Sentences with phrase «paid living artists»

He is currently one of the world's highest - paid living artists.

The film focused almost entirely on the world's highest paid living artist producing his large - scale abstract squeegee works in his studio.

Not exact matches

Director Denis pays close, amused attention to the way Isabelle, the Parisian artist played by Juliette Binoche, responds to the familiar blather of the men in her life — their dodges, their defense mechanisms, the way they wheedle and charm their way into her bed.

Although I've long been a music lover, I've rarely paid much interest in the private lives of the artists involved.

But in McQueen's case, the clichéd approach to the departed artist as a divided self — a schlubby guy who made impossible clothes for people who might never have been in his orbit in another life — feels appropriate and true, and marks a fair introduction to the equal attention the filmmakers pay to Lee, the unassuming and devoted family member, friend, learner, and tailor, and McQueen, the image - maker who channelled his own dark history and mental - health struggles into his creations.

ROBERT ALTMAN The Film Society of Lincoln Center and Film Comment pay tribute to America's greatest living and working director Kathleen Murphy writes about Altman the artist; plus: a salute to «the producer as gambler» by Alan Rudolph

Years later, in 1937, Prue is an artist living a reclusive life by the sea when Harrington pays her a surprise visit.

A couple of years ago, author Menna van Praag had a vision to «build an enormous house and let writers, artists, actors, singers live there for a year and fulfill their dream while not having to worry about paying the bills and just have all expenses paid.»

A publisher that has to make their own living, plus pay whatever they pay to editors and proofreaders and cover artists and people who do the formatting and marketing and such, plus pay to keep the lights on and the website up, can't afford to put out a full length novel for $ 4.99.

I'm new to the ramifications and specific processes involved, but am pursuaded this is the likely model for future publication projects that most benefit the first person on the food chain: the writers / artists who conceived them, who are trying to make some kind of living doing what they do best, hoping to find an audience for their work as a * first * resort rather than wearing themselves out with full - time day jobs of no comparable skill or education preparation — but that pay the bills, maybe — and that leave little energy and reserves for their art.

So I am an artist and I sell my work and have a small home based business and also live in a state where we pay state taxes.

I am pretty satisfied with my life as an artist and having a decent day job to pay the bills.

I will be taking hints from a range of artists, such as Gauguin and Picasso, but paying particular attention to this still life painted by Cezanne, «Still Life with Fruit Bowl&raqlife painted by Cezanne, «Still Life with Fruit Bowl&raqLife with Fruit Bowl».

Bitter college professors, ignorant (but loving) parents, and skeptical art business folks like to push the idea that making a living as an artist is too hard, or that it doesn't pay.

I sell a lot of work each month, mostly prints, tried etsy but its easy to get lost there among the thousands of artists, and a few other free sites, I get most of my sales through promoting on facebook and instagram, and use pay pal for payment, I bring in between $ 500 to $ 1000 a month (the $ 1000 being around the holidays) Its not enough to make a living but its great supplemental income!

It is the highest price known to have been paid, sources say, for a work by a living artist.

Caro pays tribute to late Abstract Expressionist Helen Frankenthaler, who campaigned against controversial artists during the 1980s Anthony Caro one of the world's most famous and critically acclaimed living sculptors, has paid tribute to US Abstract Expressionist Helen Frankenthaler, who died last week.

At ICA, artist Erika Vogt staged a live collaboration with Performa 15; at his El Fresco showspace in Little Havana, graffiti artist Daniel Fila painted before everyone who paid a $ 24 entrance fee; and at Locust Projects» home gallery, artist Martha Friedman worked with 1,000 lb (453 kg) of liquid rubber to explore the biomorphic substructure of western medicine and, in a collaborative performance with the dancer Silas Riener, to explore the tension between stillness and movement.

Curated by artists Dan Rizzie and Susan Lazarus - Reiman, the group show pays tribute to Sag Harbor and its historical ties to the whaling community through the art of artists who live in Sag Harbor or the East End at large.

