Sentences with phrase «pace of action in»

Not exact matches

In selecting the holdings, Fehr initially used his firm's version of an «equity action call tool» to measure the pace, direction and flow of global equities.

Examples of these risks, uncertainties and other factors include, but are not limited to the impact of: adverse general economic and related factors, such as fluctuating or increasing levels of unemployment, underemployment and the volatility of fuel prices, declines in the securities and real estate markets, and perceptions of these conditions that decrease the level of disposable income of consumers or consumer confidence; adverse events impacting the security of travel, such as terrorist acts, armed conflict and threats thereof, acts of piracy, and other international events; the risks and increased costs associated with operating internationally; our expansion into and investments in new markets; breaches in data security or other disturbances to our information technology and other networks; the spread of epidemics and viral outbreaks; adverse incidents involving cruise ships; changes in fuel prices and / or other cruise operating costs; any impairment of our tradenames or goodwill; our hedging strategies; our inability to obtain adequate insurance coverage; our substantial indebtedness, including the ability to raise additional capital to fund our operations, and to generate the necessary amount of cash to service our existing debt; restrictions in the agreements governing our indebtedness that limit our flexibility in operating our business; the significant portion of our assets pledged as collateral under our existing debt agreements and the ability of our creditors to accelerate the repayment of our indebtedness; volatility and disruptions in the global credit and financial markets, which may adversely affect our ability to borrow and could increase our counterparty credit risks, including those under our credit facilities, derivatives, contingent obligations, insurance contracts and new ship progress payment guarantees; fluctuations in foreign currency exchange rates; overcapacity in key markets or globally; our inability to recruit or retain qualified personnel or the loss of key personnel; future changes relating to how external distribution channels sell and market our cruises; our reliance on third parties to provide hotel management services to certain ships and certain other services; delays in our shipbuilding program and ship repairs, maintenance and refurbishments; future increases in the price of, or major changes or reduction in, commercial airline services; seasonal variations in passenger fare rates and occupancy levels at different times of the year; our ability to keep pace with developments in technology; amendments to our collective bargaining agreements for crew members and other employee relation issues; the continued availability of attractive port destinations; pending or threatened litigation, investigations and enforcement actions; changes involving the tax and environmental regulatory regimes in which we operate; and other factors set forth under «Risk Factors» in our most recently filed Annual Report on Form 10 - K and subsequent filings by the Company with the Securities and Exchange Commission.

Despite the author's idiosyncratic and condescending substitution of nicknames for Polish surnames he assumes readers will not be able to keep straight, the story is fast - paced and keeps in play the action in Warsaw as well as the diplomatic dramas in London, Moscow, and Washington.

He was up and fine, but met with a surging GGG, out - landed for the next 30 - odd seconds, before the pace settled in the second half of the round and the action returned to the centre of the ring, with Golovkin becoming wary of over-extending himself.

If he can keep that up that kind of pace and improve on little things like proper alignments and not getting sucked in on play action, Alexander should definitely be in the mix for the award by the end of the year.

We do have a fair amount of pace with players like Alexis and Bellerin though, and if Wenger was dithering about whether to throw Alex Oxlade - Chamberlain straight in to action after his injury his pace and power might just make up the manager's mind.

At his current pace the signal - caller, who tossed a pair of TD passes in limited action as a junior, would pass for 4,410 yards and 65 TDs for the regular season.

There was plenty of action throughout the field too, as many teams seemed to be fairly close to each other in terms of pace.

Gunner's defence should be vulnerable in this action, as they are always weak on the counter-attack, and the Old Trafford club have some pace to exploit that with the likes of Depay and Martial.

In the past two decades he has been unimpressed with the pace of progress in the Hartford school system, and «a lot of that stems from the action, or lack thereof, from the board of education,» he saiIn the past two decades he has been unimpressed with the pace of progress in the Hartford school system, and «a lot of that stems from the action, or lack thereof, from the board of education,» he saiin the Hartford school system, and «a lot of that stems from the action, or lack thereof, from the board of education,» he said.

Exploding Kittens is kind of a fun (and safe) version of Russian Roulette where players draw cards in fast - paced action until someone finds an Exploding Cat card, in which case that player dies and is out of the game unless he or she has a Defuse card.

I just wish the action in some of these movies had a stronger pace.

He trusted her, and she could argue with him; she knew his rhythms, the pace of the long shots, dialogue and action, how to adapt to changes in tone, sequence by sequence.

