Sentences with phrase «paint along edge»

Be sure to roll paint along edge of tape to get a clean line.

So the solution was white paint along the edge and it was a huge improvement.

Although concerned with precision in craft, Geronimas often includes incidental surface details such as bits of tape or paint along the edges of a work.

Using a 2» paint brush, paint all along the edges of the walls.

Next, I rolled the paint along the edges with a small roller until I had good coverage everywhere and let the paint dry.

I didn't distress the paint along the edges like I normally do when I refinish furniture, but the paint did crackle and chip in a few places, which is like magic when that happens.

Not exact matches

Start with a painted hoop and then glue the ruffle along the back edge.

Even models manufactured as recently as 1991 can be unsafe, so if you're borrowing a crib or buying a used one, look out for these dangers as well as for sharp edges, protruding metal, anything that can be broken off and choked on, peeling paint, and cutouts along the rail that can trap your baby's arm or neck.

I own this nail polish and it is so fun to paint over a solid hue, or even to run along the edges of my nails.

Drill small holes along the length of the paint stick 1/2 ″ apart, using a jig saw cut the edge of the board to meet the holes.

Step 2: To tie into the beach theme, I found these painted dishes that felt as whimsical as the tabletop I wanted to create, and they make for a perfect first layer because the pattern along the edging lends some new colors to the table!

If you find it easier you can tape along the long edge of the medium teal painted area.

Along the edges of the grid, numbers painted on boards mark out Cartesian coordinates — the horizontal edge is x, the vertical edge is y — so that the whole wall is a three - dimensional version of the graphing planes that generations of middle school math students have dutifully plotted out in...

The RS4 Avant's spec includes 19in forged - aluminium wheels (20in items will be optional), Nogaro blue paint, oval tailpipes, a bespoke diffuser insert and a roof - edge spoiler - along with wheelarch blisters that are 30 mm wider than a standard A4's.

The same color is also applied to the AMG multi-spoke 19 - inch alloy wheels which are accented with a red painted rim edge along with red brake calipers sitting just within.

New to the G63 and G65 Exclusive Edition is a unique grey paint finish, a stainless running kick plate integrated within the lower edge of the front bumper, AMG racing stripes along the lower section of the doors, body protection elements in a dark aluminium look and a spare wheel cover painted in the vehicle colour.

Seen from the lake, Varenna looks like a colourful painting with its brightly painted houses and buildings, flowers along the lake edge, a castle tower above the tall pines on the verdant mountain behind, and the spire of the Chiesa di San Giorgio rising up above the roofs.

Painted with a palette knife during a single session in the studio, the paintings juxtapose a single, highly finessed field of color against a solid, white band commonly along the bottom or outside edges of the work.

In a modest sized rectangular white walled exhibition space, objects of daily use, artifacts ancient and new, paintings and pots, quilts, and kimonos were arrayed on two tiers, hung from the ceiling, against works hung on wall that were subtly dematerialized by natural light coming from unseen skylights along the edges of the dropped ceiling.

By the time I left school I was doing four rectangles brought together, painting a lot along the meeting edges.

Painted with broad expanses of flatly sprayed, banal commercial colors (e.g. manila envelope tan, file cabinet grey), they featured nearly imperceptible, atomized tonal gradations along their bottom edge — an unexpected intrusion of the transcendent into the profane, not dissimilar to that revelatory moment when a Reinhardt black painting begins to yield to an attuned and patient eye.

[33] Lyrical Abstraction, Conceptual Art, Postminimalism, Earth Art, Video, Performance art, Installation art, along with the continuation of Fluxus, Abstract Expressionism, Color Field Painting, Hard - edge painting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through thPainting, Hard - edge painting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through thpainting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 1970s.

In case we miss the point, the hapless creatures from Bruegel's «The Blind Leading the Blind» cavort, in miniature, along the painting's bottom edge.

The brushstrokes that bunch up along the edge of the centralized form in City Island (1958) are as involved with paint handling as Kelly gets.

Compositionally, he divides the painting into a grid consisting of four rows of irregularly sized rectangles, with the smallest ones running along the bottom edge.

Collection (1954/1955) is the artist's first «Combine painting,» an early type of Combine that hangs on the wall like a traditional painting but reaches into three dimensions with various elements attached to the work's surface — such as the silk veil over the mirror attached just off - center and the found wood scraps along the top edge.

