Sentences with phrase «own hybrid identity»

Genetic identification of spotted owls, barred owls, and their hybrids: legal implications of hybrid identity
A voltmeter replaces the tachometer in the GS 450h and is one of the more visible clues to the car's hybrid identity.
Aerodynamic Exterior The Insight's sleek body features include a distinctive grille design with a blue accent bar representing the Insight's high - tech hybrid identity.
Autostop and go green The Vue Green Line's instrument cluster contains four clear and bright dials, two of which give clues to its hybrid identity.
Well, I became increasingly interested in variations of hybrid identities.
Her paintings explore the often conflicting aspects of her hybrid identity and the pictorial push - and - pull of Western Modernism.
The hybrid identities of the internet age are everywhere in Ryan Trecartin's videos.
Most of the artists in the exhibition travel back and forth, choosing to live between two places, for reasons like access to their native language, curiosity about their own unresolved hybrid identity, or maintaining professional or familiar relationships.
Her cultural identity combines strong attachments to the country of her birth and to her adopted home, a hybrid identity that is reflected in her work.
It's less a case of using paint to explore the binary of home / not at home, or to make a point about medium specificity, but to reflect on the hybrid identities that emerge from multiple influences, sources and images.
Fusing Nigerian and American source materials, histories and cultural references her intricately layered scenes reflecting the rich complexity of contemporary lives shaped by postcolonial African cosmopolitanism and global, hybrid identities.
Through the use of consumer products, technology and mementos, Hoti assembles a hybrid identity to relive the psychological tension caused by his dualistic identity.
«These mixed media works combine domestic photographs with aspects of painting to explore the representation of a hybrid identity negotiated between personal and cultural memory...
Hybrid Identities», Art in America, v. 82, no. 9, September, p. 47 - 51 C. Schwartzman, «Michael Joo,» New Art Examiner, no. 27, September, p. 55 - 57 L. Nesbitt, «Michael Joo: Nordanstad Gallery, Petzel / Borgmann Gallery,» Artforum, v. 33, no. 1, September K. F. Magnan, «Michael Joo at Nordanstad / Petzel - Borgmann», Asian Art News, v. 4, no. 4, July / August, pp. 89 - 90 A.Wilson, «Out of Control», Art Monthly, no. 177, June, p. 3 - 9 A.Choon, «Openings....»
The global South and its myriad issues — concerning diasporas, hybrid identities, migration flows and travels, personal accounts, memories, isolation, the social fabric, and insularity — have inspired and set the parameters for the Curatorial Committee to select artworks and art projects, as well as oriented the curating of all of the Festival's exhibitions, public programs, and publications.
Utilizing a multidisciplinary approach, which includes sculpture, performance and mixed media, Adams is interested in exploring the impact of race and sexuality on hybrid identity.
A multi-channel video installation — by Shimon Attie with Vale Bruck — commissioned by The Aldrich portrays New York City's Israeli and Palestinian communities, linked by their shared secondary hybrid identity as New Yorkers.
Tsang's hybrid identity of being born in Hong Kong during the occupation of the British Colony, and then immigrating to Canada and raised as a Canadian, informs many aspects of his artistic practice.
The apparent contrast between object and environment comes to represent an immigrant's hybrid identity, forever linked to his native land but now as an outsider.
Co-Curator of Martin Wong: Human Instamatic Serigo Bessa will moderate a discussion between Arnaldo Cruz - Malave, Chris «Daze» Ellis, Yasmín Ramírez, and John Yau, exploring Wong's self - identification as a Chino - Latino and how that hybrid identity fostered his vision of America.
She has participated in group exhibitions including at Festival Internacional de Videoarte, Camaguey, Cuba; HYBRID IDENTITIES, International Artexpo, Edinburgh, UK; and SIKKA Art Fair, Dubai, UAE (2013).
She uses an array of materials and techniques, such as collage and photo - transfer, which serves as a visual metaphor for the intersection of cultures as well as the artist's own hybrid identity.
Born and raised in Nigeria and now living in Los Angeles, Akunyili Crosby constructs intricately layered scenes reflecting the rich complexity of contemporary lives shaped by postcolonial African cosmopolitanism and global, hybrid identities.

