Sentences with phrase «page catalogue accompanies»
A 221 - page catalogue accompanies the exhibition and is available in the Museum Shop.
http://www.phillipscollection.org/
A forty - page catalogue accompanies the exhibition.
A 64 - page catalogue accompanies the exhibition, concentrating on Baker's British art and including the works acquired by RISD since 2005 with the Richard Brown Baker Fund for Contemporary British Art.
A full - color, 147 page catalogue accompanies the exhibition.
A 64 - page catalogue accompanies the exhibition, concentrating on Baker's British art and including the works acquired since 2005 with the Richard Brown Baker Fund.
A full - color 136 - page catalogue accompanies the exhibition.
Not exact matches
The accompanying catalogue, Wayne Thiebaud, Draftsman, features 63 plates of works in the exhibition and 20 sketchbook pages.
188 page hardcover catalogue accompanying the exhibition on view at Acquavella Galleries from February 1 - March 16, 2018.
The exhibition is accompanied by an illustrated, 32 - page catalogue made possible by the generosity of the University Alumni Association.
«Making Africa» is accompanied by a 344 - page, fully illustrated catalogue edited by Vitra Design Museum Director Mateo Kries and Curator Amelie Klein.
Closer to home, a 50 - page catalogue detailing last summer's PLATFORM PROJECTS / WALKS 2016 (funded by SPACE Gallery through the Kindling Fund) was released in April with an accompanying public walk through the Portland peninsula.
The fully - illustrated, 192 - page catalogue that accompanies the exhibition is published by Del Monico - Prestel.
Curated by Michael Duncan and part of the Getty Foundation's initiative «Pacific Standard Time: Art in L.A. 1945 - 1980,» L.A. RAW: Abject Expressionism in Los Angeles 1945 - 1980, From Rico Lebrun to Paul McCarthy is accompanied by a 208 page catalogue, a much - needed reference for the study of post-war American figurative art.
Itis accompanied by a 240 page catalogue.
It is accompanied by a 140 - page catalogue with essays by Trevor Schoonmaker, Richard J. Powell and Franklin Sirmans, as well as an interview with the artist by Thelma Golden and Hendricks's own commentary.
A 236 - page, fully illustrated catalogue featuring scholarly essays by Shields and by Julianne Burton - Carvajal, Ph.D., accompanies the exhibition.
The exhibition is accompanied by a 240 page catalogue.
Denise Markonish is the curator at MASS MoCA where her exhibitions include: Jim Shaw; Entertaining Doubts, Lee Boroson: Plastic Fantastic, Teresita Fernandez: As Above So Below, Mark Dion: The Octagon Room, Tom Philips and Johnny Carrera: Life's Work; Oh, Canada the largest survey of contemporary Canadian art (accompanied by a 400 - page catalogue co-published with MIT Press); Sanford Biggers: The Cartographer's Conundrum, Michael Oatman: all utopias fell; Stephen Vitiello: All Those Vanished Engines, Nari Ward: Sub Mirage Lignum (catalogue); Petah Coyne: Everything That Rises Must Converge (catalogue: Yale University Press), Inigo Manglano - Ovalle: Gravity is a force to be reckoned with (catalogue: D.A.P); These Days: Elegies for Modern Times and Badlands: New Horizons in Landscape (catalogue: MIT Press.
The exhibition, comprising 256 paintings in 16 solo shows of 8 American and 8 Belgian prominent artists, as well as its accompanying 240 - page catalogue published by Lannoo, is devoted to defining new modes of painting that reconstitute, rather than deconstruct the elements of painting in fresh new syntheses free of dogma and theoretical reduction.
The exhibition is accompanied by an in - depth catalogue featuring full - page color reproductions of all works in the exhibition as well as a detailed chronology, historical photos, reprints of key texts by Jean Dubuffet and Franz Schulze, and new essays by the exhibition curators and Dennis Adrian, Jon Bird, Thomas Dyja, Mark Pascale, and Arlene Shechet.
Future Shock will be accompanied by a 144 - page full - color catalogue documenting the works in the exhibition and the legacy of the ideas of Toffler's vision of the future.
Organized by VMFA and curated by Dr. Kendall Brown, Professor of Asian Art History at California State University, Long Beach, the exhibition is accompanied by a 228 - page, full - color catalogue.
All About America: Photographs by Burk Uzzle will be accompanied by a fully - illustrated, 80 - page exhibition catalogue with an essay by the curator.
Accompanying the exhibition is a 192 - page, bilingual, French - English catalogue, the first comprehensive analysis of the relationship between Mitchell and Riopelle.
The exhibition is accompanied by a 96 - page fully illustrated catalogue published by Prestel / DelMonico in association with the MIT List Visual Arts Center.
The exhibition is accompanied by a 32 - page color catalogue, with texts by Anne Neely, Sarah Sze, Suzette McAvoy, and John A. Tyson.
