Sentences with phrase «paint a line through»

To finish the maze I have to paint a line through the only open path.

Not exact matches

On Tuesday morning, Goldman Chief Executive Lloyd Blankfein plans to give a presentation that paints his bank as one that earns steadier profits than peers, and delivers them through sundry business lines.

The ACCC will not oppose the proposed acquisition by BlueScope Steel Ltd of Fielders Australia, concluding that although «BlueScope has market power in the supply of painted coil inputs through its COLORBOND product lines, this level of market power would not be altered by the acquisition.»

It wasn't all bad news for Arsenal supporters through, with Wenger painting a more positive picture by confirming that both Olivier Giroud and Aaron Ramsey will be in line to return at the Stadium of Light, with the former making his comeback against Reading in the League Cup.

By closely observing «La Miséreuse accroupie,» AGO's conservation department, now led in this project by senior conservator of paintings Sandra Webster - Cook, had observed distinct textures and contrasting underlying color that peaked through the crack lines and did not match the visible composition.

She painted this loose mix onto the table and, while the paint was still wet, used the corrugated side of a piece of cardboard to drag through the paint, creating the same gorgeous natural lines found in malachite.

Makeup artist Diana Marie painted on foundation to create the sharp line through her arches.

I loved strolling through the beautiful streets lined with colorful houses with painted doors (see more in these posts: here & here) and surrounded by cacti (see more: here), driving along streets winding through the sandy mountains and finding so many surprisingly charming places.

I've actually been prepping for a big Easter shoot this week, and while scrolling through Amazon (my go - to for last - minute party and styled shoot supplies), I came across this new - to - Amazon line: Dorotea Hand Painted Dinnerware.

I am painting a shelf Aleutian blue and will line the back of it with a burlap that has blue flower designs running through it.

The movie is stylized almost to a fault, its distant overhead shots turning mountain roads into wavy lines cutting through stony landscapes like ancient sand paintings.

Prince Avalanche sees Rudd play Alvin, a man that has taken on a job painting lines on the long remote country roads cutting through the forests of Texas in 1988, a year after fires ripped through the state.

Through this apocalyptic wasteland begging for a movie, Green sends a pair of road workers painting highway lines during one sweltering summer.

Using the stylus, the game encourages creative experimentation through two simple inputs: drawing lines of rainbow paint for Kirby to roll along and tapping Kirby directly to give him a boost of forward momentum.

The C63 is even more fun on the road, where the roguish exhaust, on - demand thrust, and capable chassis make it an attraction whether it's sitting at a stoplight, painting black stripes in a straight line, or tearing through a corner.

During those hours, the new model was passed through the new body shop, paint shop, and new assembly line that were built aspart of the investment.

Chrome roof rails, a deep character line that runs through the door handles, and 22 - inch wheels contrast with the unique «CrossOrange Metallic» paint.

On a country road cutting across Vancouver Island with no painted center line, I exhilarated in the feel of tucking it in through one turn after another.

BMW Modern Line serves the cause of progressive elegance through the use of matt aluminium for the design elements mentioned above and a body - coloured paint finish for the cross rib in the centre air intake.

But, mostly given its stratospherically high price tag, I just didn't have the heart to even put it through narrow tree lined trails, just in case its paint got scratched.

Isaacson also elaborates on Leonardo's innovative approaches to painting, such as sfumato, the shading of edges through shadow rather than lines.

It is here that the royal family have resided for generations and the history books have been lines with interesting events and the presence of the art and painting community that have been inspired by this area natural and cultural beauty through the ages.

At his most mundane Murfy can shift things around or cut the ropes holding a spiky log, but more interesting actions soon come along, like painting lines of guacamole to keep you safe from hot - sauce or chomping through regrowing cake to provide you with a way through.

Using the stylus, the game encourages creative experimentation through two simple inputs: drawing lines of rainbow paint for Kirby to roll along and tapping Kirby directly to give him a boost of forward momentum.

One minute I was sneaking through enemy lines to paint targets on enemy buildings and the next I was leading a full - scale battle.

The annualization and inconsistent naming structure of Assassin's Creed titles, coupled with the abandonment of the one major through - line narrative of the games, painted an ugly and confusing picture of the series which once dominated the video games industry.

There's a superficial part to me as well, so I want to show that in the line drawings, but I also possess the sensibility that's expressed in the color paintings through the layers of paint.

Abramowitz writes: «As is typical of his paintings, [Auerbach's] drawings often show many layers of built - up re-workings until there is a dense mangle of lines, each mark thought through, erased and re-considered until he is satisfied... His working process results in portraits that are both an expression of his reaction to the sitter, and his own idiosyncratic way of working, creating, destroying, and creating anew.»

Tamar Zinn finds comfort from current events in three abstract painting exhibitions: Mark Rothko: Dark Palette at Pace Gallery, New York (through January 7), Carmen Herrera: Lines of Sight at the Whitney Museum (through January 9), and Agnes Martin at the Guggenheim Museum (through January 11).

In Chestnut (1955), the painting's white field is broken along the center, as if a chestnut tree were pushing through the pigment; and in Red, blue, black (1957), the thick, dark red ground gives way at the center to black calligraphed lines concentrated within dense gestural brushwork.

