Sentences with phrase «paint dries the piece»

Not exact matches

The collection includes items like chile pepper piggy banks, pieces of art, paintings, prints, posters, kitchen utensils, rare hot sauces, as well as many varieties of dried peppers.
After they have been fired, I hand paint the piece using air - drying porcelain paints and pens.
I used a piece of the scrap plastic to put my paint on as well as the tube while it dried.
You might even want to incorporate decorating the dried cast into your baby shower — pick a design and allow guests to paint or glue pieces or have everyone sign the cast with well - wishes for birth and parenting.
When your piece is dry have children paint the front of it completely green, while you cut out two cactus arms from the green cardstock.
Dry brush the chosen front of each piece using black acrylic latex paint.
When the paint is dry, invite kids to apply the antiquing medium to all of the sled pieces with a brush.
A flash flood runs through the dry Santa Fe river bed, New Mexico, as more than 1000 people hold up blue painted pieces of cardboard or tarpaulins.
After the last coat of paint is dry, I cover the entire piece with a coat of clear wax.
Make sure to let the paint fully dry and then add any jewelry pieces you would like the cactus to hold!
When the paint was all dry, I gently rubbed over the piece with some fine grit sandpaper to wear away the edges and make the painting look worn.
I gave the entire piece 2 coats of paint allowing the first coat to dry overnight.
Once you've painted the piece and it's dry, you can add another coat if needed.
Each turkey piece got two coats of Plaid chalkboard paint and was left to dry.
Once the paint was dry I sanded the whole piece.
First, I gave the entire surface of the pumpkins two coats of acrylic orange paint, and gave the base of the piece two coats of black paint and let it dry.
When the paint was dry, I distressed them to give a more aged look to keep in line with the rest of the piece.
Once it was painted and dry, I started to apply a few floral and feather pieces with the glue gun as well.
After the entire piece was sanded, I cleaned it well with a clean damp cloth and let it dry before beginning to paint.The painting began and I can't tell you how thrilled I was with the color and the «look» the milk paint gave to my old armoire!
They also make all - natural paints from the local red, white and black volcanic rocks; they spin their works on a manual pottery wheel, shaping each piece with dried gourd shells and corncobs; and then dry their pottery alternately in the sun and in a wood - fired oven.
Some auction records are decades old, and others are set for pieces so recent the paint is barely dry.
Liat Yossifor — I have worked before with one layer of paint while it is still wet and moveable, and the duration of the piece was until the paint starts to dry, which for oil paint is on the fourth day.
Rosenberg frequently works on poured pieces, allowing the paint to dry and then peeling it up to adhere to substrates, or to create stacks or balls.
The exhibition brings together over 100 works, including several large - scale illustrated books by Kiefer (b. 1945) made in homage to Rodin (1840 — 1917) from materials like plaster; a series of large paintings titled Cathedral Towers; and vitrines filled with assorted objects including molds, dried plants, stones, and pieces of fabric.
Sometimes, when adding more fresh paint doesn't seem enough, I use pieces of dry oil paint from my palette (which in itself looks like a relief of hills and valleys in different colors) and treat them as mosaic stones which I stick on with wet paint or even glue.
In an increasingly polarized world, there's something almost comforting in the sight of a large piece of dried turquoise paint draped like a scarf over the neck of a jagged piece of metal.
He then applies it to canvas, often setting the dry acrylic pieces into a field of wet paint, essentially creating inlaid paintings where the sense of spatial relations is not readily apparent.
Pieces in progress abound at her sun - splashed Brooklyn studio, amid canvas shapes painted a deep teal hanging on a line to dry and heaps of paper cutouts numbered like tailor's patterns.
Ward has, at various points in his career, used pieces of dried codfish, baby strollers, church pews, cotton balls, beat - up oil barrels, police shoes, pants pockets, folios from a catalogue of early Italian paintings, rum bottles, and even a recycled ambulance filled with blasts of smoke.
Still primarily working in ceramics at this point, Price started to experiment in his painting style, moving away from glazes towards applying paint directly to the dried piece.
Pouring the paint in a shallow mold and allowing it to dry, he cuts, tears, and shatters the resulting slab into smaller pieces, effectively making «tiles» out of paint.
Varejão's Mimbres are made with a plaster - and - paint mix that is poured onto the canvas and when dry breaks on its own creating cracks and having a similar intent as the Mimbres had: to surround the piece with certain mysticism, as if inviting the viewer to wonder what kind of energy is behind that thick interface.
This piece, which an effusive volunteer told me the paint was still drying on, is emblematic of her oil on canvas paintings with their precise black lines, warm hues, and intricate abstracted shapes.
As in the past, he works on his canvases flat, spreading out the paint with the aid of spatulas or scrapers over a base of wet rabbit - skin glue, the drying time of which determines the duration of the piece's execution — a few hours at most.
The first, a modest pile of dried pulp placed atop a piece of glass balanced on a wooden box, is The History of Chinese Painting and A Concise History of Modern Painting Washed in a Washing Machine for Two Minutes (1987/1993).
De Kooning was able to harness the power and malleability of oil paint to depict the «corporeal rawness» of the nudes in his «Woman» series as Marcia Brennan describes in Modernism's Masculine Subjects: Matisse, the New York School, and Post-Painterly Abstraction (Cambridge: MIT Press, 2004), 72 [2] Otero discovered reusing pieces of dried paint for practical purposes in graduate school.
Made of newspaper, rolled up and glued, then painted black to give the dried, tube - shaped material some rigidity, these straight or curly pieces were also scattered around a column in the gallery, or placed upright, leaning against a window.
His pieces are created through a method he developed himself: He reproduces images in thick oil paint on a piece of glass, scrapes off the «oil skin» from the glass when it's dry, and collages these pieces over large - scale canvases to create totally new art pieces — proving, of course, that there's more than one way to skin a canvas.
But if an artist is ready to show a painting before it is even dry, one has to ask: How long does it take an artist to evaluate a piece of their work?
Once that's dry, set the 6 - by -6-inch piece on top of the box as a lid, with the best - painted side showing.
When the chalkboard paint has fully dried, rub a piece of chalk over the entire painted surface to season the chalkboard.
Have you ever painted a piece of furniture, let it dry, and was shocked to see it had turned red or orange or even pink in spots?
After about two hours the paint was completely dry on all chair pieces and we were ready to assemble.
From there, I dry - brushed some of the white paint onto the piece until it was looking the way I wanted.
When the paint was dry I primed it with a piece of chalk, then wiped off the chalk leaving a perfect new chalkboard.
This helps when you distress the piece after the paint is dry, so you don't have to sand your arm off.
Sand, clean well and dry your piece before painting.
Once the glue had dried, she removed the painters tape holding it in place, taped off the new wall color, and primed and painted over the wallpaper border and the trim piece:
When the stain and paint dry completely do a dry fit of the design; place all of the piecies as they'll go to be sure the pieces will fit into the frame.
On the piece below, I used our American Paint Company all natural chalk and clay paints — a previous limited edition color yellow as the base layer, then a raised stencil using our Texture Plaster Neutral, over top (when dry) the popular APC color Shoreline, sanded back (when dry) to reveal the pretty detail --
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