Increase store personnel selling ability of the [company name] product line through in - aisle product knowledge discussions with
paint department associates and management.
Not exact matches
MoMA has hired Yasmil Raymond, a Dia Art Foundation curator since 2009, to serve as
associate curator in the
painting and sculpture
department.
Previously, Marley was Research
Associate for the Agnes Martin Catalogue Raisonné of
Paintings, a Collection Manager for a private estate and has held positions in the
Department of Photography at the Museum of Modern Art and in the Post-War and Contemporary Art department at Christie's in
Department of Photography at the Museum of Modern Art and in the Post-War and Contemporary Art
department at Christie's in
department at Christie's in New York.
The exhibition catalogue includes essays by James Rondeau; Douglas Druick; Mark Pascale,
associate curator, prints and drawings, Art Institute of Chicago; Richard Shiff, Effie Marie Cain Regents Chair in Art, University of Texas - Austin; Barbara Rose, noted Johns scholar; and Kelly Keegan, assistant
painting conservator, and Kristin Lister, conservator of
paintings, Art Institute of Chicago; as well as an interview with the artist by Nan Rosenthal, senior consultant,
Department of 19th - Century, Modern, and Contemporary Art, Metropolitan Museum of Art, New York.
10 am ABMB Conversation: Asia Focus, Why Japanese Post-War Art Matters Now Panelists: Doryun Chong,
Associate Curator,
Department of
Painting and Sculpture, The Museum of Modern Art, New York; Allan Schwartzman, Chief Curator, Inhotim, Minas Gerais; Director, Rachofsky Collection, Dallas; Mika Yoshitake, Assistant Curator, Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Moderator Alexandra Munroe, Samsung Senior Curator of Asian Art, Solomon R. Guggenheim Museum, New York Art Basel Miami Beach, Miami Beach Convention Centre, Info Zone D, Miami Beach
He teaches at Tyler School of Art where he is
Associate Professor and Chair of the
Department of
Painting, Drawing, and Sculpture.
Paulina Pobocha,
associate curator, and Cara Manes, assistant curator, who organized this collection exhibition in consultation with their
department head, Ann Temkin, chief curator of
painting and sculpture.
Studio Visitors 2014 Christopher Allen, Founder, Director of UnionDocs Alexander Benenson, Independent Curator Heather Darcy Bhandari, Director, Mixed Greens Gallery Jennifer Blessing, Senior Curator of Photography, Guggenheim Museum Sherry Dobbin, Director of Public Art, Times Square Alliance Taraneh Fazeli, Education
Associate, New Museum of Contemporary Art Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Media Gabriel Florenz, Chief Operations Officer, Pioneer Works Larissa Harris, Curator, Queens Museum Paddy Johnson, Editor, Art Fag City Naima Keith, Assistant Curator, Studio Museum Emily Liebert, Curatorial Assistant,
Department of
Painting and Sculpture, MoMA Barbara London, Independent Curator / Writer, Former longtime Curator of Media and Performance, MoMA Jennifer McGregor, Director of Arts and Senior Curator, Wave Hill Julie McKim, Director, Kunsthalle Galapagos Magdalena Sawon, Owner / Director, Postmasters Gallery Manon Slome, President and Chief Curator, No Longer Empty Cara Starke, Director of Exhibitions, Creative Time Lumi Tan,
Associate Curator, The Kitchen Gregory Volk, Writer, Art in America
Join ArtTable for an exclusive curator - led tour of The Long Run at the Museum of Modern Art, with Paulina Pobocha,
associate curator, and Cara Manes, assistant curator, who organized this collection exhibition in consultation with their
department head, Ann Temkin, chief curator of
painting and sculpture.
Artist and activist Faith Ringgold discusses her life and art during a conversation with Anne Umland, The Blanchette Hooker Rockefeller Curator of
Painting and Sculpture, and Thomas J. Lax,
Associate Curator,
Department of Media and Performance Art.
