Sentences with phrase «own twist at the end»

If you liked «Gone Girl» and «The Girl on the Train,» you'll appreciate this book's lyrical plot - line and gripping twist at the end.
What it's about: «Empire» surpassed even the first «Star Wars» movie in fame, with its unforgettable twist at the end and meditative scenes of Luke training with Yoda.
With this device, Eberstadt delivers a gripping story line with a chilling twist at the end and, in the process, administers a smackdown of the New Atheism.
I added my own twist at the end: garnished with chopped green onion and some toasted sesame seeds.
It would be a hell of plot twist at the end of this season's movie
Lots of mayhem, lots of no - nonsense pro wrestling and a supremely intriguing twist at the end added up to a thoroughly enjoyable card that far exceeded all expectations.
I was trying so hard to be clever, adding a little twist at the end where the owner — this person who you think has been trying to sabotage the team — actually turns out to have been the architect of the team's success.
With a small twist at the end.
The unexpectedly adult twist at the end changed my mind.
To increase the running time of the mower between charges, the cutting blade has a twist at each end, modelled on propeller design, to reduce drag.
There's an INCREDIBLE plot twist at the end of this series, so if I say anything more, I'm afraid I'll ruin it for you.
A little bit of horror with a surprise twist at the end.
Other times it will be a punch right in the gut that twists at the end.
While the twist at the end was obvious for anyone paying attention to the lore of the surrounding world it wasn't very well explained.
Debuting number one at the box office this weekend, the film not only shows James McAvoy give a stunning performance, but sets very dark themes and more shockingly, an insane twist at the end that has left audiences's stunned.
Even ignoring the twist at the end — which, by the way, is terrible — the script is more of a collection of moments than any kind of through story.
Saved by a decent twist at the end, but is pretty dull viewing getting there.
The single player campaign shows off a lot of weapons and has a pretty cool story (though the big plot twist at the end makes no sense).
I especially enjoyed the twist at the end.
And, aside from a conclusion I won't spoil except to say that it plays exactly like the meta - film twist at the end of Altman's THE PLAYER, Spielberg can't resist to inject a Gumpian «brush with history» as then Assistant Attorney General Rehnquist, a future Justice of the Supreme Court, calls to advise Bradlee the publication of the papers is prohibited by the Espionage Act of 1917 — just a beat too late to stop the story going to print.
And the twist at the end raises the wee issue of character motivation - or lack thereof.
A truly compelling and interesting film with excellent pacing and a really smart twist at the end.
i went in expecting nothing more than an action flick with tech - savvy scenes, a standard plot and random twist at the end, and that's what they gave.
This eventually leads to a nice little twist at the end for the poor beleaguered Bernsen.
As with Open Your Eyes, there is an O. Henry - like twist at the end, that is at times hard to figure out although people know it's coming.
The game left a lot of questions unanswered, such as how Six got there and what exactly the Maw is, and there is a rather interesting twist at the end which could be woven throughout the series.
Universal appears to be quite confident in this one, as a representative informed press before the screening that we could run reviews right away, and asked only that we refrain from giving away the twist at the end of the film.
The movie that follows is sloppy surface level nonsense with no stakes and a yawn worthy twist at its end.
There are no good guys and no bad guys, only shades of gray and splatters of blood with a compelling twist at the end.
The ironic twist at the end is expected, yet is handled without subtlety, which is also a problem with the film as a whole — it doesn't know when not to play everything up to the utmost shock value.
This being a «driller,» there is, of course, a twist at the end, and it is emblematic of this movie's on - the - nose construction that said twist is delivered via an actual corkscrew (the train, ultimately, is a mere passenger in its own tale).
Without going into spoilers, I'll say that the extended Laurence Fishburne cameo, the «enemy of my enemy» thing and especially the series of dumb twists at the end all left me befuddled.
If you've seen the original, then you've already seen this movie with the exception of a couple minor twists at the end.
Koromzay's an annoying lead, but the film does have a fairly nice twist at the end.
The film is cleverly constructed and provides a truly surprising twist at the end.
The film's got a major twist at the end, but it's a silly one and isn't, with any thought on the matter, particularly feasible.
What Clint Eastwood has done is turn the sports movie formula on its ear with this film, focusing on the human aspects of boxing and shifting focus directly to the ultimate price of such an endeavor with a twist at the end of the second act.
There is the trademark Shyamalan twist at the end that totally makes sense, but it was highly predictable.
The other issue I had with the film was the lack of a really big twist at the end like Shyamalan has become known for.
The twist at the end seems to be what's driving audiences to check out Split in the theater, helped out by positive word - of - mouth and critical acclaim.
As mentioned at the beginning, there is a Shyamalan twist at the end.
A very creepy haunted house movie with some mediocre acting, cheap special effects and some rather confusing, if silly, plot twists at the end.
The film is shot well, has it's own strange language, and a nice little twist at the end.
There's a pretty good twist at the end, and Ray Liotta occasionally pops in to remind you that you really should be watching Goodfellas instead, but these are petty compensations for seeing a film that more readily recalls the easy reductive nihilism of that asshole frat - boy favorite, The Boondock Saints.
The big twist at the end is that Sam Jackson is manipulating the events that led up to Bruce Willis making this discovery.
One bit of advice: don't run for the exits before the clever twist at the end.
This Australian public service announcement really packs a punch into just 30 seconds — with a great twist at the end.
Radio commentator Paul Harvey gained widespread fame by reporting factual stories with a twist at the end.
The storyline is intricate and fast moving with unexpected twists at the end.
Well written with a really nice twist at the end.
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