We won't spoil exactly what happens but there's a moment during a particularly rapid and frantically
paced set piece where the game slows the action to hammer home how Lara's actions in Shadow of the Tomb Raider will affect innocent people.
The film is anything but rushed and that is in its favor; a string of fast -
paced set pieces weighs down any movie and Miyazaki has the good sense to balance the adventure with quiet but meaningful character moments.
Not exact matches
He is tall and strong, which is very good for
set pieces, but his
pace, skills and movements are limited.
Whether it is Koscielny or Gabriel alongside Mertesacker, it will be important for them to work together and make sure that the German does not get isolated against the
pace of Berahino and that he does pick up Rondon from
set pieces or crosses.
The good things is we have different types of player now —
pace (Sanchez, Walcott), power (Giroud, Sanogo) and we score in
set pieces now (both goals)-- but our delivery and cross are still really really poor.
Pros: Good shooting accuracy, likes to make runs behind the defence, amazing
pace, dribbler, takes shots from outside the box, good at taking
set pieces.
Theo can bring his
pace and OG s a threat on
set pieces.
I think its worth playing Giroud bcos vs barca we will need
pace on the counter (not girouds strong point) and
set pieces cud be key (Walcott isn't exactly a tank) Who has
pace and strength up top for Arsenal??? Welbeck!!!! Plus he is in good form and high on confidence after Leicester.
He is a good long and short passer, decent
pace, good on
set piece delivery, long range shooter, very hard to displace on the ball with his lw centre of gravity, excellent ball control and killer first touch, composed in front of goal too.
Wenger lost the plot when he brought in Giroud... what about the beautiful game involves having a lumbering striker who's main attribute is holding up play... our success with Wenger, and even before, came with
pace and clinical striking up front, having a boss in the midfield and having physically imposing CBs... what about Wright, Bergkamp, Anelka, Henry or RVP remind anyone of Giroud (minus the left foot of course)... the formula was broken, which didn't have to be the end of our success, but when you adopt half - measures you can't expect things just to work themselves out on their own... at the very least Wenger should have brought in some wingers that can consistently cross the ball and then spend significantly more time addressing our lack of success with
set pieces... ultimately this is why we continued to struggle with consistency and continued to constantly play people in the wrong positions
Mertesacker is a good defender and help alot on
set pieces but his
pace is troublesome against fast counterattacking sides like Everton.
Now imagine if you had Theo's
pace and Sanchez's
pace on the sides of a target man to win possessions and to provide an aerial threat on any cross or
set piece that comes in.
They will counter us with
pace and if Koscielny doesn't play, they may exploit Monreal and Chambers during
set pieces or with crosses.
Depay has
pace, finishing ability and is great from
set -
pieces — he's every Football Manager player's dream.
While the
pace and finishing prowess of Sadio Mane is Senegal's biggest threat, they also scored several goals from
set -
pieces in the qualifying campaign and will look to capitalise on such situations again.
In
set pieces, Drogba has also been known for his free kick ability, known to strike the ball with power and
pace, although the Ivorian has enjoyed high success rates with his heading abilities too.
The young man has an eye for goal from both open play and
set pieces, he has the ability to run at opponents at
pace and he looks completely at ease with high pressure situations (using the November Merseyside derby as a prime example).
If you are going to successfully utilise Andy Carroll you have to play his strength which is crosses into the box — a
set piece ploy rather than the break where you are relying on mobility and
pace.
Whilst Arsenal didn't miss his delivery from
set -
pieces, the Gunners did lose the injection of
pace from Theo Walcott on the right.
The 21 - year - old possesses sheer
pace in the wider positions and this combined with his brilliant
set -
piece taking technique makes him one of the best upcoming prospects in Europe.
It may not pass the Michael Gove test of a chronological approach to history, but I find getting the detailed «
set pieces» down on the page first ensures that I get the
pace of the book right, crucially making sure that I don't run over the word limit by the end of the book.
American Pie Presents The Naked Mile's latter half, as a result, moves along at a plodding
pace that's compounded by an episodic structure, as the movie lurches from one ill - conceived
set -
piece to the next with little thought towards momentum or consistency - which inevitably does confirm the film's place as just another interminable waste of time designed to cash in on the original trilogy's success.
Directed by Shawn Levy, Night at the Museum moves at a relatively brisk
pace and features a number of genuinely entertaining
set pieces - with Larry's frantic, chaotic first night on the job undoubtedly a highlight.
The beauty of the film is its
pace, which only stops to take a few breaths before it's on to the next
set -
piece, pushing Clooney and Kidman to remain in a state of distress for nearly two full hours.
There used to be a wide range of different games to choose, from run - and - gun action titles to slow -
paced tactical shooters focusing on strategy and tactics, but now most shooters follow the same model of big
set pieces, regenerating health,
«Real Steel» director Shawn Levy presents some wonderful
set pieces, and
sets a good
pace.
