Sentences with phrase «page catalogue illustrates»
Published on the occasion of the eponymous exhibition at Gagosian Gallery, London, this 170 - page catalogue illustrates work by thirty - five artists, from 1947 through today
https://www.gerhard-richter.com/ Not exact matches
CATALOGUES 2016 Marnie Weber, The Day of Forevermore: Synopsis, Script, Storyboard, introduction by Paul Bernard, 96 pages, Museum of Modern and Contemporary Art (MAMCO), Geneva, Switzerland 2015 Unicorn Girl, written by Darcey Steinke, illustrated by Marnie Weber, Spirit Sister Publication 2010 Marnie Weber, The Cinema Show A Film Retrospective and Installations, texts by Yves Aupetitallot, Doug Harvey, and Stephanie Moisdon, artist interview by Mike Kelley, 125 pgs, 73 color ill., Le Magasin Centre National d'Art Contemporain de Grenoble, France 2007 Sing Me A Western Song, text by Annie Buckley, 40 pgs., 24 color ill., Patrick Painter Gallery, Santa Monica, CA 2005 Marnie Weber, From The Dust Room, texts by Julie Joyce, Amy Gerstler, Darcey Steinke, 56 pgs., 37 color ill., Luckman Gallery, California State University, Los Angeles, CA SOLO ALBUM RELEASES 2008 Marnie Weber, Lonely Soundtracks, 1993 — 2008 2005 Songs Forgotten: Selections From Marnie Weber 1989 — 2004 1996 Cry for Happy.
A generously illustrated catalogue of 256 pages will be published by Paris Musées to mark the exhibition
The exhibition is accompanied by an illustrated, 32 - page catalogue made possible by the generosity of the University Alumni Association.
An 80 - page, fully - illustrated catalogue was published on the occasion of a major survey IL LEE: New Printings / 40 Years in New York.
«Making Africa» is accompanied by a 344 - page, fully illustrated catalogue edited by Vitra Design Museum Director Mateo Kries and Curator Amelie Klein.
A 112 - page, color - illustrated catalogue with essays by Richard Shiff and John Yau is available for $ 15 for museum members $ 25 for non-members (plus shipping / handling).
The fully - illustrated, 192 - page catalogue that accompanies the exhibition is published by Del Monico - Prestel.
Fully illustrated, 76 page exhibition catalogue with 20 color plates and featuring an essay by Dr. David Anfam, Hardcover.
A 236 - page, fully illustrated catalogue featuring scholarly essays by Shields and by Julianne Burton - Carvajal, Ph.D., accompanies the exhibition.
The publication is a 374 pages fully illustrated catalogue of the exhibition Concrete Parallels / Concretos Paralelos, with essays by Sam Gathercole, Maria Alice Milliet, Ferreira Gullar, Jon Wood and Gloria Carnevali.
The catalogue [96 pages, hardcover, fully - illustrated] features an essay by Debra Bricker Balken, an independent curator and noted writer who works on subjects relating to American modernism and contemporary art.
All About America: Photographs by Burk Uzzle will be accompanied by a fully - illustrated, 80 - page exhibition catalogue with an essay by the curator.
The exhibition is accompanied by a 96 - page fully illustrated catalogue published by Prestel / DelMonico in association with the MIT List Visual Arts Center.
A fully illustrated, 56 - page catalogue featuring the forty - three works contributed by thirty - nine artists.
Fully illustrated, 104 page exhibition catalogue with 36 color plates, and featuring essays by Peter Selz and Jessica Scarlata.
Fully illustrated 64 page exhibition catalogue with 32 color plates and an essay by Joseph Jacobs, Softcover.
Lee Mullican is accompanied by a 136 - page illustrated catalogue with essays by curator Carol Eliel, Amy Gerstler, and Lari Pittman.
10,000 x Jack Goldstein is accompanied by a 250 - page, fully illustrated catalogue that includes an artist's project by James Welling, and texts by Philipp Kaiser, Douglas Crimp, John Kelsey, Alexander Dumbadze, and Meg Cranston.
Exhibition Catalogue Inventing Downtown will be accompanied by a four - color, lavishly illustrated 296 - page book with a bibliography and index.
This lavishly illustrated, 240 - page catalogue, also titled Zoo, contains an introduction by the show's curators, Marie Fraser and François LeTourneux, texts presenting each of the artists, and a typology describing the relationship between humans and animals as reflected in natural history, philosophy, fiction, and science.
The show will include an interactive touch - screen kiosk for deeper exploration of Cole's life and career, and The Museum Shop will offer a beautifully illustrated, 80 - page exhibition catalogue for sale ($ 24.99).
Catalogue «Carsten Höller: Experience» will be accompanied by a fully illustrated 248 - page catalogue that takes the form of a scientific dictionary with entries covering key themes and ideas in the artist's Catalogue «Carsten Höller: Experience» will be accompanied by a fully illustrated 248 - page catalogue that takes the form of a scientific dictionary with entries covering key themes and ideas in the artist's catalogue that takes the form of a scientific dictionary with entries covering key themes and ideas in the artist's practice.
Fully illustrated, 48 page exhibition catalogue with 9 color plates, featuring a rare 1960s interview with the artist.
A richly illustrated catalogue Van Doesburg and the International Avant - Garde: Constructing a New World is also available, in English only, edited by Gladys Fabre and Doris Wintgens Hötte (240 pages and 250 colour illustrations).