Coming off his Balloon Dog (Orange), which sold last November for $ 58.4 m (# 34m), the highest price ever paid for a living artist, two other shiny sculptures adorned the catalogue covers of Sotheby's and Christie's spring sales, with Jim Beam — JB Turner Train, the stainless steel train filled with bourbon, selling for $ 33.7 m, and Popeye going to Steve Wynn's Las Vegas casino for an above - estimate $ 28.1 m. Fans packed in like sardines last year for Koons's solo shows at New York's Gagosian and Zwirner galleries, which pitted his Gazing Ball plaster casts against work just off the production line, and are currently filing through Rockefeller Center to view Split - Rocker, rising 37 feet (11 metres) in the air, with the hairs of its 50,000 living flowers standing on end.

The results are less lively, even, and visually arresting than her previous work, and they fit more into a tradition that might include Fiona Rae, David Story, and Guy Goodwin — artists more dependent on visible structure, clearer geometry, and deploying a menu of marks and configurations on canvas, all to lesser effect than Ferris has already reached — but I will not stop paying attention to this live wire.

The show paid homage to Ward's exploration of identity (including his Jamaican roots and his life as an artist in New York) and environment through immersive architectural installations, as well as sculptures and photographs, forged largely from found objects.

With full awareness of the high cost of NY living, artists selected for this program will pay half the usual cost of membership.

They locate themselves in place and space by paying attention to what is around them, and each artist's work is marked by a certain attentiveness to the mundane, the quotidian — the physical structures that form the background of our visual lives.

The gallery currently has a Schwitters exhibition in its Zurich gallery (until 30 September) set within an installation designed by Zaha Hadid to pay homage to the artist's immersive Merzbau — the sculptural environment in which Schwitters lived and worked in Hanover.

by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step RigArtist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step RigArtist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Rigartist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!

Hailing from Chester in the North West of England, Perry lives the life of a nomadic artist, having lived for brief periods in Los Angeles, Montreal, Istanbul, Las Vegas and London over the last few years; however, her work (in particular, the sculptures) pays homage to the working class aesthetic of northern England, using aluminium and crushed car parts from an auto body shop to reimagine a world of adolescent joyriding in pimped - out speedsters.

He also has a history with the Whitney Museum of American Art, which has 216 Johns pieces, including «Three Flags,» which it bought for $ 1 million in 1980, then the highest price ever paid for the work of a living artist.

The exhibition pays special attention to unexpected bursts of creativity towards the very ends of artists» lives, usually in their 70s and 80s.

Koons had a good year otherwise, setting an auction record for highest price ever paid for the work of a living artist: $ 58.4 million for «Balloon Dog (Orange).»

These artists pay tribute to the artistic traditions of portraiture, still lifes, and memorials, respectively, while illuminating or subverting the common conceits that define those traditions.

The Drawing Prize has showcased over thirty artists since its creation and this year pays tribute to three artists living in Europe.

We get a glimpse of the man through the living artists he commissioned and supported, often very generously by securing mortgages on homes and paying salaries, with Graham Sutherland and Victor Pasmore two such beneficiaries of Clark's largesse.

Highlights of the exhibition include mixed - media works from his Great American Nude and Still Life series» of the 1960s, shaped «Smoker» and «Bedroom Painting» canvases from the 1970s and «80s and his inventive cut - aluminum wall works and later «Sunset Nude» paintings, which paid homage to artists that Mr. Wesselmann admired.

For some of the artists, it represented a deeply personal matter, one that was directly linked to their own lives, while others simply paid tribute to women bringing a new life in society, or told stories about tradition and being pregnant in different cultures.

Church eventually sold it for $ 10,000, at that time the highest price ever paid for a work by a living American artist.

Current group exhibitions include «Plus Général En Particular,» Frac des Pays de la Loire, Carquefou, France, «The Quick and the Dead,» Walker Art Center, Minneapolis, MN, and «Scorpios Garden,» at Temporäre Kunsthalle in Berlin where the artist lives and works.