The action, especially a midpoint chase scene, rivals many of even the best Marvel
set pieces when it comes to innovation and pulse - pounding
pacing.
The
pace slackens over the course of the protracted finale, a
set piece that uses ugly, video game - style CGI (and a palette of sickly, ashy greys) to depict a battle for the city.
Instead, the Disney - produced and vaguely Disney - inspired Tomorrowland wastes Bird's talent, a scrappy female lead, and Clooney gravitas on what amounts to a feature - length prologue; this movie about a retro - futuristic utopia in an alternate dimension accessed by the world's best and brightest takes approximately forever to get going, marking the first time Bird's whiz - bang
set pieces haven't
set his movie's
pace.
The Belgian action - crime film Tueurs (aka Above the Law) is also an entertaining, fast -
paced thriller with some sleek action
set pieces.
The film has a jerky
pace to it, lurching and twisting from simple, well - considered stretches of dialogue in the beginning to the horrifically violent, agonizingly unrelenting final
set piece.
While it's sometimes mildly amusing, the story lacks both
pace and flow, charging from one
set piece to another.
I thought it was a bit rough at times - like they were just pushing the
pace to get to the next
set piece, but overall - i thought RDJ and ZG did great jobs playing their respective roles.
A
set -
piece sometimes breaks up the
pace, but these encounters usually boil down to simplistic quick - time events that make you feel passive to the action happening on - screen.
But Ron Howard keeps this
piece moving, and
sets the perfect tone and
pace for this project so that each part of its layered narrative gets enough screen time and makes sense.
Ultimately, though, he keeps an even
pace and manages to hold your interest while delivering several thrilling
set -
pieces.
Great ensemble cast Beautiful visuals Incredibly fun action
set pieces Great directing Really good editing Quick and engaging
pace
Although this isn't a serious film, it bounces off serious coming - of - age issues (like losing your virginity, the perfect analog to the vampire mythos) in ways that make sense and add to the gathering doom that ties all the tautly -
paced, beautifully - staged
set -
pieces together.
Computer - animated worlds sometimes act as a transitioning map, a location and day number occassionally remind us where we are (always in a different font), and fast -
paced editing and zooms given this «Before the Turn of the Century» (though the century is not specified)
piece a much modern look than its
setting would merit.
Brett Ratner pushes the
pace of his story at quite a fine rate as we move along a series of spectacularly scenic action
set pieces including grassy battlefields, murky swamplands, dank temples and vast, sweeping plains backed by towering majestic peaks.
Less disappointing by some stretch is the Michael Fassbender - produced «Slow West,» a unique Western that certainly lives up to its title with a relatively glacial
pace, but is gorgeously shot and climaxes with a
set piece that all fans of the genre will really need to eventually see.
At a recent roundtable interview, Revolori talked about the atmosphere on
set, working opposite Fiennes, his kissing scene with Saoirse Ronan, adapting to act in the Wes Anderson universe and the research he did beforehand, the physicality and
pacing required on
set, having fun being a part of the film's exciting adventure
set pieces, being slapped repeatedly by Harvey Keitel in sub-zero weather, bowling with F. Murray Abrahams, his chocolate allergy, and his upcoming Bollywood film, «Umrika» which he just finished shooting in India with Suraj Sharma from «Life of Pi.»
The occasional poorly
paced action
set piece aside, this film, with its stupendous score by Danny Elfman and great songs by Prince, is a classic comic book film.
That's not to say it is a bad film — it's just that the time spent before and between its two main
set pieces (a boisterous escape in barrels and the climactic showdown with the dragon) is poorly
paced.
Sadly, Efron never seems to realise the gold - mine of a premise he is sitting on and simply goes from
set -
piece to
set -
piece, the
pace severely lacking in between moments.
, Berg explains that the Buddy Burgers
set -
piece (which automatically cues up at the end of Berg's spiel) was a «reshoot - slash - new scene» to decelerate the
pace of the first act — just as he does on the yakker during said sequence.
While the thin story is divided into tonally conflicting parts that move at different
paces, it is less tiring than following one indestructible character through dull
set pieces — an annoying staple of this genre until now.
The
pace is what keeps this generic fable interesting, moving between characters and
set pieces in a way to keep it visual fresh.
Director Stoller and writers Andrew J. Cohen and Brendan O'Brien are graduates of the Judd Apatow school of studio humor, and so are well - versed in cooking up a comedy that adheres to a certain recipe: bookending the picture with big
set -
pieces, and then linking those
set -
pieces with a series of fast -
paced episodes that rely chiefly on sight gags and as many obscenities as possible.
They also remember this is a Marvel movie and
set a furious
pace with dynamic action
set pieces that include a heist in London, a hyperkinetic car chase in South Korea and a battle royale back home featuring armor - plated rhinos.