Not exact matches
Here's what Facebook tried to get away with in 2009 (a public backlash forced it to tone down the language): «You hereby grant Facebook an irrevocable, perpetual, nonexclusive, transferable, fully
paid, worldwide license (with the right to sublicense) to (a) use,
copy, publish, stream, store, retain, publicly perform or display, transmit, scan, reformat, modify,
edit, frame, translate, excerpt, adapt, create derivative works and distribute (through multiple tiers), any User Content you (i) Post on or in connection with the Facebook Service or the promotion thereof.»
«If they go for online only, the costs for web hosting,
copy -
editing, and advertising (if needed) can be easily
paid out of membership fees.»
The arrangement is also potentially a lot more expensive for authors, e.g. Archway offers Simon & Schuster
copy editing for $ 4000 beyond what you have already
paid (for that price I did it myself for The Russian Embassy Party).
If you're not in a position to
pay for
editing or cover design right now, I'd suggest taking on some
paid writing work (which almost certainly means writing non-fiction — e.g. articles, blog posts, sales
copy,
editing / proof - reading for local businesses).
If you'd be happy to simply print a dozen
copies of your novel to give to friends and family, then
paying for
editing or cover design is probably overkill.
Also, I am not full - time
editing and marketing for K. W. My freelance
copy editing and copywriting business is growing, and attention must be
paid to those clients, too.
The publisher
pays for all production costs, including
editing, cover design, printing paper
copies, warehousing, distribution, and sales calls to bookstore chains.
As an indie author, it's significantly cheaper to
pay for
copy -
editing of a shorter novel, and the production costs of printing the final books are also more affordable.
That means you have to
pay for cover art,
editing, proofing, formatting, print
copies, reviews from Kirkus and PW, on and on...
I guess my concern is that there are already too many writers out there
paying for editorial services and not getting what they are promised because the «editor» isn't
editing but proofreading or, at best,
copy editing.
Everything else embedded in the cover price is cost of acquisition (ie,
paying the author),
editing costs, preproduction costs (
copy editing, layout, art direction, etc.).
If you haven't
paid for professional
copy editing of your sales pitch, back cover
copy, book info on Amazon, etc, you should.
If money is a challenge — at least get your book
edited; have a professional cover designer create your cover; get the interior layed - out by someone who does interiors — you will spend a few thousand dollars if you do it RIGHT and it will be money well spent... then you can go the cheap route: have your interior designer load up to Create Space — at least you've get the visuals of a solid book on your side and the content solid — you've got mammoth Amazon there ready to do the POD print and you can buy the book for most likely less than $ 3 a
copy (less than the
pay - to - publish model — trust me here).
Whereas
editing is usually a
paid task, you can ask for volunteer beta readers in exchange for a free
copy of your manuscript.
Out of that gross revenue, the publisher
pays about 50 cents to convert the text to a digital file, typeset it in digital form and
copy -
edit it.
For cover design, typesetting and
copy -
editing, the publisher
pays about80 cents.
You'll
pay a bit more if you need development as well as
copy editing.
You are one short step from succumbing to the vice of
copy editing, a thankless job, poorly
paid, and earning the practitioner no respect whatsoever.
CreateSpace, for example, doesn't charge upfront fees, but you'll
pay if you want additional services like
copy editing and design layout.
I
pay about $ 1,200 for a
copy edit on a 100,000 - word novel, which my editor typically turns around in five days or so.
That fee happens to cover the same design,
copy -
editing and printing services I ultimately wound up
paying much more for on my own.
Don't
pay your so - called publisher for
copy -
edits or cover design.
I
paid for the ISBN, barcode, proof
copy, family / friends
editing (for cheap), and a couple Facebook ads (for the first book).
If I sell 600
copies then I've
paid for the above
copy -
edit and could sink that $ 200 into a better cover or maybe wait if the book is going to be in a series and redo books 1 and 2 when I get to 3 or some such.
Skipping a good
copy edit is hard to accept but
paying twice what my outside estimate of a book will sell in the next 52 weeks is a pretty hard thing to swallow.
To get a high quality self - published book, you should
pay for general
editing, structural
editing, line
editing, cover design, a barcode, and ISBN number, proof
copies — all out of your own pocket.
Why would anyone spend months writing a book, researching a story,
paying hundreds —
editing costs around US$ 1,000 for a standard sized book, cover design — a couple hundred, reviewing it, proofing it, sending out free
copies — at your expense — to key reviewers — in the hopes that they -LSB-...]
My goal with this post was to convey that indie is such a different animal than traditional, that one should NOT view it as a fallback unless ALL the responsibilities are understood (performing or
paying for artwork,
editing, publishing, promoting, etc.) or one's goals are extremely modest (e.g., I just want to publish 10
copies of my autobiography for my extended family).
But which kind of
editing should an indie author
pay for;
copy editing, line
editing, or proof
editing?
You can expect to
pay anywhere from $ 300 to $ 1000 to have a novel - length (60,000 word) text professionally
copy edited.
Publishers, aside from
paying their staff, rent, utilities, etc., have to
pay royalties to the authors,
pay for
copy editing, proofreading, typesetting, printing, warehousing and shipping for traditional books.
Authors who tick none of these boxes would be well advised to spend time and money on making a title look professional, the survey found: self - publishers who received help (
paid or unpaid) with story
editing,
copy editing and proofreading made 13 % more than the average; help with cover design upped earnings by a further 34 %.
They
pay for top cover art, provide
copy -
editing and production out of their pocket.
Part of my
paid job is
editing books, and I know I don't do a great job of
copy editing myself.
He also «
edited» my
copy, uninvited, because he didn't approve a couple of
copy lines (he wasn't being
paid or hired «to
edit.»)