Sentences with phrase «paint covering layers»

We spoke with the artist about her current show «Rider, Path, and Vehicle» at the brand new location of PSM Gallery that is filled with an installation of paintings covering layers of influences from Sufi Liturature, comics, hobbyhorse riding, Native Americans» spiritual relation to nature and furry subculture.

Not exact matches

A tiny bit of sanding on the bottom to level it all, some putty to cover the holes, a layer of paint later (Yolo's Imagine.04, which I've used on all the bookshelves in the house)... and well, we had ourselves a table.

The bimorph is built using atomic layer deposition — chemically «painting» atomically thin layers of silicon dioxide onto aluminum over a cover slip — then wet - transferring a single atomic layer of graphene on top of the stack.

For this DIY stool you will need: A table A wooden board Extra thick foam Layer of flannel Fabric Cord Covered buttons Twine Screws Equipment: Metal Cutting Saw (or grinder) Jigsaw Drill Needle mattress Sewing machine (Optional: If you want to paint the base of the stool you will also provide material for sanding metal and spray paint)

To cover your Easter eggs in a layer of glitter, simply coat the entire surface of painted or unpainted eggs with all - purpose white glue.

Today I am excited to bring you a fun tutorial using the awesome Tulip for Your Home paints, stencils & pillow cover to show you how to make a layered paint & stencil design.

The presentation acts as a step by step guide to painting, and covers skills such as layering tones to create depth, basic modulation and brushwork.

Just like the lip, most of the apron is finished in gloss carbon - fiber, with only the center section painted in the three - layer metallic red that covers most of the body.

Note that if your home was built before 1978, you should probably assume that somewhere, under all of those layers of paint, is lead paint that's just been covered over with another layer.

If one layer of paint doesn't cover the original hue of the lid and toy, allow it to dry before spraying another coat of paint.

Colored gravels are coated with a layer of waterproof paint, and natural gravels may be covered with a clear layer of plastic.

When you begin peeling back the layers of this nearly 500 - year - old city, a textural paradise reveals itself ⎯ down every cobblestone street and through the cracked coats of paints covering the crumbling walls.

Its layered look is a common motif in Taylor's work, attracted as he is to «the look of things that have been painted or covered over but still [show] what's underneath.

The Brooklyn show includes Whitten's Birmingham 1964, in which a newspaper photograph of a confrontation in Birmingham is partially revealed under layers of stocking mesh and black oil paint, like a wound that can't be covered over.

Drawn initially by the accidental beauty of the layered painted surfaces that cover up graffiti, I recognized them as powerful remnants of development resulting from constant negotiations in an ever - changing urban environment.

There are a lot of silver under - layers in my paintings that get covered up and they change how light magic happens.

HIGH NOON's current exhibition, Ryan Crotty: Never the Less, featuring photographic abstract paintings covered with translucent layers of paint, is open through February 4.

The paintings included in this exhibition have a darker palette, Ruby's garish colors are covered with layers of black paint, as if the artist were now engaged in defacing his own works.

His two recent paintings, Patches of Color, Three Hands, and a Partition Line (2015) and A Lot of Dark Blue Legs and Patch of Color (2015), are covered in multiple layers of pastel blues and purples that reveal only certain body parts of human figures.

Underneath her vibrant layers of oil paint, cut and torn pieces of heavy white drawing paper cover a rectangular panel.

Seliger was equally celebrated for his meticulously detailed abstractions as well as for the techniques he invented and used to cover the surfaces of his Masonite panels — building up layers of acrylic paint, often sanding or scraping each layer to create texture, and then delineating the forms embedded in the layers of pigment with a fine brush or pen.

Some painters who effectively used spray painting techniques include Jules Olitski, who was a pioneer in his spray technique that covered his large paintings with layer after layer of different colors, often gradually changing hue and value in subtle progression.

This process is repeated, leaving one half of the painting covered in layered, complex color whilst the other half of the painting is cleansed as much as possible back to the original gesso.

To prepare the ground, he covered the entire surface in multiple layers of a radiant lead white, which were then sanded down and painted again, only to be sanded anew, «until the surface became almost translucent» (M. Stevens and A. Swan, De Kooning: An American Master, New York, 2004, p. 562).

Richter drags, smears, and scrapes layers of wet paint, leaving tracks of his movements across the surface and then covering them up.

He later invented his Texturologies — abstract paintings which adapted the traditional Tyrolean technique used by plasterers: Dubuffet covered his canvas in layers of tiny droplets of paint, and combined it with materials including collaged elements and sand.

She infused her art with these experiences through a labor intensive process — applying many layers of paint by hand to each piece and sanding the surfaces to a fine finish — and the bands of rich color that cover her sculptures, liberated from the traditional two - dimensional plane of painting, prompt viewers to make their own associations with her work.