The exhibition is organised by Kathy Halbreich,
Associate Director, the Museum of Modern Art, with Mark Godfrey, Curator, International Art, Tate Modern, and Lanka Tattersall, Curatorial Assistant,
Department of
Painting and Sculpture, the Museum of Modern Art.
Petrides received her M.F.A. from the School of the Art Institute of Chicago, where she is currently an Adjunct
Associate Professor in the
Painting & Drawing
Department and the Visual Communications
Department.
Indira Allegra, artist indiraallegra.com Beth Bird, documentary filmmaker and PhD candidate in the
Department of Film and Media at the University of California, Berkeley Robin Clark, Director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist gregorygeiger.net Maria Elena González, artist and
associate professor, Sculpture and New Genres at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis timhyde.info Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San
associate professor, Sculpture and New Genres at the San Francisco Art Institute Tim Hyde, artist and assistant professor,
Department of Art and Art History, University of California, Davis timhyde.info Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program
associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San
associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert,
associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San
associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon
Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San
Associate Curator of
Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant,
Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell,
associate professor and undergraduate director of International Studies at the University of San
associate professor and undergraduate director of International Studies at the University of San Francisco
Indira Allegra, artist Beth Bird, documentary filmmaker and Ph.D candidate in the
Department of Film and Media at the University of California, Berkeley Robin Clark, director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist Maria Elena González, artist and
associate professor, Sculpture and New Genres, at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San
associate professor, Sculpture and New Genres, at the San Francisco Art Institute Tim Hyde, artist and assistant professor,
Department of Art and Art History, University of California, Davis Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program
associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San
associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert,
associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San
associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon
Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San
Associate Curator of
Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant,
Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell,
associate professor and undergraduate director of International Studies at the University of San
associate professor and undergraduate director of International Studies at the University of San Francisco
Yasmil Raymond is
associate curator in the
Painting and Sculpture
Department at the Museum of Modern Art, New York (MoMA).
George Rush is
associate professor in Ohio State's
Department of Art and teaches
painting and drawing.
Elizabeth L. O'Leary is
Associate Curator of American Art at the Virginia Museum of Fine Arts; Sylvia Yount is VMFA's Louise B. and Harwood Cochrane Curator of American Art and
department head; Susan Jensen Rawles is Assistant Curator of Decorative Art at VMFA; and David Park Curry, former VMFA Curator of American Arts, is Senior Curator of Decorative Arts, American
Painting, and Sculpture at the Baltimore Museum of Art.
The Directors of the FCA were joined in the grant selection process by composer, musician, and co-founder of Bang on a Can Michael Gordon; performance maker and writer Clarinda Mac Low; dance - based multidisciplinary artist Dean Moss; and
Associate Curator in the
Department of
Painting and Sculpture at the Museum of Modern Art Yasmil Raymond.
Carlos Garaicoa, artist, in conversation with Michelle Bird, curatorial assistant,
department of French
paintings, National Gallery of Art, and Andrea Nelson,
associate curator,
department of photographs, National Gallery of Art.
Charles Brock,
associate curator,
department of American and British
paintings, National Gallery of Art.
Silver is an
Associate Professor in the
Painting & Drawing Program of the
Department of Art at The Ohio State University.
Organized by Paulina Pobocha, an
associate curator, and Cara Manes, an assistant curator, in consultation with their
department head, Ann Temkin, chief curator of
painting and sculpture, the exhibition The Long Run will be on view at MoMA until November 4th, 2018.
The seventy - seventh Whitney Biennial — on view March 7 — May 25, 2014 — is being organized by three outside curators: Stuart Comer, Chief Curator of Media and Performance Art at MoMA; Anthony Elms,
Associate Curator at the Institute of Contemporary Art in Philadelphia; and Michelle Grabner, Professor in the
Painting and Drawing
Department at the School of the Art Institute of Chicago.
The Museum's signature survey of contemporary American Art will take on a new form as three outside curators — Stuart Comer (currently Curator: Film at Tate Modern, London, and soon to become Chief Curator of Media and Performance Art at MoMA), Anthony Elms (
Associate Curator at the Institute of Contemporary Art, Philadelphia), and Michelle Grabner (Professor and Chair of the
Painting and Drawing
Department at the School of the Art Institute, Chicago)-- each oversee one floor.
