On the other hand, Gerhard Richter, who was born in 1932 in Dresden, has been a prominent figure in European painting scene since the «50s, and has many times exceeded his own records as the world's highest -
paid living painter.
Not exact matches
A day after the opening of his recent exhibit Alex Katz: Fifteen Minutes at Pace Wildenstein (through June 13, 2009), which also coincides with Alex Katz: Reflections at the Museo delle Arti di Catanzaro, Calabria, Italy (through June 13, 2009) and Alex Katz: An American Way of Seeing at the Sara Hildén Art Museum in Tampere, Finland (through May 30, 2009), the
painter came to
pay a visit at the Marie Walsh Sharpe Foundation on April 25th, 2009 to talk about his
life and work with Rail Publisher Phong Bui.
In the midst of preparation for his one - person exhibit at DCKT Gallery, (January 10 — February 14, 2009) and a group show Organic Geometry at Nicole Klagsbrun (December 12 — January 10, 2009)
painter Cordy Ryman took a break from his Sunset Park studio to
pay a visit to the Rail's headquarters to talk with Publisher Phong Bui about his
life and work.
Gerhard Richter, the world's most expensive
living painter, turned 80 on Thursday, and Germany is
paying tribute to its art superstar with a number of major exhibitions.
With this exhibition and publication, celebrated American photographer Joel Meyerowitz
pays tribute to the Bolognese
painter Giorgio Morandi and realizes his dream of photographing the objects Morandi painted in his splendid still
lifes.
Just a few days before his new exhibit at Gladstone Gallery on 24th Street in Chelsea (October 30th — December 5th, 2009), the
painter Carroll Dunham
paid a visit to Art International Radio to talk about his
life and recent body of work.
With this exhibition and publication produced by Damiani, celebrated American photographer Joel Meyerowitz
pays tribute to the Bolognese
painter Giorgio Morandi and realizes his dream of photographing the objects Morandi painted in his splendid still
lifes.
On the occasion of her recent exhibit Ellen Phelan Still
Life at Texas Gallery, which was on view from December 11, 2008 to January 24, 2009, Rail Publisher Phong Bui paid a visit to the painter's Upper East Side home to talk about her life and w
Life at Texas Gallery, which was on view from December 11, 2008 to January 24, 2009, Rail Publisher Phong Bui
paid a visit to the
painter's Upper East Side home to talk about her
life and w
life and work.
On the occasion of Wolf Kahn's new exhibit at Ameringer & Yohe Fine Art, which will be on view till May 26th,
painters David Kapp and Robert Berlind
paid a visit to the artist's Chelsea studio to talk about his
life and work.
On a sunny afternoon this Spring, Rail Publisher Phong Bui
paid a visit to the
painter's studio to talk about his
life and work.
n the occasion of her recent exhibit Ellen Phelan Still
Life at Texas Gallery, which was on view from December 11, 2008 to January 24, 2009, Rail Publisher Phong Bui paid a visit to the painter's Upper East Side home to talk about her life and w
Life at Texas Gallery, which was on view from December 11, 2008 to January 24, 2009, Rail Publisher Phong Bui
paid a visit to the
painter's Upper East Side home to talk about her
life and w
life and work.
On the occasion of his exhibit, Double Trouble at P.S. 1, which will be on view till November 20th, Rail's Consulting Editor Robert Storr and Publisher Phong Bui
paid a visit to Ron Gorchov's studio in Brooklyn one afternoon to discuss with the
painter his
life and work.
Writing about ayounger generation of
painters working through the legacy of the Intimists, writer and curator Chris Sharp ofLulu in Mexico City raises doubts, «about the feasibility of intimacy, perceiving it less as a fact of
life than an ethical mode, won through the increasingly rare act of
paying attention.»
Just a few days after the opening reception of her recent exhibition Winter Paintings at Cheim & Read (February 17 — March 26, 2011), the
painter Pat Steir
paid a visit to Art International Radio to talk with Rail publisher Phong Bui about her
life and work.
Many parents don't understand creative children, because in most cases their parents didn't get support for the parents» creative efforts when they were children.The «you can't make a
living as a dancer,
painter, writer, gymnast» argument pushes people into areas they don't like, but
pay a livable wage.