Sentences with phrase «page catalogue which»

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Google's search engine combs through the company's index of the Internet, which Google builds using software programs called spiders that find and catalogue Web pages.

According to the Yale Bright Star Catalogue, 1991 5th Revised Edition notes entry for HR 4983, analysis of spectroscopy and velocity variations over at least five years initially suggested that Beta Comae Berenices may have an unseen companion, which was unresolved by speckle interferometry (Hartkopf and McAlister, 1984, page 109).

Named in many ancient cultures, the primary star is commonly called «Muphrid or Murfid» in modern star catalogues, which may have been convolutedly derived from an Arabic reference to the «lance bearer» and associated with nearby Arcturus (Richard Hinckley Allen, 1889: page 104).

Now for all the goodies that are included in this release, included is a 48 - page hardcover book «Harry Potter Catalogue of Artefacts», a 32 - page «Harry Potter Label Collection» booklet, an envelope containing five wonderfully detailed black - and - white Stuart Craig drawings which are printed on heavy - stock cards, concept art color paintings also on heavy - stock cards, a Holocrux locket replica, a weathered blueprint poster of the Hogwarts castle, a large 24 ″ x 36 ″ cloth map of the Hogwarts grounds (pictured below) and, of course, a numbered certificate of authenticity.

Extras include an isolated score track in 2.0 mono DTS - HD; an audio commentary with film historians Eddy Friedfeld, Paul Scrabo, and Lee Pfeiffer, which is quite good and provides plenty of insight into the making of the film and its status as a New Hollywood film that's been forgotten and worth rediscovery (I concur); the film's original theatrical trailer, presented in HD; a scroll - through of the current Twilight Time catalogue; and as always, an excellent 8 - page insert booklet with an essay by the great Julie Kirgo.

We have a new catalogue for 2011/12 which can be downloaded by clicking on the link on the right hand side of our Home Page.

Published by Moderna Museet, Stockholm in association with Hatje Cantz, the formidable catalogue also demonstrates the «great force» with which af Klint merged her talents as medium and artist.7 Edited by Iris Müller - Westermann, curator of International Art at Moderna Museet, the volume is weighted heavily on the visual; page after page of af Klint's works threaten to overwhelm the senses even in reproduction.

The catalogue, published by the Upper East Side gallery Zwirner & Wirth, includes two pages of notes written by the artist in the 1970s, which read like a crash course in the paradoxes woven into his incorporeal realm of three - dimensional lines drawn in space:

Each of the case studies, which also include Freeze, London (1988) and New York's Whitney Biennial of 1993, consists of a one - page introduction, followed by archival photographs and text excerpts from their respective exhibition catalogues and contemporaneous press reviews.

An aside, an addendum, an index, the publication ends with the Christie's London catalogue page from the 2013 auction of Provenance itself in the Post-War and Contemporary Art Sale, which completes the economic circuit of the project.

Related Publication The Kongo across the Waters exhibition is accompanied by a 450 page publication available in the Museum Shop which presents a collection of richly - illustrated essays and a catalogue of the exhibition with superb photography.

The 352 - page catalogue, which includes 116 full - page color reproductions of paintings in the show as well as numerous other illustrations and a detailed chronology of the artist's life, has an essay by Carol Mancusi - Ungaro on «Material and Immaterial Surface: the Paintings of Rothko,» and interesting interviews with several artists including Ellsworth Kelly, Brice Marden, Gerhard Richter, Robert Ryman and George Segal.

Garth Weiser: Paintings, 2008 — 2017 is accompanied by a 128 - page full - color, hardbound exhibition catalogue, which includes texts on the artist from exhibition curator Louis Grachos, Ernest and Sarah Butler Executive Director and CEO of The Contemporary Austin; Heather Pesanti, Senior Curator of The Contemporary Austin; and Charles Wylie, Curator of Photography and New Media at the Santa Barbara Museum of Art.

The first, «Range Drawings,» are a series of 10 large - scale multi-paneled drawings in which obsessively worked black or white fields cover sets of pages and uncut page - proofs from a mail - order camping and sporting goods catalogue.

For the white drawings, the buried information of the catalogue pages reverberates through the lines of correction fluid which trace and cover them.

Amplifying the voices in this exhibition is a 190 + page color catalogue with detailed images of these objects of resistance, which includes critical essays by Dr. Carolyn Mazloomi, Micol Hebron, Betti - Sue Hertz, Noel Anderson, and Jenny Ustick; as well as photographic documentation from the day as seen through the eyes of the artists and activists who were on the ground, around the country on January 21st, 2017.

Newman's Onement VI (1953) is featured on the cover of the seven - pound sale catalogue, which devotes no less than 22 pages to the work.

Embracing the artist's creative and innovative spirit, the «living catalogue raisonné» will be amended regularly, both with new entries and with updates to existing pages, which will be time - stamped as they are modified.

The catalogue features two double - page spreads of major paintings: «Lotus Eater» from 1974 and «Tuxedo Junction» from 1965/74, the latter having the distinction of being one of the only remaining works which DeFeo worked on while she worked on «The Rose.»

Another early piece dealing with this sense of displacement is Untitled (Diane Arbus), 1992, a conceptual reconfiguration of MoMA's catalogue for a 1972 Diane Arbus exhibition, with the pages presented, not in the correct sequence, but in the order in which they came off the printing press.