Sentences with phrase «own reversed shots»

The German's chance was all about his own excellent work, and he was unlucky to see his reverse shot strike the side netting.

Undeterred, a superb reverse shot from Ben Morris levelled the playing field, giving our team the motivation they need to proceed to a 3 — 1 victory.

That's too bad.Love your reverse shot.

The reverse shot of Blanchett's face tells you everything you need to know, in one perfectly composed moment.

The circumscribed aesthetic of the cheap thriller film - within - the - film that Binoche is shooting — made clear from the shot - reverse shot editing and close - ups antithetical to the look of the rest of the film, shot mostly in single takes — signals that we're somehow outside of Haneke's world, even though we're actually buried deep within its layers.

Recent updates: Added 1/14: First Showing (additional critic), Slashfilm (additional critic) Added 1/8: Birth.Movies.Death (additional critics), Parallax View, The Tracking Board Added 1/7: Film Journey, The Film Stage (additional critic), First Showing (additional critic) Added 1/5: The Film Stage (additional critics), In Review, Moving Picture Blog, The Playlist (additional critics), Slashfilm (additional critics), Taste of Cinema Added 1/3: CBS News, Den of Geek [UK], Film Pulse, The Film Stage (substituted individual lists for consensus list), Hidden Remote, The Playlist (additional critics), PopCulture.com, Reverse Shot, ScreenAnarchy, Slant (substituted individual lists for consensus list), Slashfilm, Wichita Eagle Added 12/31: artsBHAM, Cape Cod Times, CinemaBlend (additional critics), Collider (additional critics), Criterion [The Daily], Criterion Cast, The Film Stage, First Showing, Flavorwire, The Globe and Mail, The Hollywood Reporter / Heat Vision, Lincoln Journal Star, Monkeys Fighting Robots, NOW Magazine, Omaha World - Herald, Paste, People, ReelViews, Salt Lake City Weekly, San Antonio Current, Screen Daily, SF Weekly, These Violent Delights, Toledo Blade, Uncut, Under the Radar, Vancouver Observer, Vancouver Sun Added 12/29: The Arts Desk, Austin American - Statesman, Austin Chronicle, Awards Daily, Boston Globe, Boston Herald, CinemaBlend (additional critics), Cleveland Scene, Collider (additional critics), The Daily Beast, Deadline, Film Journal International, Houston Chronicle, Ioncinema, Las Vegas Review - Journal, New Orleans Times - Picayune, New York Post, Paper, The Playlist, San Diego City Beat, San Francisco Chronicle, San Francisco Examiner, St. Louis Post-Dispatch, Salt Lake Tribune, Seattle Weekly, Shepherd Express, The Stranger, Tallahassee Democrat, Toronto Star, Tucson Weekly, Tulsa World, Uproxx, The Virginian - Pilot, Washington City Paper, White City Cinema Added 12/27: Awards Campaign, Baltimore Beat, Buffalo News, Chicago Daily Herald, CinemaBlend, Collider, Film School Rejects, GameSpot, JoBlo, Metro UK, Newsweek, Observer, San Jose Mercury News, Seattle Times, Sydney Morning Herald, Tampa Bay Times, Thrillist, USA Today, Village Voice (Wolfe), Wired UK Added 12/22: Chicago Sun - Times, Den of Geek [US], The Guardian, Mashable, Metro US, Sioux City Journal, Star Tribune, The Verge, Wired Added 12/21: BBC, Chicago Reader, The Commercial Appeal, IGN, Las Vegas Weekly, TimeOut New York, Village Voice Added 12/20: A.V. Club, Crave, Esquire, The Independent, Spectrum Culture Added 12/19: The Atlantic, Birth.Movies.Death., CineVue, Newsday, NPR, WhatCulture Added 12/18: Arizona Republic, Yahoo! Added 12/17: Dazed, Flood Magazine, New Zealand Herald, Salon, ScreenCrush, The Star - Ledger (NJ.com), Time Out London, Total Film Added 12/15: BuzzFeed, Christian Science Monitor, Detroit News, Los Angeles Times, Philadelphia Daily News, Vox Added 12/14: Associated Press, Chicago Tribune, Consequence of Sound, Little White Lies, Los Angeles Daily News, RogerEbert.com, TheWrap Added 12/13: Evening Standard, Variety Added 12/12: The Hollywood Reporter, Huffington Post, PopCrush Added 12/11: CBC, The Observer [UK], Wall Street Journal Added 12/8: The New Yorker, Rolling Stone, Slant Added 12/7: Culture Trip, IMDb, The Ringer, Slate, Time, Us Weekly Added 12/6: Cahiers du Cinéma, New York Times, Vogue, Vulture (Yoshida), Washington Post Added 12/5: Scorecard launched with 15 lists.