He recalls Minimalism's talk of art as object, with a geometry determined by its edges, only here the hard edges fall within the painting rather than along the borders of stretched canvas.

Fisher spells out the title of the painting along its lower edge in chemical elements from the periodic table.

The idiosyncratic shape at the centre of Parrot, along with the teeming, organic ground, places it on the edge between figurative and abstract painting.

He first paints a black rectangle on a white gallery wall with three straight - edged sides, allowing the paint to drip along the bottom edge.

Marden's early paintings box the viewer into the moment of encounter, offering at most a sliver of spattered canvas along a picture's bottom edge — like a faint crack of light beneath a door — as a whispered invitation to ponder the work's material history and creative context.

The move towards a more hard - edge style of abstraction, the clear lines, high contrast of color and its various hues, along with the rejection of the tactile application of paint were seen as the dominant features of such movement [2].

Its meager painted elements consist of thin, mechanically crisp lines and bars of blue enamel, mostly along the edges but also trisecting the surface horizontally.

At this year's Postcards From the Edge benefit held at Sikkema Jenkins & Co., almost 1500 postcard - sized artworks were on display, including artwork made out of broken glass, another covered in 24carot gold, and even a miniature moose head, along with hundreds of drawings, paintings and photographs.

Ryman thickly applied oil to a primed, stretched canvas creating the composition primarily from the varying texture of the paint and anchoring it with an accent of black along the top and an obscured orange rectangle on the right edge.

The title is incorporated into the painting in stencilled lettering along the lower edge, with the addition, however, of the name Merce Cunningham, to whom the painting is dedicated.

As shown in her painting, «Canal» (1963), acrylic paints gave her more control over the medium, allowed her to create sharper, more defined edges, along with greater color saturation and areas of more opacity.

His signature paintings of ethereal clouds of color are featured in a handsome retrospective at Edison Place Gallery (organized by the Washington Arts Museum), along with his harder - edged but no less spiritual early work.

The anachronistic band of blue sky outside the masking tape in Winter Writing subtly reappears in the form of a painted line that follows along the edge of nearer branches, pulling them closer to the viewer.

In her large square canvases, often named after instruments, she uses collage to layer horizontal strips of paper that have been tinted along their edges, then adds additional squares of paint like regular punctuations.

Next to it, along the painting's left - hand edge, a white garden trellis supports hints of flowers and plants.

Painting with acrylic on raw un-stretched canvas, burlap and linen, Griffa's works are nailed directly to the wall along their top edge.

An abstract watercolor painting on heavy weight paper attributed to Arthur Dove (Am., 1880 - 1946), circa 1940, signed along the lower edge, 5 inches by 7 inches unframed, has an estimate of $ 8,000 - $ 12,000; while an abstract composition acrylic on paper attributed to Franz Kline (Am., 1910 - 1962), signed, 13 3/4 inches by 11 inches unframed, should garner $ 10,000 - $ 15,000.

When Lawrence Weiner painted the phrase «Wood Thrust Into Brine» along the edge of the metal dance floor canopy, the obscurity of its meaning and of its position are true to Weiner's habits.

When he emerged in the early 1960s with his masterfully conceived and intricately constructed shaped canvases, Lukin, along with peers such as Charles Hinman and Richard Smith, was hailed for crucially expanding «hard - edge» abstraction, proposing a painted presence that metastasized into sculpture.

These paintings were followed by his «light encasements,» which consist of large (7 or 8 foot) squares of painted vacuum - formed plastic painted on the interior acrylic backing and with neon light embedded along the inside edges.

An even larger untitled painting from 1983 has a more diffuse sense of animal energy, its leaf - like or wing - like forms expand outward from the edges of the canvas, snaking along the large wall it occupies.

In «Into the Groove» (2010), which was painted on a slightly off, rectangular piece of wood, with a small circular indentation punched into it and two strips of corrugated cardboard adhered to its surface, Clippinger echoes the scalloped edge of one cardboard strip by painting a similarly scalloped form in black along the painting's left edge.

In one tightly calibrated delicacy («Lost Horizons # 37»), the falling water in that printed / painted scene is echoed in irregular patches of decorative marbling, and those fluid striations are distilled further in the work's hem, a fringe of dripped white paint on a dark band along the bottom edge.

By 1965 Olitski had evolved a radically innovative technique of laying down atmospheric blankets of colored spray on the canvas, marked at first by barely discernible straight - edged value changes near the edge of the picture and later by acrylic paint dragged along portions of the edge.