Using the visual language of mythological depictions of wrestling, mined from art historical sources and his own memory, these paintings propose new through lines in Dunham's practice that are both formal and autobiographical in nature.

At the same time, the squiggle - like blue line that lays on top of the majority of the painting is reminiscent of digital marks made through computer programs such as the brush tool in Photoshop, a technique that remains prominent in contemporary painting today.

A crack of synesthetic thunder sounded inside me as I felt the cold, hard marble through my shoes, grasped the lightness of the canvas by comparison, and came to terms with an artist bypassing Serra's fearsome weight and brawny power; finding essences between painting and sculpture, perception and experience, I crossed a delicate line between something I'd never seen before and something I already feared I'd never see again.

Like a sieve moving through every moment of every day, Barbara Campbell Thomas's paintings siphon the onslaught of words, text and images, sounds, textures and physical stuff into piecemeal orderings of stacked lines, quasi-geometric forms and blippy brush marks — all in concert with collaged pieces of thrifted fabric.

It meant working her way toward larger, more all - over compositions, in which line whips through paint and color.

The line cutting through the oil paint is never a clean dark path — the stylus makes an edge and the oil paint moves away in its own fashion; also the areas of white oil color have their own character and vary in density resulting from Lee's method of application.

Every single one has extraordinary color: the variety and brightness each piece carries, detail: the amount of work that is put into every aspect of each painting that make it look so realistic and abstract, lighting: the bright light shining throughout each image giving each piece an intriguing positive / enthusiastic energy, shading: the detailed shadings on each face giving them that 3 - dimensional look, definition: the quality of the defined lines that are portrayed through every painting (piece) and every small detail in the painting (like the faces and body parts) line: the complex and balanced lining that is seen in both, the abstract and realistic images in these works, texture: somewhat giving off an appealing texture to the works by the dimensions, as if you can reach out and grab the images, dimension: the realistic look that each women has (3 - dimensional), spacing: the space is used wisely in each work, very nicely spread out adding to its originality, touch: the clear and powerful finishing touch that every piece has, and the most visible that is seen in every piece here, is simply life.

Fox continues to blur the boundary between manufactured and organic through hand - painted lines that create almost perfect right angles.

Through both painting and sculpture, «WOOD [S]» investigates this material as both a medium and an inspiration through a diverse line up of aThrough both painting and sculpture, «WOOD [S]» investigates this material as both a medium and an inspiration through a diverse line up of athrough a diverse line up of artists.

There were little burrs on the edge of the paint that were so miniscule and then sometimes at the end of the line there was a little spiral of curled up paint that had been carved out through the incising.

The restrictions in place in this situation allow me to escape the painting just as the line frees itself by escaping through an opening.

As viewers, we are treated to voyeuristic depictions of vivid patterns, contrasting against the brightly coloured umbrellas of commuters passing by, occasional scuffs and road markings cutting through the sharp painted lines.

In the wider paintings, which are created on abutted canvases, the evocation of poetic form is especially strong: every time the brush traverses the seam between one canvas and another there is a slight disturbance: a vertical line slicing through the stroke.

Oehlen's Computer Paintings, which will be affixed to Bottrop's walls, made between 1992 and 2008, exemplify Oehlen's pioneering role as one of the first contemporary painters to explore the nascent capabilities and limits of drawing and line - making through the use of a now - rudimentary Texas Instruments computer.

Entitled Tworkov Paints a Picture, the piece walked readers through Tworkov's approach to painting and demystified abstraction by presenting it as a deliberate process in which an artist uses color, line, and flame - like brushstroke to express a subject, much like in figural representation.

The compositions feature large clumps of broad back - and - forth gray and white brushstrokes — think of whitewashed windows or rubbed - out chalk on blackboards — through which wander black spray - painted lines of varying thickness that suggest bent rebar or mangled wire coat hangers.

In other works, the same lightness of hand with paint, color and line, hints at the somber and dejected aspects of the domestic and quotidian - drooping flowers, in a vase or overcome by rain, and the view, from a distance, of the warmly lit interiors of people's homes through window panes.

Imbued with wit and an economy of line, her images are often painted through the filter of her memory, using text to anchor recollections and facts.

The car's front tire left a faint embossed impression, while the rear tire, which had passed through a pool of paint Rauschenberg had poured in the street, deposited a juicy black tread mark that stretches in a diminishing line along the twenty - two - foot length of paper.

Historians have argued that the work stands as a precedent both for the artist's own performances in the 1960s and for the explosion of performative work in that decade.20 Paul Schimmel astutely places Automobile Tire Print on a trajectory of performative works based on the notion of capturing an indexical trace, reaching back to Pollock's drip paintings, moving up through Rauschenberg's blueprints, and on to Piero Manzoni's Lineas (1959 — 61), Paul McCarthy's video Face Painting — Floor, White Line (1972, fig. 5), and Ulay and Marina Abramovic's 1977 performance Relation in Movement, in which they drove a van in a circle for sixteen hours, leaving a circle of oil drips and tire marks on a public plaza in Paris.21