Sentences with phrase «paint are all part of the picture»

Not exact matches

Part of the enormous value of the napkin talk isn't that you are necessarily going to paint a crystal - clear picture of your employee's future; the point is you are expressing to your employee that you want them there, you see them in your company future and, most significantly, you care.

A genuine philosophy of history regarding the beginning8 of genuinely human history, and a genuine theology of the experience of man's own existence as a fallen one which can not have been so «in the beginning», would show that where it is a question of the history of the spirit, the pure beginning in reality already possesses in its dawn - like innocence and simplicity, what is to ensue from it, and that consequently the theological picture of man in the beginning as it was traditionally painted and as it in part belongs to the Church's dogma, expresses much more reality and truth than a superficial person might at first admit.

This not only paints a vivid picture of a righteous man being unjustly put to death, but it declares it to be all part of a divine plan, for the man suffers vicariously for the sins of others.

The season starts very soon and the window ends soon after so by September we may already be seeing part of the picture painted.

And, because part of being a pediatric Occupational Therapist is spending years perfecting the skill of keeping things from going in kids» mouths, I also unleashed my boy on some truly messy play with finger painting OUT of the Ziploc bag... but there were no clean hands to take pictures.

Although these numbers are probably not totally definitive — part of any campaign's strategy is disguising exactly what it is buying and where and numbers shift as money is sometimes returned when ads are preempted — they do paint the most complete picture yet of the spending going on in one of the most expensive states.

«It's all part of painting a picture of the past,» Daeschler said.

Adam Schlosser from MIT is part of a scientific team whose recent study paints an alarming picture.

It paints a compelling picture of how the subatomic world works, but we do not yet know if this picture is just part of a larger canvas.

Clues from other parts of its body — long and curved fingers, and a more ape - like shoulder joint — paint a picture of a creature that was undoubtedly bipedal but also a tree climber.

A new study, published online Wednesday in Nature, aims to paint a clearer picture by uncovering the variable velocity of climate shifts across the globe (Scientific American is part of Nature Publishing Group).

But odds are low that you paint this part of the «big picture» if you fail to even use the word «ketogenic».

best colors for master bedrooms bedroom 2015 color black furniture feng shui, bedroom colors feng shui 2015 best bedrooms colours for a good black furniture, good living room colors feng shui best bedroom ideas on colour for color psychology bedrooms with black furniture, good bedroom colors for sleeping a teenage girl best walls home design ideas and pictures, good living room colors feng shui bedrooms best bedroom paint 2015 for images ideas, green tone color schemes good bedrooms best bedroom colors for small rooms vastu dining room feng shui, good bedroom colors for small rooms best master 2015 wonderful is red a color what calming black furniture, good bedroom colors for black furniture bedrooms with couples fun walls paint, paint color for bedroom walls picture above is part of best good colors bedrooms black furniture feng shui, is red a good color for bedroom in paint home best colors 2015 living room feng shui bedrooms.

Well, this weekend since we were painting I still finished one of the ideas I have for part of my Husband's father's day gift (and I need his help to take the picture) But this awesome tattoo paper plays a part.

The name of the game is to be honest and still paint a picture where people can see themselves taking part in your life as you described it.

Marcia Gay Harden, for her part, uses spare strokes to paint a vivid picture of Irving's Swiss - German wife, Edith, who was in on the money shenanigans.

There are many meandering moments where you might find yourself thinking, «where is this going» and you will be forming opinions about these people which undoubtedly affect your judgment of the movie, but that's all part of the bigger picture Benson paints.

Suffrage was one singular part of women's emancipation, but the film paints a broader picture of their oppression, which infiltrates every facet of society from the law, to the workplace, to the private home.

Magnificently shot and phenomenally acted by both McGregor and Green, this film paints a picture the end of the world where our emotions explode out of control before we lose an intricate part of our being.

The part Tremblay must play is a difficult one, and he manages to paint a convincing picture of a little boy who truly believes that this tiny shed is the entire world.

A glimpse into your average school may not paint this exact picture just yet, but many Australian primary schools have been embracing «coding» as a part of their school curriculum for a while now and things are only just getting started.

To use in the classroom: - They can be part of a Spanish art unit - Used for substitute lesson plans - Extra credit activities - Expansion activities for the special ed student (of any spectrum)- Decorations to post on the wall for the parents» night - Well coloured pictures can be used to discuss what is seen, happening / happened, why something happened, why artist wanted to paint this, compare and contrast between artist's other works, classmates choice of colors...

