Sentences with phrase «own modern art history»

I collected - being a Dutch artist myself - for some years many sourced quotes of the famous and important artists and painters in modern art history, mainly in the 19th and 20th century.

Surrealism had a strong and long lasting influence on later modern art history in 20th century.

A meaningful part of modern art history, and useful material in art education of modern art.

Dubuffet launched the idea of Art Brute in the 1950's as an unique concept in modern art history.

Russian artists such as Kazimir Malevich, El Lissitzky, and especially Alexander Rodchenko emerge as much more influential and interesting in this storyline than they do in standard modern art histories, in which they're often more mourned as political victims than celebrated as art theorists.

I believe that it is the very unwillingness to acknowledge and recognize the existence and contribution of the Lyrical Abstractionists that undermines the foundation and topples the tower in which modern and post modern art history reside.

Coventry noticed that the yellow and red of the company's visual identity align with aesthetic elements in modern art history.

In her catalogue essay, Lauf wrote that the show «proposes that carpets function in a continuum of modern art history as a discrete form that is accelerating in use and application.»

But the images depict raw materials that have the potential for making other artworks and the story that she tells is modern art history itself.

Comprised of hundreds of individual dyed fabric pieces, Apfelbaum \'s installations reference modern art history — the 1950s poured works of Morris Louis and Helen Frankenthaler, and Lynda Benglis \'s latex floor pieces.

Benedict's work often engages in dialogue with acknowledged masters of modern art history.

Highlighting new narratives in Mexico's modern art history, México 1900 — 1950 marks the first exhibition at the DMA organized by the Museum's new director, Agustín Arteaga.

Not only gender and racial diversity, but diversity revealing northern California's own modern art history.

Where does modern art history start?

A must for everyone who's interested in modern art history!

Mimesis ebbs and flows with the taste of various periods even in modern art history, but the desire for an artistic truth to nature remains.

She received a BFA from the Kansas City Art Institute and an MA in Modern Art History, Theory and Criticism from the School of the Art Institute of Chicago.

Easily passing as one of the most innovative artists emerging from the neo avant - garde period, Yves Klein was a French mastermind who wrote out some very interesting and exciting pages of modern art history.

And if you go beyond the art world gossip and look at the art, as Brett Gorvy does, «' You can see the whole of modern art history unfolding,» he said.

Picking up the theme of appropriation from a different angle, the artist Melissa Gordon has in recent years been blowing up examples of textbook Modern art history onto canvases that explore the nooks and crannies of classic geometric abstraction.

One work which the artist made from the same materials a tarp is normally made of, takes us back through Modern Art History by referencing a tradition of sculpture.

This unique timing opens the door for continued critical discussion of their significant roles in modern art history.

The show will be focusing on new works by the 78 - year old American artist Susan Weil, a respected figure in modern art history whose life story is truly extraordinary.

His early pure abstract paintings, celebrated female depictions and mature landscape pieces — all these works represent what can easily be classified as true milestones of modern art history and are a clear indicator of just how vital the work of Willem de Kooning truly was.

And the rest, it seems, is modern art history.

At a glance, it felt like perusing a chapter of a book on modern art history: primary colors, geometric shapes (or almost)-- everything was there.

The art is created in a contemporary context, but reflects upon signs and codes from modern art history.

Pollasch holds a MA in Modern art History and Theory and an MA in Arts Administration and Cultural Policy from The School of the Art Institute of Chicago.

Ultimately, Hans Hofmann became renowned as a modern art history's Great because of his explorations with the relativity of color, his push - pull technique and his ability to produce abstract effects of movement, space, and depth.

She holds a BA in Art History from Washington University in St. Louis, and a MA in Modern Art History, Theory, and Criticism from The School of the Art Institute of Chicago.October 19, 2015.

Eight years of preparation went into crafting «WACK,» the first comprehensive effort to correct modern art history's shameful gender bias, focusing on work that emerged from the feminist art movement of 1965 through the 1980s and organized by theme.

In many ways, it became a trademark of Abstract Expressionism, a movement that marked the American modern art history and made New York City a valid rival of Paris in terms of artistic influence.

The AGO's presentation, curated by AGO curator of modern and contemporary art David Moos, draws works from MoMA's wide - ranging presentation, with a focus on the masterworks that epitomize the pivotal moment in modern art history.

The exhibition consists of three parts: the artworks, the archival materials, and a lexicon of over five thousand artists born between 1880 and 1980, essentially documenting one hundred years of Chinese modern art history, which was discovered on his computer.

Untutored or not, however, these typically ambitious, self - reflective early critical appraisals provide the basis for Rauschenberg's iconic position in modern art history, especially since Rauschenberg himself claimed that «today is their creator.10 Surely, then, the response of that audience to his work is significant.

Inspired by 20th century European masters, Miles distills his respect for modern art history into his own spare contemporary language embodying meditation and tranquility.

We can see the passage of modern art history in these works, constructed from the foundation of the past.

Content: A facsimile of a drawing by Tal R. Texts by David Neuman, Director of Magasin 3, John C. Welchman, Professor of Modern Art History at University of California, San Diego, and interviews with curators Richard Julin and Sara Källström.

While completing graduate studies in France, I taught Modern Art History: From Impressionism to Abstraction at the Lacoste Institute's School For the Arts in France (1991) in Lacoste a small village 40 miles south of Avignon, famous for the Marquis de Sade's chateaux and for being a haven for the Surrealists during the second world war.

She holds a BA in Art History from Washington University in St. Louis, and a MA in Modern Art History, Theory, and Criticism from The School of the Art Institute of Chicago.

This exhibition features the far and wide, repeated, mundane, everyday images from popular culture that are now tightly woven into our Modern Art History.

Glenn received a Bachelor of Fine Art Photography with a co-Major in Urban Studies from Wayne State University and dual Masters degrees in Modern Art History, Theory and Criticism and Arts Administration and Policy from the School of the Art Institute of Chicago.

At Freight + Volume, Loren Munk presented his overstuffed, dazzlingly colored and ceaselessly inventive text - based canvases charting the complex byways of modern art history.

She takes a deep dive into San Francisco's relationship to modern art history that would merit more attention, if there were not so much else to see in the building.

Rodrigues Widholm holds an M.A. in Modern Art History, Theory and Criticism from The School of the Art Institute in Chicago and a B.A. in Art History and Political Science from the University of Illinois at Urbana - Champaign.

In keeping with Modern art history, the works selected stand up to a fine art lens: composition, color, texture, surface combine in purposeful ways as part of the artist's intent.

With a vision to spearhead ground - breaking exhibitions and support the careers of then unrecognised talent, Denise René ascertained her place in modern art history books with the 1955 exhibition Le Mouvement by featuring younger artists and showcasing them alongside already established ones such as Alexander Calder and Marcel Duchamp.

Previously, between Bologna and Paris she completed her BA and MA in Early Modern Art History.

The Pragmatism in the History of Art traces the questions that modern art history has used to make sense of the changes overtaking both art and life.

Spectacles without Objects explores — through text, images and sound recordings — specific occurrences of utopian performances in the past, way before the XXth century, before the moment Modern Art History usually assigns to the beginnings of performance art.