Sentences with phrase «paint dots from»

Not exact matches

Sculptures of longhorn cattle dot one sidewalk, not far from a silo painted with the face of a steer.

This hand painted trend naturally has a sweet style to it, and it gives a whimsical and handmade touch to everything from animals and dots to florals and fruit.

These pumpkins are hand painted one dot at a time and made from polyresin to last a lifetime!

Stella & Dot Luxembourg Scarf - Jeweled Zebra — $ 59.00 from: Stella & Dot Stella & Dot Getaway — Painted Zebra — $ 138.00 from: Stella & Dot Stella & Dot How Does She Do It — Painted Zebra — $ 89.00 from: Stella & Dot Stella & Dot Union Square Scarf — Painted Zebra — $ 59.00 from: Stella & Dot

Note how I start each chevron by placing three dots in the center of each nail and paint a line from the edge to the dot.

This year since Cash is a bit older and more aware of what's going on, I wanted to let him really play around in the paint, so I simply cut out an decorative egg «stencil» from a piece of cardstock, and taped in onto another piece of cardstock, then just applied small dots of non-toxic fingerpaint in fun spring colors to each paper, and put it all out on a washable blanket for Cash to explore and play.

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It looked a little too plain for me so I pulled out some polka dot stickers I had leftover from a garage sale and spritzed them with my favorite gold spray paint.

I had him move his fingers up and down black dots painted on a wooden stick while a real flautist played his instrument from off - camera.

«What you can't tell from our poster is that the picture is painted entirely with dots.

Just over 1,300 (3.6 %) of these birds have been subsequently re-found, showing us exactly where some Golden Gate raptors have traveled — painting a beautiful map of dots from northern British Columbia to central Mexico, and from Idaho to the Farallon Islands.

On the way to the Berber village, you'll pass the villages of Imlil and Armed, which are dotted with numerous small shops selling local wares, from amethyst and quartz rocks to jewelry and painted pottery.

Short Circuit is made of classic Combine ingredients: thick brushstrokes, a lace curtain, a scrap of polka - dotted fabric, postcard images of a Renaissance painting and Abraham Lincoln, a word scramble, a program from an early John Cage concert, and a Judy Garland autograph, all affixed with paint to a chassis made of scrap wood and cupboard doors.

The latter adhere to some of the formal rules established for the Spot Paintings: no single color is ever repeated in a painting, and the dot size — ranging from one quarter of an inch to four inches in diameter — is consistent within each work.

She painted a portrait of the land as seen from above, a handsome Eden dotted with ponds and etched with streams.

International Pop: Origins Lichtenstein was the first of the three artists to employ the dot in 1961, appropriating imagery from bubble gum wrappers and children's books, incorporating cartoon characters such as Donald Duck and Mickey Mouse into his paintings.

In his large ellipse paintings of 1967 Poons made dramatic pictorial and compositional changes that moved away from his all over dot paintings.

Established in 1960 as a way to showcase the majestic paintings from the Hudson River School movement, Storm King Art Center has evolved into one of today's leading sculpture parks, with more than 100 contemporary works dotting a dramatic landscape of pastoral hills, breathtaking vistas, and tranquil ponds.

His paintings from the early 1960s consist of optical arrangements of dots and ellipses that float against monochromatic backgrounds.

Some paintings employ even larger dots interspersed with images, like a mixed - media work from 1971 in which he painted characters in milky, semitransparent white on strips of flowered fabrics.

His work continuously evolves from a language of gestures and colored born out of abstract expressionism, towards the meticulous painting style seen in the 1964 - 66 series dots paintings.

The Brazilian - born artist works with photography and painting to make mixed - media artworks that take cues from John Baldessari's renowned dot works by painting circles and geometric lines over black - and - white photographs of landscapes.

The Six Paintings series will be complemented by a selection of prints made from his Dots Pastilles drawings (1970 — 71), which present early iterations of the use of dots as a graphic techniDots Pastilles drawings (1970 — 71), which present early iterations of the use of dots as a graphic technidots as a graphic technique.

An introduction to the Californian Conceptual artist's witty work, from his wry text paintings to his colorfully dotted film stills.

In each of the six paintings, a dense layer of dots spreads across the surface of the canvas, creating an obstacle that prevents the viewer from wholly focusing on or grasping the details of the image behind it.

As a gift to the new science center, Hannock donated a large painting that depicts North Adams from about 2,000 feet in the air, a westward view that blends lush mountains, the winding Hoosic River, and the steeples, old factories, and Victorian homes that dot the city.

When his work was shown at Salon 94 a year ago, it won fulsome admiration from the New York Times, which compared their optically dynamic dots and lines to Bridget Riley's paintings, «except more so.»