Secondly, this paper will attempt to paint a fuller picture of the way the Archdiocese of Chicago's schools can be thought of as part of the school choice system for, regardless of the date, the narrative thus far perpetuates a very limited view of the relationship between Chicago's catholic schools and school choice.

SVO has adorned the SVR with a full carbonfibre bonnet as part of its latest round of improvements (available fully painted, as well as in the two - tone colourway pictured), and while no weight benefit is quoted directly, the latest SVR's kerb weight, at 2310 kg, does undercut its predecessor by 25 kg, a clue to the SVO team's search for weight savings elsewhere too (and possibly weight gains in a few areas)- the seats, for instance, are 30 kg lighter than before.

And yes, those Gordini stripes and racing blue paint (seen on the Clio 182, pictured right) are part of the plans.

Earlier this month we brought you pictures of the Arctic White Corvette Stingray that was painted by three young members of the General Motors design team as part of a fundraiser for the Museum of Contemporary Art Detroit (MOCAD).

By using «you», you can paint a picture allowing your reader to be part of your trip and imagine themselves being there.

The game trailers we've seen so far have painted a dark picture of the types of decisions players will be faced with throughout the narrative, as moral ethics seem like they will play a large part in the proceedings.

It's a shame that stuff has to paint part of the picture as a whole, but it does.

Tonal value is much more important, and the dark pen work that's part of the picture will really help you appreciate the impact of this vital element in any painting.

The most breathtaking wall in this generously spaced (lots of white wall) show is A Painting in Six Parts (1986 — 87/2012 — 16), using a picture she took 50 years ago from a pier in Venice, California.

And it was, for better and worse, part of the Clement Greenberg legend, but perhaps because he had most importantly backed a couple of the right horses, Jackson Pollock in particular, his criticality had the positive potential monetary value of a good stock tip, despite its destructive side — telling artists what they should or shouldn't paint, dismissing all art with so - called literary content, and in later years being a bit of a caricature of himself, siting around with a scotch in his hand saying that's not a good picture.

Innerst broke onto the New York art scene in the early 1980s with exquisitely executed small - scale paintings with hand - made frames, and his works were considered part of the Pictures Generation of artists who employed widely varied images as source material culled from the expanding media of the pre-digital age.

It is constructed painting, in that it crosses the void between object and viewer, to be part of the space in front of the picture plane.

Peter Schjeldahl writes in the October 9th, 2017 issue of The New Yorker, «The happiest surprise in Trigger is a trend in painting that takes inspiration from ideas of indeterminate sexuality for revived formal invention... Christina Quarles... rhymes ambiguous imagery of gyrating bodies with dynamics of disparate pictorial techniques... The wholes and parts of bodies in Quarles's cheerfully orgiastic pictures entangle in alternating styles of line, stroke, stain, and smear... called to mind early nineteen - forties Arshile Gorky and Willem de Kooning, who fractured Picassoesque figuration on the way to physically engaging abstraction... Quarles playing that process in reverse, adapting abstract aesthetics to carnal representation.

These pictures are part of a loose series I'm calling «allegories of painting».

The result is not a perfect distillation of Turner's marine painting — no «Peace — Burial at Sea» (1842) or «The Slave Ship» (1840), no history pictures such as «The Parting of Hero and Leander» (before 1837)-- but it is a vibrant, engaging show encouraging us to perceive the myriad ways in which Turner was, as Ruskin wrote, «the man who beyond doubt is the greatest of the age. . .

This part - picture, part - sculpture state is a kind of a double life for these paintings, which is a state that always exists in painting but on which I am placing a magnifying glass.

The pictorial tension of these complex paintings, such as Parting and Together, 1978, and Twist of Fate, 1979, both of which will be on view in the exhibition, pushed the boundaries of the two - dimensional picture plane, foreshadowing the three - dimensional paintings that would characterize Murray's work in the 1980s.

His paint handling — and the works» vertical format — were inspired in part by the experience of taking an iPhone picture of a painting by Joan Mitchell.

It's as if the mineral quality of the paint, the pigment, has been carefully weighed and allotted to each area, and could be accounted for, tabulated, as a mineral just as much as it could be considered a form or even part of a representation... Just as the picture balances paint's physicality with its depictive utility, it achieves a synthesis between seemingly opposed ideas of creative work: it attracts without beckoning; it presents a woman who turns to us but does not need our presence for her self - definition, who is naked but not sexualized, and for whom creative expression comes through a medium of repetitive work.»

