Sentences with phrase «page color catalogue»
The 64 - page color catalogue for this exhibition contains scholarly exposition on this theme as well as fuller information about the artists.
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The exhibition is accompanied by a 32 page color catalogue, with texts by Rujeko Hockley and Rachel Heidenry.
Amplifying the voices in this exhibition is a 190 + page color catalogue with detailed images of these objects of resistance, which includes critical essays by Dr. Carolyn Mazloomi, Micol Hebron, Betti - Sue Hertz, Noel Anderson, and Jenny Ustick; as well as photographic documentation from the day as seen through the eyes of the artists and activists who were on the ground, around the country on January 21st, 2017.
The exhibition is accompanied by a 32 - page color catalogue, with texts by Sheida Soleimani, Kate Shepherd, and Emily Watlington.
The exhibition is accompanied by a 32 - page color catalogue, with texts by Peter Williams, Larry Ossei - Mensah, Ebony L. Hayes, and Angela N. Carroll.
The exhibition is accompanied by a 32 - page color catalogue, with texts by Nancy Floyd, Leslie Hewitt, and Shantay Robinson.
The exhibition is accompanied by a 32 - page color catalogue, with texts by The exhibition is accompanied by a 32 - page color catalogue, with texts by Robert Davis, Rashid Johnson, and Kate Messinger.
The exhibition is accompanied by a 55 - page color catalogue with an introduction by Robert Fleck.
The exhibition is accompanied by a 32 - page color catalogue, with texts by Anne Neely, Sarah Sze, Suzette McAvoy, and John A. Tyson.
Not exact matches
Now for all the goodies that are included in this release, included is a 48 - page hardcover book «Harry Potter Catalogue of Artefacts», a 32 - page «Harry Potter Label Collection» booklet, an envelope containing five wonderfully detailed black - and - white Stuart Craig drawings which are printed on heavy - stock cards, concept art color paintings also on heavy - stock cards, a Holocrux locket replica, a weathered blueprint poster of the Hogwarts castle, a large 24 ″ x 36 ″ cloth map of the Hogwarts grounds (pictured below) and, of course, a numbered certificate of authenticity.
CATALOGUES 2016 Marnie Weber, The Day of Forevermore: Synopsis, Script, Storyboard, introduction by Paul Bernard, 96 pages, Museum of Modern and Contemporary Art (MAMCO), Geneva, Switzerland 2015 Unicorn Girl, written by Darcey Steinke, illustrated by Marnie Weber, Spirit Sister Publication 2010 Marnie Weber, The Cinema Show A Film Retrospective and Installations, texts by Yves Aupetitallot, Doug Harvey, and Stephanie Moisdon, artist interview by Mike Kelley, 125 pgs, 73 color ill., Le Magasin Centre National d'Art Contemporain de Grenoble, France 2007 Sing Me A Western Song, text by Annie Buckley, 40 pgs., 24 color ill., Patrick Painter Gallery, Santa Monica, CA 2005 Marnie Weber, From The Dust Room, texts by Julie Joyce, Amy Gerstler, Darcey Steinke, 56 pgs., 37 color ill., Luckman Gallery, California State University, Los Angeles, CA SOLO ALBUM RELEASES 2008 Marnie Weber, Lonely Soundtracks, 1993 — 2008 2005 Songs Forgotten: Selections From Marnie Weber 1989 — 2004 1996 Cry for Happy.
This full - color, 216 - page book is also the catalogue for the 2014 Boston Printmakers Members» Exhibition at the Newport Art Museum (Fall 2014 — early January 2015).
A 112 - page, color - illustrated catalogue with essays by Richard Shiff and John Yau is available for $ 15 for museum members $ 25 for non-members (plus shipping / handling).
Fully illustrated, 76 page exhibition catalogue with 20 color plates and featuring an essay by Dr. David Anfam, Hardcover.
The 160 - page catalogue includes 52 color images and essays by Stéphane Aquin, Curator of Contemporary Art, Musée des Beaux - Arts de Montréal, art historian David Anfam, Robert Lawlor, author of Scared Geometry: Philosophy & Practice, and Alicia G. Longwell, the Parrish Art Museum's Lewis B. and Dorothy Cullman Chief Curator, Art and Education.
The exhibition is accompanied by an in - depth catalogue featuring full - page color reproductions of all works in the exhibition as well as a detailed chronology, historical photos, reprints of key texts by Jean Dubuffet and Franz Schulze, and new essays by the exhibition curators and Dennis Adrian, Jon Bird, Thomas Dyja, Mark Pascale, and Arlene Shechet.
Future Shock will be accompanied by a 144 - page full - color catalogue documenting the works in the exhibition and the legacy of the ideas of Toffler's vision of the future.
Organized by VMFA and curated by Dr. Kendall Brown, Professor of Asian Art History at California State University, Long Beach, the exhibition is accompanied by a 228 - page, full - color catalogue.
Fully illustrated, 104 page exhibition catalogue with 36 color plates, and featuring essays by Peter Selz and Jessica Scarlata.
A full - color 136 - page catalogue accompanies the exhibition.
Fully illustrated 64 page exhibition catalogue with 32 color plates and an essay by Joseph Jacobs, Softcover.
