Sentences with phrase «page space without»

For example, look at how this resume design takes up a bunch of page space without looking like it's fudging.

Not exact matches

Use all available space, increase the font size, tighten line spacing and paginate the listings to follow each other without regard to the top of page requirement.

And the navigation bar at the bottom of the screen, which lets you move from one section of the book to another, uses thumbnail pages, which take up a lot of space; a simple slider bar would do just fine without covering up part of the page.

Manga Rock actually is VERY buggy, I wouldn't recommend to use it unless you have a lot of space and a good phone, also a good internet connection, sometimes you have to close the app and open again in order for it to load the manga correctly, and sometimes while downloading a bunch of chapters would definitely disappear and you can never download them again (only read them without downloading), yet another glitch is, manga never loads with the «loading screen» on each page, and you have to close the device and re-open in order for it to load (however, this happens to EVERY manga I've tried to read now after using it for months so basically I can't read anymore on Manga Rock), and the worse case is the manga chapter you're reading becomes a bunch of pages with small black dot in the middle and the light black color surrounding it, when that happens, R.I.P, you can only read it on a different platform / device since no matter you reload, or re-install the stupid app, you can never, EVER, read the sole chapter anymore even though you tries and download the chapter, then the downloaded chapter turns out to be the same

Supply at final trim size and without crop marks for non-bleed documents, bleed pages should have image extended 1/4» past the final trim size and may include crop marks space 3/8» from the final trim.

The super-thin page turn buttons sit discretely along both sides, but that leaves very little space for a fat thumb like ours to push the buttons without getting in the way of the words on the page.

One of the noticeable differences between the PDF and EPUB layout on Android smartphone and tablet is the text display in PDF is significantly smaller which makes it harder to read without zooming in the page and the black bar on the top and bottom edge of the screen shows the unused space of the layout display.

In that respect they're more like Apple now where there is no real competition for the iPad, which dominates the large form factor market, and is in fact the only 4:3 aspect ratio device at that size, which is the only ratio that works for two page layout books without wasting enormous amounts of screen space.

The way Stockman lays the pages out is nice, too — obviously when you're doing small chunks of a comic, space is at a premium, and Stockman makes sure that he gets the information across without the page being too crowded.

Digital Microfilm: By making over 100 U.S. and Canadian titles available online with Digital Archive News, ProQuest helps make Newspaper full page image content more widely accessible for library patrons without the resource demands for library storage space and upkeep of reader equipment.

Added the Version Differences section and added or modified the following pages: Without Super Missiles: Artifact of Wild, Speed Tricks: Chozo Ice Temple, Elite Research, Gathering Hall, Phazon Core, Main Plaza, Ridley Power Bomb, Monitor Station, Great Tree Hall Ghetto Jump, Great Tree Hall L - Lock Spring Space Jump, Ore Processing, Other: Skip Elevator Cut Scene, Reactor Core Infinite Bomb Jump, Prime Dance, Pirate Platform, Metroid Party, Game Boy Link in German, Funny Gun Change, Chozo Ruins Elevator Crash, Blackout Bug, Without Spider Ball: Research Access, Without Grapple Beam and Spider Ball: Plasma Beam, Without Spider Ball: Metroid Quarantine A, Stupid Boss Tricks: Sheegoth.

Surreptitiously slipped among the publication's pages without much fanfare, SFAQ [Projects] represent a spirit of collaboration between reader and artist, an exploration of the boundaries of the print medium, and a space for established artists to experiment in a non-commercial setting.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

95 See Calleros, supra note 37, at 105 (suggesting that e-memos be «no more than one or two single - spaced pages so that a recipient on the move can read it without difficulty by scrolling down the screen of a compact hand - held electronic device such as a BlackBerry ® or iPhone»).

Too much information on the page, in a tiny font size, and without enough white space, sacrifices readability and can dissuade readers from paying any attention to the content.

Primo uses two columns to save space and let you make a one page resume without any effort.

If your letter is short, you can make the margins larger, so the letter looks balanced on the page without too much white space.

For example, a letter without the correct spacing between paragraphs, or with too much text on a page, is going to look cluttered, or a letter saved as a file type that is not meant for a text document (such as a.

Links to even more information Including links to your personal website, networking page or online portfolio will provide employers with an easy way to learn more about you if they are interested, without cluttering up your resume by trying to pack in too much information in a limited space.

As a bonus, if you're struggling to condense your resume to one to two pages (which is a good idea), Garamond can help you fit more text on a page without sacrificing readability by lowering the font size or crowding your design by tightening up the spacing.

This type can fit more text on a page without crowding your design by tightening up the spacing or sacrificing the readability by lowering the font size.

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