The strongest presence in the remainder of the show is Larry Poons, whose three paintings (from 1963, ’69 and» 72) outline his progress from optical dots on monochrome fields to torrential pours of paint that tosses stain - painting delicacy to the winds and parodying both Pollock's and Ms. Frankenthaler's finesse.

He stressed the artificiality of his images by painting them as though they'd come from a commercial press, with the flat, single - color Ben - Day dots of the newspaper meticulously rendered by hand using paint and stencils.

These paintings followed some loose hand - painted spots on board such as this one, dating from 1986, and the first spot work on canvas «Untitled (with Black Dot)» (1988)-- the only «Pharmaceutical» painting ever to have incorporated a black dDot)» (1988)-- the only «Pharmaceutical» painting ever to have incorporated a black dotdot.

Executed with layers of paint, glitter, resin, pointillist dots and collaged images of genitalia cut from porn magazines, an elephant dung breast protrudes from large - scale canvas which is perched on two elephant dung balls embellished with map pins that spell out «virgin» and «mary.»

He is not alone either in assuming multiple guises — like Richard Prince with his stale jokes and the Marlboro man, Robert Gober with industrial sinks and pretend newspaper bundles, Jeff Koons with a ceramic poodle and an ad for rum, Josephine Pryde with a cute kid and otherwise identical auto bodies disfigured by splashes of paint, or Liz Deschenes with green screens lit from within and an unsteady pattern of white dots.

Sutherland bought the works from Vincent Lopreto, California forger who sold dozens of Hirst's «polka dot» and «spin» paintings on eBay along with fake certificates of authenticity.

Although the Japanise artist Yayoi Kusama creates in a diverse field that consists of everything from painting to sculpture, every single piece she ever produced has one same motif all over it — endless dots.

Polke's works during these years were mainly «Rasterbilder» (paintings that mimic printing): Polke appropriated publicity images from newspapers and magazines, enlarging them and hand painting them onto a canvas, dot by dot, creating an abstract pattern.

The Crumple Paintings require the viewer to stand far away from the work to perceive the illusion of crumples, created by large Ben Day dots.

New Work: Ross Bleckner, the New York - based artist's first solo museum exhibition, features 19 recent oil paintings and works on paper from three concurrent series — his «stripe paintings,» «dot paintings,» and «emblem paintings.»

The four emerging and established artists that dot the globe for «Voluntary Sculptures,» relish the discarded and everyday, building upon traditions from 16th century still life painting to Dada and the readymade.

They were soon followed by her installations made from found objects covered with stuffed, sometimes dotted phalluses, to which she soon added mirrors, and by the well - known orgy - like Happenings (and their films) whose participants were painted with dots.

This month explore brush strokes, blots, and dots to learn how artists make their mark in different ways in the exhibitions Fast Forward: Painting from the 1980s and Human Interest: Portraits from the Whitney's Collection.

On a closer look you will see a seemingly random arrangement of colored dots, but the further you go away from the painting, the clearer an image appears.

She exploits a newly acquired freedom in the way she paints, and explores different styles from dots to freehand, grids to hatches, colored lines, palette knife, etc..

From the psychedelically primordial My Forsaken Love, in which biomorphs traverse a black - fringed molten - pink ground, to the strata - like composition of Standing on the Riverbank of My Hometown I Shed Tears, a canvas filled with sedimentary layers of cell - like dots, eyes and extravagantly decorated lashes, the paintings generate new motifs and arrangements of forms while continuing a lifelong preoccupation with the mysteries of the physical and metaphysical, the tangible and ineffable - the space where seeing and feeling intersect.

Ofili began to garner attention in the mid-1990s with his intricately constructed works, combining bead - like dots of paint, informed in part by cave paintings in Zimbabwe, with collaged images from popular media, and elephant dung.

The exhibitions include some never - before - seen paintings from her My Eternal Soul series, decorated with dots, amoeba forms, plants, and other motifs.

Chris Ofili's intricately constructed works, combining beadlike dots of paint, collaged images from popular media, and elephant dung, create a unique iconography that marries African artistic and ritual practices with Western art historical traditions and contemporary hip - hop culture.

This example moves us quite far away from the understanding of the traditional idea of line art but it showcases that any mark the artist makes is an element of his art and that a line can be a grouping of dots, strokes, or paints.

The ten large paintings maybe recognizable — they cull from a well - established vocabulary of layers and dots and ab - ex eruptions — but they veer out of Koons» typical territory.

Mack integrates the everyday into these layered, expressionist «canvases» adding pages torn from magazines and newspapers along with washes of color, paint splatters, and dots of paint pushed through pegboard in a DIY screen - printing process.

He has rightly been regarded as a consummately perceptual painter — the interaction of the dots covering his canvases makes the most out of a very limited palette — but what struck me about his oil paintings in particular was how tactile they felt, with the illusion of space seeming to change, like the surface of a mosaic, as you move from side to front to side.