© Reverse Shot, 2018.

Instead of the sit - down interviews usually allotted to press, Reverse Shot would try to get an hour with each subject, often taking them to non-traditional, even cheekily chosen locations.

What keeps Reverse Shot's writers in the game, as much as any hope of others reading their work, is the journal's palpable sense of community and cinephilia.

The relationships that have emerged from Reverse Shot, many of them long - standing, clearly contribute to the publication's vitality.

The Museum of the Moving Image marked the journal's 10 - year anniversary recently with the series «The Life of Film: Celebrating a Decade of Reverse Shot.»

Tired of endless talk of the «death of film,» Reverse Shot's editors aimed to show a way forward, or rather, how filmmakers themselves are already showing the way.

Reading Reverse Shot can be akin to perusing a writer's cherished, unabashedly enthusiastic essay that she labored on until she was certain she'd made a personal breakthrough.

As part of the program, current and former Reverse Shot writers joined chief curator David Schwartz and FILM COMMENT's own Kent Jones to discuss the state of film and film criticism.

Reichert wrote about Return of the Jedi, his favorite childhood film, and his reappraisal is rigorous, self - reflexive, and heartfelt — that is, very Reverse Shot.

One senses that Reverse Shot would be just as happy having a thoughtful newbie stumble onto the site as a kindred spirit pumping her fist in agreement with a writer's take on the lighting in Béla Tarr's Werckmeister Harmonies.

A decade may have passed, but Reverse Shot co-founders and editors Jeff Reichert and Michael Koresky vividly remember the birthday celebration at Dallas BBQ (complete with giant blue cocktails) that gave birth to the online film journal.

Much as he downplays the human overseers of the park, Côté never obscures his own hand in the proceedings: The disorienting reverse shot of the drawing woman through the stuffed beast's antlers is the first of countless droll (and uncomfortable) compositions that forces us to wonder if documentarians and spectators are really so far from taxidermists after all.

(Koresky hopes one day to turn the latter into a Reverse Shot monograph.)

At the Sunday panel, Hynes explained why Reverse Shot is such a special place for both writers and movie - lovers: «Writing for them I can go deep and long... while maintaining my voice.

The quality of the writing is not only top - notch, thanks to an unusually thorough editorial process, but Reverse Shot's writers manage to share their love for the medium as much as they display their taste and knowledge.

A key goal has been to make Reverse Shot accessible to a relatively wide audience.

He begins the essay with an insight that exemplifies the independent - minded analysis that has continued at Reverse Shot: «The face of new South Korean cinema looks a lot like the face of American Independent cinema of the mid-to-late Nineties, given that [Chan - wook] Park's [Oldboy] draws so much of its power from the mixture of high - concept aesthetics and lowbrow generic appropriations that we've been bombarded with since Tarantino.»

Reverse Shot has also pushed into video through a series of interviews with directors and actors called «The Talkies,» hosted by critic Eric Hynes.

I'll See You In My Dreams is a prime example of overlit shot / reverse shot cinema with nary a potent visual idea.

Back when I started writing for Reverse Shot, there was nothing like it, which I still think is the case.»

We reversed the shot and looked at it again.

The wonder of the pool scene is how Haneke takes that most mundane of tropes — the shot - reverse shot — and makes it strange, even revelatory.