This first career retrospective will be accompanied by a 160 - page catalogue with 52 full - color illustrations, published by the Museum and distributed by ARTBOOK D.A.P. Essayists include the curator, Alicia Longwell, who will provide an overview of the artist's profound engagement with the history of art.
Lee Mullican is accompanied by a 136 - page illustrated catalogue with essays by curator Carol Eliel, Amy Gerstler, and Lari Pittman.
A 350 - page, full - color catalogue with essays by Dennis Szakacs, John C. Welchman, Michael Darling, Jeffrey Weiss, and Hans Ulrich Obrist will accompany the exhibition.
10,000 x Jack Goldstein is accompanied by a 250 - page, fully illustrated catalogue that includes an artist's project by James Welling, and texts by Philipp Kaiser, Douglas Crimp, John Kelsey, Alexander Dumbadze, and Meg Cranston.
Exhibition Catalogue Inventing Downtown will be accompanied by a four - color, lavishly illustrated 296 - page book with a bibliography and index.
An 152 - page catalogue in full - colour accompanying the exhibition «Not All that Falls Has Wings» at ARTER, Istanbul with artworks by Phyllida Barlow, Bas Jan Ader, Ryan Gander, Mikhail Karikis, Uriel Orlow, Cyprien Gaillard, Anne Wenzel and VOID.
The exhibition is accompanied by a 316 - page comprehensive catalogue with plates of all the photographs, along with essays and interviews, published by Three Shadows Photography Art Centre.
The exhibition is accompanied by a 55 - page color catalogue with an introduction by Robert Fleck.
Günther Förg: A Fragile Beauty will be accompanied by a full color, 250 - page catalogue designed by Joseph Logan and distributed by Yale University Press.
Catalogue «Carsten Höller: Experience» will be accompanied by a fully illustrated 248 - page catalogue that takes the form of a scientific dictionary with entries covering key themes and ideas in the artist's Catalogue «Carsten Höller: Experience» will be accompanied by a fully illustrated 248 - page catalogue that takes the form of a scientific dictionary with entries covering key themes and ideas in the artist's catalogue that takes the form of a scientific dictionary with entries covering key themes and ideas in the artist's practice.
A 60 - page catalogue written by Southold Historical Society Director Geoffrey K. Fleming accompanies the show.
Truth: 24 frames per second is accompanied by a 208 - page, full - color catalogue designed by Miko McGinty and co-published by the Dallas Museum of Art and Yale University Press.
Related Publication The Kongo across the Waters exhibition is accompanied by a 450 page publication available in the Museum Shop which presents a collection of richly - illustrated essays and a catalogue of the exhibition with superb photography.
A 176 page, fully illustrated catalogue accompanies Edward Hopper's Maine published by DelMonico Books - Prestel.
Exhibition Catalogue The exhibition is accompanied by a 200 - page, fully illustrated publication bringing together a range of scholarly contributors including curator Siri Engberg; Michael Lobel, associate professor of art history at the State University of New York at Purchase; Rochelle Steiner, dean of the Roski School of Art at the University of Southern California; and artist Josiah McElheny.
Phenomenal is accompanied by a lavishly illustrated 250 - page scholarly catalogue co-published by MCASD and University of California Press.
The exhibition is accompanied by a 160 - page, fully - illustrated catalogue edited by Cynthia Burlingham and Robert Gober with essays by Robert Gober, critic Dave Hickey, Hammer Deputy Director Cynthia Burlingham, Burchfield Penney Art Center Head of Collections and the Charles Cary Rumsey Curator Nancy Weekly, and Burchfield Penney Art Center Research Assistant Tullis Johnson.
Red Horizon will be accompanied by a 173 - page illustrated catalogue by the Columbus Museum of Art and distributed by RAM.
Accompanying the exhibition is a 144 - page, illustrated hardcover catalogue, a major contribution to scholarship on performance art as well as black visual art.
Exhibition Catalogue Landscapes after Ruskin will be accompanied by a four - color, richly illustrated 160 - page cCatalogue Landscapes after Ruskin will be accompanied by a four - color, richly illustrated 160 - page cataloguecatalogue.
The Ulrich organized this exhibition, and Curator of Modern and Contemporary Art Emily Stamey wrote the accompanying 56 - page catalogue.
The exhibition is accompanied by a 224 - page, fully - illustrated catalogue with essays by exhibition curator Allegra Pesenti and Ann Gallagher, Head of Collections (British Art) at the Tate.
The show is accompanied by lavishly illustrated, 150 - page catalogue with an introduction by exhibition curators Rebecca Zorach and Elizabeth Rondini, essays on the thematic sections, and entries on selected works.
Diebenkorn in New Mexico is accompanied by a 154 - page illustrated catalogue featuring a foreword by Charles M. Lovell, Director of the Harwood Museum of Art and co-curator of the exhibition, and essays by Mark Lavatelli, artist, art critic, and professor of humanities at Medaille College in Buffalo, New York; Gerald Nordland, a leading Diebenkorn scholar; and Charles Strong, artist and independent co-curator.