The exhibition has been organized by Susan Alyson Stein, Engelhard Curator of Nineteenth - Century European
Painting,
Department of European
Paintings, with Guest Curator Colta Ives, Curator Emerita,
Department of Drawings and Prints, and the assistance of Research
Associate Laura D. Corey,
Department of European
Paintings.
Curated by Stuart Comer (Chief Curator of Media and Performance Art at MoMA), Anthony Elms (
Associate Curator at the Institute of Contemporary Art, Philadelphia), and Michelle Grabner (artist and Professor in the
Painting and Drawing
Department at the School of the Art Institute, Chicago)
When he returned in 1992, he became an
associate professor in the Mural
Painting Department and is today head of the d
Department and is today head of the
departmentdepartment.
The exhibition is accompanied by a fully illustrated catalogue distributed by Yale University Press with contributions by the exhibition's curators and other invited scholars, including Audrey Gay - Mazuel, Curator,
Department of the Nineteenth Century at the Musée des Arts décoratifs, Paris; Olivier Meslay,
Associate Director of Curatorial Affairs and Barbara Thomas Lemmon Curator of European Art at the Dallas Museum of Art; and Sylvie Patry, Chief Curator of Impressionist and Post-Impressionist
Paintings at the Musée d'Orsay, Paris.
She joins the museum after having served as
Associate Curator in the
Department of
Paintings at the Minneapolis Institute of Arts since 1998.
Bouquets: French Still - Life
Painting from Chardin to Matisse developed from strong partnerships fostered by the French Regional American Museum Exchange (FRAME) and is co-organized by Dr. Mitchell Merling, the Paul Mellon Curator and Head of the
Department of European Art, VMFA, and Dr. Heather MacDonald, the Lillian and James H. Clark
Associate Curator of European Art, DMA.
Charles Brock,
associate curator,
department of American and British
paintings, National Gallery of Art Curator Charles Brock discusses the National Gallery of Art's landmark exhibition George Bellows, the first comprehensive presentation of the artist's career in more than 3 decades.
Randall Griffey, an
associate curator at the Met who was involved in the acquisition with the help of the Alexandre Gallery in Manhattan, said he and Sheena Wagstaff, who leads the museum's modern and contemporary
department, had long been trying to build on the Met's strength in early - 20th - century works on paper by African - American artists and were on the hunt for major
paintings.
Guest faculty for the program include Doryun Chong (
Associate Curator,
Department of
Painting and Sculpture, MoMA, New York), Olga Egorova and Dmitry Vilensky (artist collective Chto delat, St. Petersburg), Weng Choy Lee (art critic, and Director of Projects, Research, and Publications, Osage Foundation, Hong Kong), Nat Muller (independent curator, Rotterdam).
Michelle Grabner is an artist and
Associate Professor in the
Painting and Drawing
Department at the School of the Art Institute of Chicago.
Wilder is
Associate Professor and Graduate Program Director in the VCUarts
Department of
Painting and Printmaking.
She was previously a research
associate at the Metropolitan Museum in the European
Paintings department from 1999 to 2003; prior to that, Ms. Roldán served as Senior Press Officer for the Metropolitan Museum.
The 77th Whitney Biennial will, this year, be corralled by three curators sourced from outside the institution (but no less internationally regarded): Stuart Comer (Chief Curator of a Media and Performance Art at MoMA), Anthony Elms (
Associate Curator at the Institute of Contemporary Art, Philadelphia), and Michelle Grabner (artist and a professor in the
Painting & Drawing
Department at the School of the Art Institute of Chicago).
Canterbury comes to the Dallas Museum of Art from the Minneapolis Institute of Arts, where she was the
Associate Curator in the
Department of
Paintings from 1998 to earlier this year.