This first career retrospective will be accompanied by a 160 - page catalogue with 52 full - color illustrations, published by the Museum and distributed by ARTBOOK D.A.P. Essayists include the curator, Alicia Longwell, who will provide an overview of the artist's profound engagement with the history of art.
A 350 - page, full - color catalogue with essays by Dennis Szakacs, John C. Welchman, Michael Darling, Jeffrey Weiss, and Hans Ulrich Obrist will accompany the exhibition.
Featuring an essay by Isolde Brielmaier, this 96 page, full - color catalogue is available for purchase at the gallery for $ 40 excluding tax.
Exhibition Catalogue Inventing Downtown will be accompanied by a four - color, lavishly illustrated 296 - page book with a bibliography and index.
Günther Förg: A Fragile Beauty will be accompanied by a full color, 250 - page catalogue designed by Joseph Logan and distributed by Yale University Press.
A 224 - page exhibition catalogue (including 200 color illustrations) published by Prestel will be available for purchase in June in SAM Shop ($ 49.95).
Fully illustrated, 48 page exhibition catalogue with 9 color plates, featuring a rare 1960s interview with the artist.
Truth: 24 frames per second is accompanied by a 208 - page, full - color catalogue designed by Miko McGinty and co-published by the Dallas Museum of Art and Yale University Press.
A color catalogue of 152 pages with essays has been published in conjunction with the show.
Fully illustrated, 96 page exhibition catalogue with 8 color plates and 37 painting detail images.
The 352 - page catalogue, which includes 116 full - page color reproductions of paintings in the show as well as numerous other illustrations and a detailed chronology of the artist's life, has an essay by Carol Mancusi - Ungaro on «Material and Immaterial Surface: the Paintings of Rothko,» and interesting interviews with several artists including Ellsworth Kelly, Brice Marden, Gerhard Richter, Robert Ryman and George Segal.
Fully illustrated, 60 page exhibition catalogue with 16 color plates and an extensive, illustrated artist chronology.
Published by Michael Rosenfeld Gallery (2014), this fully illustrated, 96 page exhibition catalogue contains 8 color plates and 37 painting detail images.
Fully illustrated, 96 page exhibition catalogue with 35 color plates, featuring an essay by Debra Bricker Balken and an illustrated chronology.
Fully Illustrated, 48 page catalogue with 18 color plates.
Exhibition Catalogue Landscapes after Ruskin will be accompanied by a four - color, richly illustrated 160 - page cCatalogue Landscapes after Ruskin will be accompanied by a four - color, richly illustrated 160 - page cataloguecatalogue.
Fully illustrated, 68 page exhibition catalogue with 16 color plates, with a foreword by Frederic E. Ossorio, Jr. and an introduction by Harry Cooper, Curator of Modern Art at Fogg Art Museum, Hardcover.
Literature Richard Field, The Prints of Jasper Johns 1960 - 1993: A Catalogue Raisonne, ULAE, New York, 1994, Jasper Johns Two Maps I, 1966, Catalogue Reference ULAE 23, n.p., another impression reproduced in full - page color.
Garth Weiser: Paintings, 2008 — 2017 is accompanied by a 128 - page full - color, hardbound exhibition catalogue, which includes texts on the artist from exhibition curator Louis Grachos, Ernest and Sarah Butler Executive Director and CEO of The Contemporary Austin; Heather Pesanti, Senior Curator of The Contemporary Austin; and Charles Wylie, Curator of Photography and New Media at the Santa Barbara Museum of Art.
Ed Ruscha Birds, Fish and Offspring In cooperation with Gagosian Gallery April 25 — June 8, 2002 Catalogue available (soft cover) Essay by Paul Ruscha 40 pages, 12 color plates
Literature Richard Field, The Prints of Jasper Johns 1960 - 1993: A Catalogue Raisonne, ULAE, New York, 1994, Catalogue Reference ULAE 203, n.p., reproduced in full - page color (another impression reproduced).
A catalogue with full - page color reproductions of the new paintings, images of the artist's New Mexico studio, and installation views of the previous nine gallery exhibitions, along with a contribution by Robert Storr, Dean of the Yale University School of Art, accompanies the exhibition.
Literature Richard Field, The Prints of Jasper Johns 1960 - 1993: A Catalogue Raisonne, ULAE, New York, 1994, # 6 (After «Untitled 1975»), 1976, Catalogue Reference ULAE 179, n.p., another impression reproduced in full - page color.
A 160 - page, full - color, hardcover catalogue accompanies the show, featuring newly commissioned essays and expository texts on the artist's production process.
Literature Richard Field, The Prints of Jasper Johns 1960 - 1993: A Catalogue Raisonne, ULAE, New York, 1994, Catalogue Reference ULAE 238 - 241, n.p., each reproduced in full - page color (other impressions of each reproduced).
The catalogue is soft cover, 24 pages, with 22 color illustrations, a full exhibition checklist, and the artist's CV.
The exhibition will be accompanied by a full - color 45 - page catalogue that will feature essays written by Los Angeles critics Peter Frank and Shana Nys Dambrot.
A fully illustrated, 250 - page catalogue, with color reproductions of all works, co-published with Rizzoli, will accompany the exhibition.
A 120 - page, full - color exhibition catalogue has been made possible by the National Endowment for the Arts as part of American Masterpieces: Three Centuries of Artistic Genius.