Related Publication The Kongo across the Waters exhibition is accompanied by a 450 page publication available in the Museum Shop which presents a collection of richly - illustrated essays and a catalogue of the exhibition with superb photography.
A 176 page, fully illustrated catalogue accompanies Edward Hopper's Maine published by DelMonico Books - Prestel.
Exhibition Catalogue The exhibition is accompanied by a 200 - page, fully illustrated publication bringing together a range of scholarly contributors including curator Siri Engberg; Michael Lobel, associate professor of art history at the State University of New York at Purchase; Rochelle Steiner, dean of the Roski School of Art at the University of Southern California; and artist Josiah McElheny.
Phenomenal is accompanied by a lavishly illustrated 250 - page scholarly catalogue co-published by MCASD and University of California Press.
The exhibition is accompanied by a 160 - page, fully - illustrated catalogue edited by Cynthia Burlingham and Robert Gober with essays by Robert Gober, critic Dave Hickey, Hammer Deputy Director Cynthia Burlingham, Burchfield Penney Art Center Head of Collections and the Charles Cary Rumsey Curator Nancy Weekly, and Burchfield Penney Art Center Research Assistant Tullis Johnson.
Fully illustrated, 96 page exhibition catalogue with 8 color plates and 37 painting detail images.
Fully illustrated, 60 page exhibition catalogue with 16 color plates and an extensive, illustrated artist chronology.
Published by Michael Rosenfeld Gallery (2014), this fully illustrated, 96 page exhibition catalogue contains 8 color plates and 37 painting detail images.
Fully illustrated, 96 page exhibition catalogue with 35 color plates, featuring an essay by Debra Bricker Balken and an illustrated chronology.
An 80 - page, fully - illustrated catalogue is being published on the occasion of the exhibition IL LEE: New Paintings / 40 Years in New York.
Red Horizon will be accompanied by a 173 - page illustrated catalogue by the Columbus Museum of Art and distributed by RAM.
Accompanying the exhibition is a 144 - page, illustrated hardcover catalogue, a major contribution to scholarship on performance art as well as black visual art.
Exhibition Catalogue Landscapes after Ruskin will be accompanied by a four - color, richly illustrated 160 - page cCatalogue Landscapes after Ruskin will be accompanied by a four - color, richly illustrated 160 - page cataloguecatalogue.
The exhibition is accompanied by a 224 - page, fully - illustrated catalogue with essays by exhibition curator Allegra Pesenti and Ann Gallagher, Head of Collections (British Art) at the Tate.
Fully illustrated, 68 page exhibition catalogue with 16 color plates, with a foreword by Frederic E. Ossorio, Jr. and an introduction by Harry Cooper, Curator of Modern Art at Fogg Art Museum, Hardcover.
The show is accompanied by lavishly illustrated, 150 - page catalogue with an introduction by exhibition curators Rebecca Zorach and Elizabeth Rondini, essays on the thematic sections, and entries on selected works.
Diebenkorn in New Mexico is accompanied by a 154 - page illustrated catalogue featuring a foreword by Charles M. Lovell, Director of the Harwood Museum of Art and co-curator of the exhibition, and essays by Mark Lavatelli, artist, art critic, and professor of humanities at Medaille College in Buffalo, New York; Gerald Nordland, a leading Diebenkorn scholar; and Charles Strong, artist and independent co-curator.
A fully illustrated, 250 - page catalogue, with color reproductions of all works, co-published with Rizzoli, will accompany the exhibition.
The fully illustrated, 192 - page catalogue that accompanies the exhibition is published by Del Monico - Prestel.
The exhibition includes the fully illustrated, 152 - page catalogue, Radical Seafaring, by Andrea Grover, with a preface and acknowledgments by Parrish Art Museum Director Terrie Sultan; essays by Sasha Archibald, Alexander Dumbadze, Dylan Gauthier, and Andrea Grover; and artist project pages by Christopher French.
Accompanying The Shadows Took Shape is a 160 - page, fully illustrated exhibition catalogue, with twenty - nine artist entries and essays by the exhibition's curators (Naima J. Keith & Zoe Whitley) and an introduction by Studio Museum Director and Chief Curator Thelma Golden.
There is a fully illustrated catalogue with 96 pages and 48 color reproductions, with essay by Terry R. Myers and interview with the artists conducted by Phong Bui.
An illustrated 96 - page catalogue will be published on the occasion of the exhibition, featuring essays by Joachim Jäger, Head of the Neue Nationalgalerie, Joseph D. Ketner II, Foster Chair in Contemporary Art at Emerson College, and Michelle Kuo, Editor of Artforum International.
The exhibition is accompanied by an illustrated 302 - page catalogue with essays by critics and art historians, including Emily Apter, Marc Augé, Raymond Bellour, Jo - Anne Birnie Danzker, Ina Blom, Eugeni Bonet, Iris Dressler, Anne - Marie Duguet, Marcelo Expósito, Simón Marchán Fiz, Gerald Raunig, Judith Revel, Octavi Rofes, Valentin Roma, Lise Ott, Sven Spieker, Mary Anne Staniszewski, Brian Wallis, as well as the exhibition curator Daina Augaitis.
A comprehensive, 140 - page fully illustrated exhibition catalogue with essays by Schoonmaker, Kristine Stiles, and Greg Tate is available for $ 39.95.