Sentences with phrase «own queer desire»

A New Testament professor at the College of the Holy Cross has suggested Jesus was a «drag king» with «queer desires.»

The works were a pairing of evocative photographs conjuring narratives of queer desire, complicated by disconnection in an illicit and anonymous environment.

He recently completed a two - week intensive studying artists» publications with New York - based magazine Triple Canopy, and presented a talk on science fiction, pornography and queer desire as part of the Bodies on Display festival in September.

Her work is largely concerned with the politics of space in relation to race, gender, and queer desire.

These paintings also explore the artist's own queer desire, illustrating the possibility that, per our society, her attraction to these subjects might be transgressive — even tainting: Mellor's scopophilia manifests as a disfiguration of her amorous objects.

In Warholian fashion, Johnson often imbues his work with queer desire and dry melancholy as he mines lowbrow registers of American culture, resituating material drawn from such sources as People magazine, pulp fiction, celebrity auto - biographies, Hollywood histories, and advertisements.

On the third floor of an unassuming Chinatown building, a dark hallway leads to Blessed Avenue, Jacolby Satterwhite's psychedelic quest into queer desire and memory, a twenty - minute digital animation created with Maya computer software.

Her art explores intimate relationships, specifically queer desire, through the use of appropriated images and text.

Her art explores intimate relationships, specifically queer desire, through the use of appropriated images, portraiture, and video.

Anger's later films continued to be influenced by his sexuality, the criminalization of queer desire, and his experience with mind - altering drugs like cannabis, LSD and peyote.

Not exact matches

The founders no longer want to see the labor of queer Black women neglected by mainstream media and those desiring partnership with the movement.

Some queer theorists use the term fluidity to talk about how gender, attraction and desire are variable, malleable and can change over time.

«What annoys me is that no one, not even queers, can imagine anything other than marriage as a model for organizing our desires.

This is uniquely helpful to queer women, who often have varied expectations and desires.

In the New Directions collection, Whitney Monaghan considers queer mash - up videos as sites reflecting the desire of fans to hold onto fleeing moments of screen queerness, positioning them as an archive of queer ephemerality.

New Releases (Alphabetical order by director) Matar a un hombre (To Kill a Man, Alejandro Fernandez Almendras, 2014) En duva satt på en gren och funderade på tillvaron (A Pigeon Sat on a Branch Reflecting on Existence, Roy Anderson, 2014) Kreuzweg (Stations of the Cross, Dietrich Bruggeman, 2014) La marche à suivre (Guidelines, Jean - Francois Caissy, 2014) La creazione di significato (Creation of meaning, Simone Rapisarda Casanova, 2014) Kış uykusu (Winter Sleep, Nuri Bilge Ceylan, 2014) Tomorrow is Always Too Long (Phil Collins, 2014) Que ta joie demeure (Joy of Man's Desiring, Denis Côté, 2014) P'tit Quinquin (Li» l Quinquin, Bruno Dumont, 2014) La Sapienza (Eugene Green, 2014) Carol (Todd Haynes, 2015) Cainele japonez (The Japanese Dog, Tudor Christian Jurgiu, 2014) The Lobster (Yorgos Lathimos, 2015) Ventos de agosto (August Wind, Gabriel Mascaro, 2014) Macondo (Sudabeh Mortezai, 2014) Un etaj mai jos (One Floor Below, Radu Muntean, 2015) Los Ausentes (The Absent, Nicolas Pereda, 2014) Rabo de peixe (Fishtail, Joaquim Pinto, 2015) Chevalier (Athina Rachel Tsangari, 2015) Rak ti Khon Kaen (Cemetery of Splendour, Apichatpong Weerasethakul, 2015)

BEFORE STONEWALL By Michael Koresky The full artistic scope of queer cinema transcends categories in its groundbreaking portrayals of desire and loss

Though there has been an influx of «Queer representation» in games over the last few years, it's left a lot to be desired.

By setting intimate moments alongside landmark events (such as the Black Popular Culture Conference in 1991, the truce between the Crips and the Bloods in 1992, the Black Male exhibition at the Whitney in 1994, and the Black Nations / Queer Nations Conference in 1995), the archive constructs collective and private narratives to comment on identity, desire, sexuality, and loss.

Suspenseful and infused with a sense of longing, the works explore implications of love, desire and queer culture through a dreamlike romanticism and wistful nostalgia.

In her remarks, Thomas was candid about her standing in the art world as a queer black woman and her desire to serve as a beacon for others, according to Vogue.

His work addresses queer notions of identity, community, and desire.

BLUR Hauntings I wanted body as form and vice versa Eyes, Lilacs & Spunk: Queer Aesthetic from Suggestion into Abstraction Re-imagined Boundaries Nineteen Penises On The Road — A Tribute To The Campaign To End AIDS Body - Ography Night Work The Pride Show Queer Body Politic (s) DESIRE IN THE WEB Untitled

Work from 1861 to 1967 by artists with diverse sexualities and gender identities will be showcased, and will range from covert images of same - sex desire such as Simeon Solomon's Sappho and Erinna in a Garden at Mytilene 1864 through to the open appreciation of queer culture in David Hockney's Going to be a Queen for Tonight 1960.

Directed by Julien while he was a member of Sankofa Film and Video Collective, and assisted by the film critic and curator Mark Nash, the 1989 film is a landmark in the exploration of artistic expression, the nature of desire and the reciprocity of the gaze, and would become the hallmark of what B. Ruby Rich named New Queer Cinema.

From his groundbreaking work on LGBTQ youth issues during the AIDS crisis, to his subversive writing in mainstream comic book companies such as Milestone Media, DC Comics, and Marvel, in addition to his independent work for queer and multicultural publishing, Ivan Velez: Bronx Haiku offers an engaging survey of one artist's desire to bring change and diversity into an art form that plays an indelible role in American popular culture.

In Chris's 2015 solo show «Top - A-Toppa» at Stream Gallery (Brooklyn, NY) Chris explored Jamaican culture, the complexities of gender identity, desire, tragedy, and public lynching bringing to light recent murdered queer persons in Jamaican headlines.

This beautiful book illustrates the wide variety of queer art from around the world exploring bodies and identity, love and desire, and prejudice and protest through drawing, painting, photography, sculpture, and installation.

Through an engagement of queer affective space, I cultivate what I call a «poetics of bafflement» that works through slippages among aesthetics, blackness and desire (homoerotic and otherwise) to engage the affective and sociocultural dynamics of black belonging.

Kalup Linzy's Lollypop (2006), a lip - synced rendering of a saucy, banned duet from the 1930s, and the photographic works of LADZ (John Arsenault and Adrian Gilliland) reminds us that the fear of HIV transmission remains a backdrop for the most innocent of desires, and that queer identity for many hinges not only on loving as one wishes, but often a daily negotiation for survival as well.

Cecilia Berkovic is a visual artist and graphic designer who uses language, found imagery and strategies of collecting and displaying to explore aspects of feminism, the everyday, consumer culture, desire and queer identity.

Working at a time dominated by conceptual and activist practices, Greene affirmed and interrogated the queer experience and homoerotic desire through painting.

Garnett's Encounters I May or May Not Have Had with Peter Berlin presents a glamorous journey that questions the nature of desire alongside the intergenerational histories that are central to queer life.

A rainbow flag is to be hoisted over Tate Britain as the gallery opens the first major exhibition dedicated to queer British art, from covert images of same - sex desire by Simeon Solomon to the couldn't care less enjoyment of David Hockney.