In any event, managing the activities of
paid copy editors, and a large network of volunteer editors and reviewers, has helped me improve my communication and organization skills.
Not exact matches
«The same forces,» said one of the managing
editors, «which have upgraded city staffs and
copy desks are bringing healthy changes to sports staffs: better
pay, better - trained men, more integrity.»
The book (which was a success of the author, publisher,
editors etc) has been read millions of times, but the author, the publisher, the booksellers the distributors, translators,
editors and everyone involved have to share the money of that single
copy that you
paid for.
It was a lot riskier financially of course, because we had to shell out thousands of dollars for printed
copies of our books in addition to
paying an
editor and professional designer.
You have to
pay the author's advance and royalties, the cover artist, the
editor, the
copy editor, the typesetter, the sales force, and that doesn't even get into distributor costs or the percentages taken by retailers.
It's a choice between
paying upfront for anything from an
editor to fact - check your
copy to paper stock and bookbinding — or taking an advance and ceding up to 85 percent of future the profits to the publisher, he says.
I know that my
paid editor — ESPECIALLY my
copy editor, ohmyword — catches things that I never would, no matter how many times I read the MS.. So I'm always going to shell out the extra for both, a line
editor and a
copy editor, in addition to my fabulous critique partners.
I guess my concern is that there are already too many writers out there
paying for editorial services and not getting what they are promised because the «
editor» isn't editing but proofreading or, at best,
copy editing.
When costs are listed, they often exceed the amount the author would have to
pay to self - publish the work - meaning the author could hire a professional cover designer, developmental
editor and
copy editor... and still not
pay as much these contracts require.
Yes, I have
editors at my small presses, but I also have a freelance
copy editor I
pay for that all important final polish.
All our
editors are
paid, cover artists
paid,
copy -
editors paid!
Where costs are listed, they normally exceed the amount the author would
pay to hire professional developmental and
copy editors, cover designers, formatters, and printers in order to produce and publish the work herself.
It does no one any favors — not writers,
copy editors, or the reading audience — to create expectations that
editors will work for the laughably low
pay that you claim they will.
I
pay about $ 1,200 for a
copy edit on a 100,000 - word novel, which my
editor typically turns around in five days or so.
But I definitely would
pay a good
copy editor next time.
My expenses for a new book are about $ 1100... that includes my cover artist, my
copy editor, my own ISBN #, and
paying to have my ebook versions professionally made for me... Since I'm still unknown, most of my
copies I personally sell at events I attend, but I'm hoping that changes as I come out with more books...
According to their campaign page, they needed money to print the first 1000
copies, get an ISBN, hire an
editor, and
pay the artists who illustrated the book.
Paying a professional proofreader or
copy editor for a review is not out of the question when your career is on the line.