In 1980, the Whitney Museum of American Art acquired his 1958 Three Flags for $ 1 million, then the highest price paid for the work of a living artist.

Christie's Nails a $ 127.7 Million London Contemp Sale — The auction house shot past its high estimate, setting records for Peter Doig ($ 11.9 million for a 1991 canvas, past the $ 10 million paid for a canoe painting in 2007 that briefly made him the world's most expensive living artist — and more than 20 times the amount the seller paid in 2002), Allen Jones ($ 3.4 million for a 1969 assemblage piece), and Pierre Soulages ($ 5.1 million for a 1961 black abstraction, which went for more than seven times its high estimate).

Among several artist records realized in the course of the sale, the highest was # 361,250 ($ 567,162), paid for Alexander Gerasimov's Still Life with Roses, which was estimated at # 180,000 / 250,000 and was bought by a dealer.

Attention is paid to «late styles,» those unexpected bursts of fresh creativity that some artists summon toward the very ends of their lives, typically in their 70s or 80s.

The show pays tribute to Nan McEvoy's devoted, life - long interest in and support of California artists including Wayne Thiebaud, Richard Diebenkorn, Ed Ruscha, and David Hockney, while showcasing Nion McEvoy's interest in works by artists such as Anne Collier, Carsten Höller, Roe Ethridge, and Ragnar Kjartansson.

My Rock Stars: Volume 1, new body of work by photographer Hassan Hajjaj that pays homage to traditional African portraiture, while celebrating present - day pop stars, unsung artists and personal inspirations in Hajjaj's life.

Master photographer Louis H. Draper's impetus is similar to that of so many Black artists past and present: to honor, capture and pay homage to the spirit of Black life in America in ways that illuminate spots of beauty often overlooked by the mainstream hegemonic gaze.

Cage and Cunningham: Chance, Time, and Concept in the Visual Arts pays homage to the visual legacy inspired by the life and work of composer, poet, and artist John Cage (1912 - 1992) and dancer and choreographer Merce Cunningham (1919 - 2009).

There's a saying about artists that speaks to the fact that while they often grow up seeking to move away from home, they spend the rest of their lives paying homage to where they're from.

Among the main female protagonists that inspired this research are Balkis Sharara, Rifat Chadirji's wife who in 1979 carried copies of his works into and out of Abu Ghraib allowing him to author three of his seminal books while in the prison; artist Nuha al - Radi whose diaries of 1990/91 describe the dynamics in the lives of Baghdad's people beyond the news coverage; an unknown young woman who stands out in the festivities of the gymnasium's 1990 new year concert; Fahrelnissa Zeid who was herself an artist (most recently the subject of a major exhibition at Tate Modern) and the wife of the Iraqi Ambassador in London when Le Corbusier received a telegram confirming the approval of his first design proposal for Baghdad; poet Iman Mersal who paid a solidarity visit to Baghdad under siege in 1993; Zaha Hadid whose architectural drawings influenced the imagination of architectural students in the 1990s; and others.

On the occasion of his current exhibit Icons at Leila Taghinia - Milani Heller Gallery (May 4 — May 27, 2010), which includes five video portraits along with a video installation, the artist / filmmaker Shoja Azari paid a visit to Art International Radio to talk with Rail Publisher Phong Bui about his life, work, and more.

The # 10,000 award is not a commission but to be used to pay for living and working expenses, allowing the artist, who has to show a track record in the art form, breathing space in order to further their practice.

[11] In 1988, Johns» False Start was sold at auction at Sotheby's to Samuel I. Newhouse, Jr. for $ 17.05 million, setting a record at the time as the highest price paid for a work by a living artist at auction, and the second highest price paid for an artwork at auction in the U.S. [32] In 2006, private collectors Anne and Kenneth Griffin (founder of the Chicago - based hedge fund Citadel LLC) bought False Start (1959) from David Geffen [33] for $ 80 million, making it the most expensive painting by a living artist.