This presentation is organized by Martino Stierli, Philip Johnson Chief Curator of Architecture and Design, and Ann Temkin, The Marie - Josée and Henry Kravis Chief Curator of
Painting and Sculpture, and: Luke Baker, Curatorial Assistant,
Department of Architecture and Design Starr Figura, Curator,
Department of Drawings and Prints Michelle Millar Fisher, Curatorial Assistant,
Department of Architecture and Design Samantha Friedman, Assistant Curator,
Department of Drawings and Prints Laura Hoptman, Curator,
Department of
Painting and Sculpture Ana Janevksi,
Associate Curator,
Department of Media and Performance Art Juliet Kinchin, Curator,
Department of Architecture and Design Thomas J. Lax,
Associate Curator,
Department of Media and Performance Art Cara Manes, Assistant Curator,
Department of
Painting and Sculpture Sarah Meister, Curator,
Department of Photography David Platzker, Curator,
Department of Drawings and Prints Paulina Pobocha, Assistant Curator,
Department of
Painting and Sculpture Yasmil Raymond,
Associate Curator,
Department of
Painting and Sculpture Katerina Stathopoulou, Curatorial Assistant,
Department of Photography Sarah Suzuki,
Associate Curator,
Department of Drawings and Prints
Assistant Curator of Prints and Illustrated Books; Sarah Meister, curator,
department of photography; Michelle Elligott, museum archivist; Anne Morra,
associate curator, and Sally Berger, assistant curator,
department of film; and Paulina Pobocha, curatorial assistant,
department of
painting and sculpture.
He is currently
Associate Professor of the
Department of
Painting, Faculty of Fine Arts, Tokyo University of the Arts.
Kemp comes to SAIC from Virginia Commonwealth University (VCU) where he is an
associate professor and the chair of the
Department of
Painting and Printmaking.
It is coordinated at the National Gallery of Art by David Alan Brown, curator, and Gretchen Hirschauer,
associate curator, both in the
department of Italian and Spanish
paintings.
[5] Robert Beverly Hale was appointed as
Associate Curator of American
Painting and Sculpture and head of the
department.
The 2014 Whitney Biennial on March 7 — May 25, 2014, will take a bold new form as three curators from outside the Museum — Stuart Comer (Chief Curator of Media and Performance Art at MoMA), Anthony Elms (
Associate Curator at the Institute of Contemporary Art, Philadelphia), and Michelle Grabner (artist and Professor in the
Painting and Drawing
Department at the School of the Art Institute, Chicago)-- each oversee one floor, representing a range of geographic vantages and curatorial methodologies.
Canterbury comes to Dallas from the Minneapolis Museum of Art where she has been an
Associate Curator in the
Department of
Paintings since 1998.
Organized by Kathy Halbreich,
Associate Director, MoMA; with Mark Godfrey, Curator of International Art, Tate Modern; and Lanka Tattersall, Curatorial Assistant,
Department of
Painting and Sculpture, MoMA.
Ms. Marcoci joined the Museum in 1999 as the Janice H. Levin Fellow / Curatorial Assistant in the
Department of
Painting and Sculpture, subsequently joining the
Department of Photography in 2003 as Assistant Curator, and being promoted to
Associate Curator in 2005, and to Curator in 2007.
Yasmil Raymond joined The Museum of Modern Art as
Associate Curator in the
Department of
Painting and Sculpture in July 2015.
Seminars, site visits, individual meetings, and roundtable discussions will be led by a group of professionals that includes: Eduardo Abaroa (artist, Mexico City), Jessica Berlanga Taylor (Chief Curator, Fundación Alumnos47), María del Carmen Carrión (Director of Public Programs & Research, ICI), Tamara Díaz Bringas (researcher and independent curator, Madrid), Sol Henaro (Curator, Museo Universitario Arte Contemporáneo / MUAC, Mexico City), André Mesquita (researcher, São Paulo), Yasmil Raymond (
Associate Curator,
Department of
Painting & Sculpture, The Museum of Modern Art), and Lucía Sanromán (Director of Visual Arts, Yerba Buena Center for the Arts), among others.