A great painting is not just a picture, it's really a model of how the universe is put together: one energy differentiated into all these seemingly disparate, yet dependent, parts.

«Her decision to be an abstractionist was in itself a major social - political statement — that a woman of color can be part of the larger picture of American painting,» says Rosenfeld, whose Chelsea gallery had a solo exhibition of Thomas's work last spring.

IS: That you were thinking of using another picture of someone else that you would introduce into your painting and you would have someone else's picture as part of your painting and you were wondering whose to do.

2010 Order to see, Galerie Praz, Delavallade, Paris, France In the Company of Alice, Victoria Miro, London, Great Britain Whitney Biennial, New York / NY, USA 2009 We Are Sun - kissed and Snow - blind, Galerie Patrick Seguin invites Galerie Eva Presenhuber, Paris Artists of Conflcting Tales: Subjectivity (Quadrilogy, Part 1), Burger Collection, Berlin, Germany Cave Painting PSM Gallery, Berlin, Germany Mrs. MacGruder, Benson Keyes Arts, Hello, curated by Michele Maccarone, Southampton / NY, USA Cave Painting: Installment # 1, Gresham's Ghost, Curated by Bob Nickas and Ajay Kurian, New York / NY, USA 2008 Pretty Ugly, Gavin Brown's Enterprise, New York / NY, USA Blasted Allegories, Kunstmuseum Luzern, Works from the Ringier Collection, Luzern, Switzerland ESTRATOS, Contemporary Art Project, Murcia, Spain Future Tense: Reshaping the Landscape, Neuberger Museum of Art, Purchase, New York / NY, USA 2007 XXS (Extra Extra Small), Sommer Contemporary Art, Tel Aviv, Israel Painting as Fact - Fact as Fiction, de Pury & Luxembourg, curated by Bob Nickas, Zurich, Switzerland The Third Mind, Palais de Toyko, curated by Ugo Rondinone, Paris, France Jubilee Exhibition, House Eva Presenhuber, Vnà, Switzerland 2006 Panic Room, Deste Foundation, Athens, Greek Painting Codes, GC.AC, Galleria Comunale d'Arte Contemporanea di Monfalcone, Monfalcone, Italy 2005 Lyon Biennale, Lyon Translation, Palais de Tokyo, Paris Interested Painting, Gallery 400, University of Illionois, Chicago / IL, USA Down by Law, Whitney Museum of American Art, New York / NY, USA 2004 Huts, Douglas Hyde Gallery, Dublin, Ireland 2003 Utopia Station, Venice Biennal, Venice, Italy Breathing The Water, Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland Game Over, Grimm Rosenfeld, Munich, Germany Dirty Pictures, The Approach, London, Great Britain Dreams and Conflicts, Venice, Italy, 50th Venice Biennale, Venice, Italy 20th Anniversary - Welcome home, Gavin Brown's enterprise, New York / NY, USA 2002 Five Years, Jousse Enterprise, Paris, France From the Observatory, Paula Cooper Gallery, New York / NY, USA Urgent Painting, Musee d'Art Moderne de la Ville de Paris, Paris, France 2001 Best of the Season, The Aldrich Museum of Contemporary Art, Ridgefield / CT, USA Works on Paper from Acconci to Zittel, Victoria Miro Gallery, London, Great Britain Extended Painting, Monica de Cardenas, Milan, Italy Invisible Museum, Memphis / TN, USA Victoria Miro Gallery, London, Great Britain How is Everything?

And the pictures are only part of a larger conceptual package that includes the display of the paintings» shipping containers and has involved closing the gallery for a week.

Jeff Elrod -(pictured above) After a disastrous train wreck of a lecture at the Modern Art Museum of Fort Worth in 2009, I started to think differently about his abstract paintings that are part elegant monochromatic gestural works and part nostalgic elegy to early digi - art, a commentary on the tensions between the physical and the virtual in the 21st century.

NOTE: Parts of this post are taken from a statement I'm crafting about some new paintings, one of which is pictured below.

Today, at 66, Prince is one of the most successful and influential artists of his generation — specifically, the Pictures Generation, an aloof clique of 1980s conceptualists that included Barbara Kruger, David Salle, Jenny Holzer, and Cindy Sherman (whom he used to date), who together reintroduced pictorial imagery to painting, in large part by borrowing it directly from advertising and mass culture.

Although the shapes of body parts represented in these new paintings are familiar, all sense of narrative is lost by their dispersion across the picture plane and the composition as a whole becomes abstract.