Not exact matches

The company is planning identity and access management (IAM) strategies to support IS initiatives related to globalization and cloud that includes hybrid - cloud, BYOD, Application Services AuthN / Z Integration, and MFA.
Additionally, new blockchain - based technologies like Internet of Coins» «Hybrid Asset» pose a threat to authoritative identity verification, by building protocols that would allow individuals the ability to store and swap digital assets (including cryptocurrencies) peer - to - peer without the use of exchanges.
Thus, «universal, but concrete effectiveness» can take place by means of «hybrid prehensions» of passed events regarding their identity, forming novelty («mentality») in an immediacy of actualization, which can not sufficiently be attained by any physical causality.
The fact that personal identity in this life depends so little upon the relation to a common body and so much upon unmediated hybrid prehensions of past occasions of the soul's life strengthens the plausibility of the claim that continuity may occur after bodily death.
3 I have argued elsewhere that personal identity is not to be understood as a function of hybrid prehensions alone, but rather that such prehensions presuppose common defining characteristics.
«In nature, this sensory system would prevent the creation of hybrids that may not survive or can not propagate, thereby helping the species preserve its identity,» said senior author Nirao M. Shah, MD, PhD, a UCSF associate professor of anatomy.
A hybrid tale, equal parts coming of age story, lesbian romance, and psychological thriller, this never quite settles on an identity.
In addition to the IONIQ's aerodynamics body shape, further design details distinguish the Hybrid, the Plug - in and the Electric version from another creating their unique identity:
However, Flashback: The Quest for Identity is a rare hybrid that has the same atmosphere as a traditional adventure and contains a lot of the same puzzle elements as well.
That leaves us with Star Ocean; an uninspired hybrid of the two that appears to be in the midst of an identity crisis from both a visual and gameplay perspective.
As a result, multiple traces of current and historic moments and identities are fused together onto the canvas, producing a hybrid state of uncharted territory.
His work, anchored in his unique cultural background as a Kenyan - Indian Canadian based in the United States for over a decade, confronts the hybrid and transitional nature of identity as not static, but enacted.
Gannis's work examines the narrativity of 21st century representational technologies and questions the hybrid nature of identity, where virtual and real embodiments of self diverge and intersect.
Mutu's practice was recognized early for its unique, globally influenced hybrid aesthetic that merged biology, pop culture, science fiction, religion, and philosophy, where Mutu explored the relationship between identity, the body, and nature.
I think of my cultural identity as a hybrid of all the disparate spaces I have inhabited — Nigerian, American, rural, cosmopolitan.
Three themes that emerge from her work are explored in Outcasts: finding a voice, the process of constructing multiple perspectives on female identity; hybrid alternatives to the status quo, harnessing ancient and modern mythologies to subvert the established social and cultural order; and healing and empowerment as pathways to resistance, inclusiveness and recovery from loss and trauma.
Carla Gannis's work examines the narrativity of 21st century representational technologies and questions the hybrid nature of identity, where virtual and real embodiments of self diverge and intersect.
For Shonibare, who was born in England but brought up in Nigeria, it is «a metaphor for something which is multicultural and essentially hybrid like my own identity
2009 Beall, Dickson, SLAM for the holidays, West End World, 23 December Dawson, Jessica, Yinka Shonibare, skewing history with his images, The Washington Post, 20 November Judkis, Maura, Yinka Shonibare MBE: «As Artists, We are Liars», Washington City Paper, 13 November Geldard, Rebecca, Time Out, 6 November Lewis, Sarah, Yinka Shonibare: Brooklyn Museum, New York, Artforum, October Cole, Teju, Shonibare's fantasies of empowerment, 234 next.com, 10 July Hoffman, Barbara, Headless Bods, New York Post, 10 July Genocchio, Benjamin, The Rich Were Different (and Perhaps Still Are), The New York Times, 10 July Kazakine, Katya, Adam Smith, Ocelots Channel History in Artist's Textile World, Bloomberg.com, 8 July Lacayo, Richard, Decaptivating, TIME Magazine, 6 July Rosenberg, Karen, Fashions of a Postcolonial Provocateur, The New York Times, 3 July McLaughlin, Mike, Show blows away art world, The Brooklyn Paper, 2 July Olowu, Duro, Style.com/Vogue, July McCartney, Alison, Class, Culture and Identity in Party Time, NJ.com, 26 June Tambay, Defining Blackness Series, Shadow and Act, 21 June Sontag, Deborah, Challenging cultural stereotypes, International Herald Tribune, 19 June Sontag, Deborah, Headless Bodies from Bottomless Imagination, The New York Times, 17 June Bergman, Amerie, Yinka Shonibare MBE @ Museum of Contemporary Art, White Hot, June Later, Paul, Postcolonial Hybrid fuses art and politics, Flavor Pill, Summer How schoolchildren shaped the new Trafalgar Square plinth, The Times, 22 May Knight, Yinka Shonibare at Santa Barbara Museum of Art, Christopher, The LA Times 6 April Hunter, Alice, Encountering Excess, Art of England, Issue 56, April Jeno, Heather, Hip, British - Born Artist's Show Ushers in a New Era at SBMA, The Santa Barbara Independent, 31 March Pote, Mariana, African Art?
Utilizing an interdisciplinary approach to artmaking, her installation and performance works investigate the artistic, spiritual and political collisions of a hybrid transnational identity.
CARLA GANNIS»S work examines the narrativity of 21st century representational technologies and questions the hybrid nature of identity.
In this exhibition curated by Modou Dieng, these artists come into conversation with one another, providing a space in which to explore complex systems articulated around design and execution that have been employed in the cultural realization of identities as they continue to emerge in new transcultural and hybrid forms.
Shonibare has described himself as a post-colonial hybrid, and his work in painting, sculpture, photography, film, and performance utilizes unexpected combinations of pattern and form to examine race, class, migration, and identity in a globalized world.
Martinez uses painting, sculpture, neon and installation to comment on issues affecting communities nationally, while responding to specificities associated with the City of Los Angeles, including its overlapping and intersectional modern hybrid cultural identities.
Through a combination of performance, drawing, painting, installation, video and ceramic object - making, she investigates the hybrid nature of African identity, contesting notions of authenticity.
His work proposes a post-sentimental state whereby facial attributes, shapes, gestures, composition, and color no longer determine an obvious emotion or circumstance, but rather a playful experience on hyper - hybrid - identity.
Hershman Leeson's innovative work with genetic manipulation will be on display with her latest installation, Venus of the Anthropocene (2016), which captures viewers» DNA patterns to create a mutating hybrid of mirrored identities.
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