Sentences with phrase «page catalogue featuring»

«Seen and Unseen» will be accompanied by a fully illustrated 130 - page catalogue featuring more than 50 full - color illustrations, highlighting the most important paintings created by the artists over the course of their careers.
A fully illustrated, 56 - page catalogue featuring the forty - three works contributed by thirty - nine artists.

Not exact matches

Last November, sales of the Astin sofa shot up to an all - time high after it was featured on the cover of the Hello Holiday guide, Leon's inaugural 92 - page digital catalogue of DIY crafts, easy recipes and decor inspiration that channel the Pinterest ethos.
Personal ads featured on this page were written by real men and women and posted on various online dating Spare parts management: software for the creation of spare parts catalogue, sales catalogue, electronic parts catalogs and spare parts, consultation over
-- Behind the Scenes at SEGA added to the SEGA Book Catalogue — The infra red control pad II entry in the Mega Drive hardware section has received updates with all new images and scans of the box and contents — The Dreamcast Scart Cable has been added to the SEGA hardware section — Issue 11 of DC - UK, issue 29 of Nintendo: The Official Magazine, issue 100 of Playstation 2: Official Magazine UK, Issue 17 of SEGA Magazine and issue 1 of SEGA Zone have been added to the magazines section — The Data Discs vinyl release of the Panzer Dragoon soundtrack has been added to the Music section — The Data Discs vinyl release of The Revenge of Shinobi soundtrack has been added to the Music section — The Sonic Boom: Fire & Ice review now features cover artwork, instruction sheet and cartridge scans — The Hatsune Miku: Project Diva X review now features cover artwork, instruction sheet and cartridge scans — The 8th generation of SEGA releases has been updated to include every SEGA release from this generation — You can now navigate our old front page news posts easier by using our new Archive section
-- Social media pages geared toward providing readers with discounted books — Newsletters geared toward providing readers with discounted books or reviews of books at any price — Blogs that feature books from specific categories, discounted books, or book reviews — Any print publication that reviews books — Email lists that provide libraries with information about books, either with or without reviews — Distributor catalogues that provide bookstores and libraries with information about books, either with or without reviews — The algorithms that trigger «you might like» and «buyers also considered» recommendations on internet sales sites — Consumer reviews Notice the emphasis in most of these areas on reviews.
Check out the online catalogue and Momma Levity (featured on page 3)... http://lunadreamwear.com/lookbook.html
Along with over 60 pages of images, the catalogue features texts by the artist and our curator, Katherine Harvath.
The accompanying catalogue, Wayne Thiebaud, Draftsman, features 63 plates of works in the exhibition and 20 sketchbook pages.
A glance at three recent works by Kate Davis (b. 1977) from a numbered series Disgrace appear to have pencil scrawls on pages of an art catalogue featuring nude studies of the female figure.
Fully illustrated, 76 page exhibition catalogue with 20 color plates and featuring an essay by Dr. David Anfam, Hardcover.
A 236 - page, fully illustrated catalogue featuring scholarly essays by Shields and by Julianne Burton - Carvajal, Ph.D., accompanies the exhibition.
The 176 - page exhibition catalogue ($ 50, hardcover; $ 40, paperback) features 160 illustrations along with a groundbreaking new interview with Serra, contributed by cocurator Gary Garrels, that represents five days of conversation that took place in 2010 in preparation for the project.
This month, Robinson has a new show at Lynch Tham gallery in New York (up until July 17), featuring paintings of the glossy pages of department - store catalogues, lightly marbled with art - historical jokes.
The catalogue [96 pages, hardcover, fully - illustrated] features an essay by Debra Bricker Balken, an independent curator and noted writer who works on subjects relating to American modernism and contemporary art.
The exhibition is accompanied by an in - depth catalogue featuring full - page color reproductions of all works in the exhibition as well as a detailed chronology, historical photos, reprints of key texts by Jean Dubuffet and Franz Schulze, and new essays by the exhibition curators and Dennis Adrian, Jon Bird, Thomas Dyja, Mark Pascale, and Arlene Shechet.
Fully illustrated, 104 page exhibition catalogue with 36 color plates, and featuring essays by Peter Selz and Jessica Scarlata.
Published on the occasion of his fourth solo exhibition at David Zwirner in 2005, this beautifully designed and produced catalogue — with essays by curator and art historian Jason Rosenfeld and writer Jason Tougaw — features Marcel Dzama's most recent drawings, costumes, sculptures, and notebook pages.
Featuring an essay by Isolde Brielmaier, this 96 page, full - color catalogue is available for purchase at the gallery for $ 40 excluding tax.
Fully illustrated, 48 page exhibition catalogue with 9 color plates, featuring a rare 1960s interview with the artist.
The show traveled to other museums in the U.S. for several years and Remington's piece was featured on the cover of the 295 page catalogue.
The catalogue — published by Schnabel, with text by Colacello — is an 82 - page hardcover featuring work by Jean - Michel Basquiat, The Bruce High Quality Foundation, Jeff Elrod, Jacqueline Humphries, Rashid Johnson, Adam McEwen, Sterling Ruby, Borna Sammak, Jonas Wood, Vito's father Julian Schnabel, and Bob's former employer Andy Warhol.