It's not until the second half of the film that the action and pacing start to gel, as Bilbo and company make their way through treacherous mountain passes populated with goblins, beasts, and the withered creature Gollum (Andy Serkis), original owner of the magical ring that will eventually set larger stories in motion.

Though it generally suffers from a pervasive vibe of familiarity, Night at the Museum: Secret of the Tomb remains relatively watchable for the duration of its brisk running time - with the movie clearly faring better in its action - packed, fast - paced second half.

Madballs in Babo: Invasion is chock full of fast - paced action that is certain to delight twitch gamers alike.

Well, as sure as sunshine, if Jesse Hibbs succeeds at nothing else, it's sustaining a certain entertainment value through directorial pacing that is tighter than structural pacing, highlighted by some tensely well - staged action sequences that also mark heights in dramatic resonance, which is lacking, but there at times in which it's most needed to establish some sense of conflict and human weight.

It's a story about a group of relatively unknown character set in a relatively unknown setting and is so brilliant for it's ability for the character to run around and not bother with explanations except for one small part in the middle of the movie but it never loses the fast paced story and action.

Dunwall is an amazing place in terms of the way it incorporates elements of steampunk with a victorian feel and setting a pace that wouldn't normally suit a 1st person action game but it just flows so well and the artwork on the characters is stunning but sadly let down by a bit of collision detection which is hard to ignore, combine all this with a satisfying story you get a really decent game with plenty to get stuck into.

It's fast - paced and full of gaudy action, yet it's thoroughly unsatisfying, largely because it's so lazy: once Stallone (also the screenwriter) and director George Pan Cosmatos have sketched out the standard genre archetypes, they leave it at that, not bothering to fill in the niceties of characterization, plausibility, motivation, and suspense.

sound of a switchblade, are the primary weapon of choice, which keeps things moment - to - moment as the movie snakes its way towards its outrageous, excruciatingly shocking final act with the kind of economy and pace found only in the best action movies.

Jas believes in action over words and bristles over the slow pace of the movement, as well as her perceived second - class role in it because she's a woman.

There's tension in the action sequences, but it's all robbed of any impact when the dull talkie moments with equally - dull camerawork pulls the pacing to the side of the road.

A case in point is Peter Fonda's directorial debut The Hired Hand (1971), a sensitive, deliberately paced western which Universal attempted to sell as a combination of an Easy Rider sequel and an action - revenge oater.

It's also emblematic of what is best in this slam dunk of an action flick that keeps things moving at a breakneck pace while also being as funny as all get out.

Alas, my heart sank when I realized that the film I was about to see was not a remake of the 1995 forgotten Cindy Crawford - William Baldwin classic but a in fact change of pace low - key political drama from the go to high concept action film - maker of the past decade, Doug Liman (The Bourne Identity, Mr & Mrs Smith) focusing on the Plame Affair, one of the key scandals in recent American political history.

In this fast - paced, high - adrenaline action thriller «Point Break,» a young FBI agent, Johnny Utah (Luke Bracey), infiltrates a cunning team of thrill - seeking elite athletes — led by the charismatic Bodhi (Edgar Ramirez).

It takes a great deal of trickery to make such a farfetched premise fly, so credit director Tony Scott (Spy Game, Enemy of the State) for keeping the action and drama moving at a brisk enough pace to keep out minds engaged more in the events as they unfold on the screen, only realizing that, in the end, it doesn't quite hold up to close analysis.

But the story is a mess, and proceeds at a snail's pace in spite of the almost nonstop action (how is that possible?).

But like Abrams did on «Star Trek,» Whedon has stepped up his game in a major way: the action is clear and coherent, the pacing is tight (it's 140 minutes long, but flies by) and the technical contributions are top - notch across the board, from the Bond - movie production design of James Chinlund («The Fountain «-RRB- and the razor - sharp cutting of Jeffrey Ford («Public Enemies «-RRB- and Lisa Lassek («Cabin In The Woods») to Seamus McGarvey «s bright cinematography and Alan Silvestri's firmly listenable score (although the latter could, it should be said, use a more distinctive themein a major way: the action is clear and coherent, the pacing is tight (it's 140 minutes long, but flies by) and the technical contributions are top - notch across the board, from the Bond - movie production design of James Chinlund («The Fountain «-RRB- and the razor - sharp cutting of Jeffrey Ford («Public Enemies «-RRB- and Lisa Lassek («Cabin In The Woods») to Seamus McGarvey «s bright cinematography and Alan Silvestri's firmly listenable score (although the latter could, it should be said, use a more distinctive themeIn The Woods») to Seamus McGarvey «s bright cinematography and Alan Silvestri's firmly listenable score (although the latter could, it should be said, use a more distinctive theme).