A shorter video version of this discussion with director Michael Haneke — conducted in New York upon the premiere of his Palme d'or winner The White Ribbon at the 2009 New York Film Festival — is available as a Reverse Shot Direct Address.

Best Film Criticism of 2017, Year of Our Lord Kate Rennebohm, A Little Night Music: Twin Peaks: The Return, Part 8 (David Lynch, 2017), Cinema Scope Magazine Adam Nayman, Zama: Stuck in a Moment, Reverse Shot Nick Pinkerton, Let the Sun Shine In: A Director's Discourse, Reverse Shot Violet Lucca, No Joke, Film Comment Annabel Brady - Brown, Why Reproduce If You Believe the World is Ending?

To celebrate ten years of Reverse Shot, each writer chose a film that gives him or her hope for the future of the medium.

«Negative Capabilities»: The always brilliant Michael Koresky of Reverse Shot draws a connection between one of the most intellectually and emotionally demanding episodes of the The Sopranos and Gasper Noe's Irreversible.

Feature articles about and reviews of The Extravagant Shadows have appeared in Artforum, Film Comment, Reverse Shot, Fandor, and IDIOM, among others.

His deceptively straightforward films are rich and cinematic: every cut, every decision to shoot in long shot or shot — reverse shot, and every object, costume, and piece of furniture reveals something about the emotional and intellectual subtext.

And the same thing happens when there is a reverse shot: he takes the place of Trintignant, etc..

Metev prefers preceding his characters and shows their stride and movement with a shot reverse shot that becomes the ideal tool to seize the different dynamics of language, in particular the free language of youth and its catchphrases, onomatopoeias, verses, repetitions and provocations.

He is a contributor to Film Comment, Vice, The Guardian, and Reverse Shot, and his first book, Facing Blackness: Media and Minstrelsy in Spike Lee's Bamboozled (Critical Press), is available now.

This is filmed predominantly in a very simple shot reverse shot of Stewart and the phone.

- Eric Hynes, Museum of the Moving Image's Reverse Shot

He isn't boring, doing more than shot reverse shot coverage in his dialogue scenes, but he isn't overly ostentatious either.

«By its very design,» Eric Hynes wrote for Reverse Shot, In the Mood for Love «only cuts deeper as it ages — and as I age.»

«The Right to Choose»: Reverse Shot's Farihah Zaman discusses the feminist subtext of Alex Garland's «Ex Machina.»

Ashley Clark is the senior programmer of cinema at BAM and a contributor to Film Comment, Vice, The Guardian, and Reverse Shot, among others.

He runs the experimental screening series Acropolis Cinema and regularly contributes to Cinema Scope, Sight & Sound, Cineaste, Reverse Shot, and the Los Angeles Review of Books.

The Museum of the Moving Image's See It Big series, curated in collaboration with Reverse Shot editors Michael Koresky and Jeff Reichert (Remote Area Medical), presented Thursday night, a 35 mm print of Academy Award - winning auteur Martin Scorsese's 1993 masterpiece, The Age of Innocence, starring Daniel Day Lewis, Michelle Pfeiffer and Winona Ryder.

She joins Film Society of Lincoln Center Editorial Director Michael Koresky, who edited the Reverse Shot book Steven Spielberg: Nostalgia and the Light, published with Museum of the Moving Image this summer, and FC Digital Producer Violet Lucca for a discussion spanning Spielberg's big marquee titles and his less appreciated works.

While some interview subjects are filmed using a shot / reverse shot strategy, establishing the director's presence and point of view in conversation, others, such as his sister and mother, are shot straight - on, with the camera serving less as interrogator than objective receptor, letting each of them narrate events in her own manner and style.

Reverse Shot's Halloween programming; Rise of the VHS collector; Top 10 favorite witches; Bob Gale on Spielberg; Apple CEO is proud to be gay.

Reverse Shot has taken a closer look at cinematographer Gordon Willis «work.

Michael Koresky is the Director of Editorial and Creative Strategy at Film Society of Lincoln Center; the co-founder and co-editor of Reverse Shot; a frequent contributor to the Criterion Collection; and the author of the book Terence Davies, published by University of Illinois Press.