The catalogue features full - page reproductions of all 160 works in the exhibition, essays by curator Joel Smith, Philip Gefter, and Steve Turtell, and the first fully researched chronology, exhibition history, and bibliography to be published on Hujar.
Fully illustrated, 96 page exhibition catalogue with 35 color plates, featuring an essay by Debra Bricker Balken and an illustrated chronology.
Diebenkorn in New Mexico is accompanied by a 154 - page illustrated catalogue featuring a foreword by Charles M. Lovell, Director of the Harwood Museum of Art and co-curator of the exhibition, and essays by Mark Lavatelli, artist, art critic, and professor of humanities at Medaille College in Buffalo, New York; Gerald Nordland, a leading Diebenkorn scholar; and Charles Strong, artist and independent co-curator.
Catalogue features an introductory essay by Eddie Chambers, and seven double pages of collaged images, photographs, biographical texts etc. on / by each of the artists.
A 160 - page, full - color, hardcover catalogue accompanies the show, featuring newly commissioned essays and expository texts on the artist's production process.
An 88 - page catalogue, featuring a conversation between the artist, Daniel Birnbaum, and Hans Ulrich Obrist, will be published on the occasion of the exhibition.
The accompanying catalogue, Thomas Gainsborough: Experiments in Drawing, features full - page reproductions of seventeen works in the exhibition, a foreword by director Colin B. Bailey, and essays by Moore Curatorial Fellow Marco Simone Bolzoni and conservator Reba F. Snyder.
The exhibition will be accompanied by a full - color 45 - page catalogue that will feature essays written by Los Angeles critics Peter Frank and Shana Nys Dambrot.
This 152 page hardcover catalogue features full - color reproductions of the «Gothic Windows» as well as other new works by the artist.
Jennifer Coates All U Can Eat is a 94 page full - color exhibition catalogue featuring images by Jennifer Coates and text by Scott Indrisek, David Humphrey and Jennifer Coates.
20 page, full - color exhibition catalogue featuring 16 paintings from 2014 - 2015 and an essay by Lilly Wei.
The 176 - page exhibition catalogue features 160 illustrations and essays by Bernice Rose, Michelle White, Gary Garrels, and Magdalena Dabrowski, as well as contributions by Richard Shiff, the Effie Marie Cain Regents Chair in Art at the University of Texas at Austin; and Lizzie Borden, a Los Angeles - based filmmaker and writer.
An illustrated 96 - page catalogue will be published on the occasion of the exhibition, featuring essays by Joachim Jäger, Head of the Neue Nationalgalerie, Joseph D. Ketner II, Foster Chair in Contemporary Art at Emerson College, and Michelle Kuo, Editor of Artforum International.
Newman's Onement VI (1953) is featured on the cover of the seven - pound sale catalogue, which devotes no less than 22 pages to the work.
The catalogue features an extended interview with the artist, and includes full - page reproductions of all seventeen photographs in the series Hedonic Reversal, as well as installation views of the large - scale Hedonic Reversal installation and El Sisifo, a three - channel video projection.
The current exhibition features approximately 40 paintings and works on paper, with an accompanying 88 - page catalogue, and is the most substantial that MOCA has undertaken for an artist who is still in her first decade of production.
The 288 - page catalogue, Ken Price Sculpture: A Retrospective, is co-published by LACMA and DelMonico Books / Prestel, and features essays by LACMA exhibition curator Stephanie Barron, Frank Gehry, Dave Hickey, and Phyllis Tuchman, as well as a compilation of interviews with the artist from 1980 to 2011 by MaLin Wilson - Powell.
In addition, there is a 200 - page exhibition catalogue produced by Tate Publishing featuring essays by Jan Debbaut, curator, Ben Borthwick from the Tate, novelist and cultural commentator Michael Bracewell, and art historian Marco Livingstone.
The catalogue features two double - page spreads of major paintings: «Lotus Eater» from 1974 and «Tuxedo Junction» from 1965/74, the latter having the distinction of being one of the only remaining works which DeFeo worked on while she worked on «The Rose.»
Over one hundred additional works from the Scull collection are illustrated in the 288 - page catalogue that features Judith Goldman's revelatory narrative, based on hitherto unpublished sources, of the dramas that accompanied Robert and Ethel Scull's ever - shifting relationships with artists, dealers, the press and each other.
A 176 - page exhibition catalogue features an essay by Elizabeth Siegel, associate curator of photography, The Art Institute of Chicago; an interview by Paul Martineau, associate curator of photography, J. Paul Getty Museum, Los Angeles; and an illustrated chronology by Brett Abbott, curator of photography and head of collections, High Museum of Art, Atlanta.
A 128 - page illustrated color catalogue featuring an introduction by Parrish Art Museum Director Terrie Sultan and essays by Karin Roffman, Deborah Rothschild, and Mimi Thompson.
Complimenting the exhibition is a 200 - page, full - color, hardcover catalogue featuring the eight artists whose works appear in Dallas, along with several other Tibetan artists.
The exhibition is accompanied by a 190 - page catalogue, George Condo: Mental States, featuring essays by Ralph Rugoff, Laura Hoptman and novelists Will Self and David Means.
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