When put together (as here), they are overextended and too long by half, with many a dull stretch before the famous wirework action sequences finally kick in — although perhaps this will not prove too much of a challenge for the modern viewer who is a fan of, say, 2015's The Hateful Eight (with its similarly protracted pace and duration).

Of course, there is plenty of Hong Kong fighting action that Jackie Chan is famous for, and in this sequel, the fight choreography and pacing seemed to work much better than in the originaOf course, there is plenty of Hong Kong fighting action that Jackie Chan is famous for, and in this sequel, the fight choreography and pacing seemed to work much better than in the originaof Hong Kong fighting action that Jackie Chan is famous for, and in this sequel, the fight choreography and pacing seemed to work much better than in the original.

Think of it, rather, as a violent action picture, a routine summer bloodbath that, in a change of pace, uses muskets instead of machine guns and chain saws.

Director Becca Wolff keeps the comic pacing pretty crisp, adding some extra slasher satire to the smooth changes of James Faerron's clever set as the action shifts back and forth from the terrific roadster that Lexi's driving to a midnight movie, with Jess, in their Northern California hometown to the fast - food and kitsch - cluttered «U Conn» (pronounced «Yukon») dorm room she shares with Katharine Chin's digital - media - engulfed Yoonji.

He brings the pacing of Creed's boxing matches to the longer action scenes, producing a fabulously entertaining sequence in which a shoot - out in a South Korean underground casino — presented in part as an uninterrupted long take — breaks out into a rollicking car chase through city streets.

Air Force One does not offer as much character nor plot to chew on as Petersen's last thriller involving the presidency, 1993's terrific Clint Eastwood starrer In the Line of Fire, but it still delivers the goods — a brisk pace, explosions, gunplay, fights, lots of airborne action, strong acting, and, last and certainly not least, the legendary Harrison Ford.

Goofy and entertainingly cartoonish, the seriousness and the darkness of the original is nowhere to be found in this latest action - adventure bonanza — a strength and a weakness at the same time depending on your love for the original film — with director Jake Kusdan ensuring that a steady pace of undertakings and jokes is kept throughout its reasonable runtime.

There are some issues I had with the film such as some of the cinematography not looking as good as it could've been due to the poor lighting, some of the quick cuts in the action scenes were distracting, the movie can drag a little at points and I do think cutting off 15 minutes could've made the pacing move a little more faster (some scenes felt a little rushed too), where the film decides to take its story can be predictable, and some of the green screen was REALLY noticeable.

Zemeckis has gone 12 years since directing a live - action movie and a bit of rust shows in his pacing.

Anorak: «The film flows at a good pace, and even without the fantasy action pieces every 20 minutes the events transpiring in the whorehouse world are captivating in and of themselves.»

Price: $ 39.99 Rating: Mature Genre: Survival Horror meets third - person shooter Subject Matter: The latest iteration in the famed survival horror game ditches a bit of the slow pacing and fear for a bit more of an action feel.

It's fast paced (and like all of Edgar Wright's films, the editing punches you in the face every chance it gets), witty and filled with glorious comic book inspired action scenes, complete with onscreen sound effects text.

Shooter fans are going to appreciate the fast action with a layer of strategy, while fans of defense games will surely enjoy the variety of units and strategies delivered in a fast - paced package.

On rare occasions, the dialogue windows telling these stories would even get in the way of enemies on the edge of the camera, causing a stutter in the fast - paced action.

Fast - paced action is frequently interspersed with scenes of Deadpool chatting to people in cabs, drinking in bars, or sitting on the sofa.

In the fast - paced action thriller, Dwayne Johnson stars as a father whose teenage son is wrongly accused of a drug distribution crime and is looking at a mandatory minimum prison sentence of 10 years.

I must say that I am not the biggest racing fan out there, but if there is one subgenre of racing I do enjoy it is the fast paced futuristic action - packed racing found in games like Wipeout and F - Zero.

The end result of all this is that playing Monster Hunter Tri has gone from being boring and painful to being slightly faster in pace and a bit more action - packed.

The filmmakers keep the action moving at breakneck pace, tossing in plenty of humor, but the sandworms are the real stars.

But although the film is bloated with the kind of high - tech special effects expected in this fictional, futuristic world, the script maintains a steady pace of action and enough humorous quips to hold most viewers» attention for the two hour ride.