In Innes's work, layers of paint are laid down on meticulously gessoed canvas and ultimately covered in black.

Through layers of paint applied in an utterly abstract gestural style, which seem to cover instead of disclosing an image, the pictures record time, summing up the experience of looking, processing, and representing.»

On one level Cronin's work is about painting as a disintegrating, scarred thing, whose surface consists of layers of history that have been covered and effaced.

In his recent exhibition, Standard Deviation, at the Green on Red Gallery (May 30 — July 6, 2013), the aluminum sheets that make up the surfaces of his paintings are covered with thin layers of translucent colors; puddles, slashes and spills; scraped, sanded and scarred areas; built up grooves and ellipses, none of which add up to an overall image or dissipate into randomness and chaos.

This physicality is evidenced in the meticulous working of every inch of the surface of the canvas, often covered with repeated layers of paint.

In a decisive move away from the experimental monochromatic series of white, black, and red paintings he created between 1951 and 1953, Rauschenberg began Collection by covering three panels with red, yellow, and blue fabric and layering them with innumerable collaged, drawn, painted, and sculpted elements.

As time moves forward and new events occur, a new layer of paint covers the previous layer.

His experimental castings proliferated and became a repository for his relief paintings of layer upon layer of organic shapes covered in luminescent, hyperreal colours.

The music's layered construction, cavernousscale, and otherworldly glissando effects call out for a Copperwhite painting on the band's next album cover.

Physically moving around a black - on - black painting of a cubic grid will reveal layers of optical illusions, while simply blinking when standing in front of a canvas covered in a complex navy - and - white pattern tricks the eye into seeing an oscillating, three - dimensional piece of art.

It makes no difference whether we are face - to - face with one of his large format images, in which he allows the pigments dissolved in epoxy resin to run slowly down the picture carriers in satiated, glistening vertical stripes; or whether we study those works in which small drilled craters disclose many apparently archeological layers of paint, or find ourselves in one of his site - specific, all - over paintings that cover the walls, floors and ceilings, their iridescent stripes of color subduing entire architectures and permanently altering the viewer's perception.

New York - based artist Keltie Ferris covers her mostly large - scale canvases with layers of spray paint and hand - painted geometric fields, creating the effect of brightly colored digital screens dissolving into pixels.

Faruqee applies and scrapes multiple, carefully computed layers of paint on linen - covered panels that result in «rainbows» and «bruises», as the show title suggests.

Painting does not qualify as an additive technique because that which is covered up is no longer accessible as part of the visual experience and because painting remains 2 - D in spite of adding paint layers so that painting is not a qualified documentation of scientific rePainting does not qualify as an additive technique because that which is covered up is no longer accessible as part of the visual experience and because painting remains 2 - D in spite of adding paint layers so that painting is not a qualified documentation of scientific repainting remains 2 - D in spite of adding paint layers so that painting is not a qualified documentation of scientific repainting is not a qualified documentation of scientific realities.

The text background, DNA code, is collaged onto the panel and covered with many layers of transparent red encaustic paint.

The new layer, applied primarily to the upper left quarter of the painting, was intended to cover small drips of white paint that had accidentally fallen on the work while the artist's studio was being painted.

But under those layers of bright colour and slashes of paint, Wylie's work is hugely complex, covering all manner of subjects from Nicole Kidman's paparazzi photos to Wylie eating a chocolate biscuit.

Around 1960, Fontana began to reinvent the cuts and punctures that had characterized his highly personal style up to that point, covering canvases with layers of thick oil paint applied by hand and brush and using a scalpel or Stanley knife to create great fissures in their surface.

The concentric framing devices are painted first, then covered up while Commito adds the planer, fractured, layers that eventually form the «body» of the painting.

In my paintings, I am interested in separating the layer of paint, or applied paper or wood from the surface (typically a wood panel) that it covers.

She begins a work by covering the canvas with gradated colour, and in works like Menso, 2016, and Lya, 2016, these first paint layers are revealed in the final design, taking on a primacy, and in the case of Lüür, 2015, a three - dimensionality through painted shadows that lift the squirming form off the flat of the canvas and in to space.

It was a Futura 2000 style scrape, Because we had the «Celluloid» covers, The Phase2, The Futura, there were those four records and it's Futura standing by one of his paintings with a scrape on it and we used to look at it and wonder how he'd done that, so I tried it... Just layered the paint down, scraped it and that was the first real abstract painting that I had done.

By the late»70s, he was producing canvases in two stages, first covering the surface with a gestural layer of paint and then applying and glueing down collage pieces, cut from painted canvas.