comedy,» a sprawling series of interconnected novels — an apt metaphor for her entire body of work.
Robert Doisneau, Neo Rauch, and Amy Bennett all have deceptively traditional, penetrating views of realism, and their tales unfold against a complex world, but they bring one on intimate terms with the human comedy.