Sentences with phrase «paint dripped in»

These Farhi paintings feature visceral mixtures of oil paint dripped in spots and blotches resembling the kinds of stains one fines on table clothes.

Within a few years, she was making small abstractions covered with paint dripped in continuous, looping lines.

The shroud - like darkness of these canvases and the white paint drips in the foreground suggest crying or mourning.

Large scale oil paintings dripping in paint and medium encapsulate the whole canvas in grid like nature.

She says: «because she stained the canvas Frankenthaler was characterized as making a passive, feminine gesture, whereas Pollock's work was a virile ejaculation of paint dripping in an energetic way, where of course they both did both.»

Not exact matches

The artist, who specializes in watercolors and gouache, developed a vivid way to create art by dripping a rainbow of paint onto a canvas.

Make sure your Easter eggs have a large enough hole in the bottom to allow for the paint to drip through.

Secondly, I use the hand - painting itechnique, in which the yarn is spread out on cling film and dye dripped over it.

Create a vampire themed Halloween party by decorating some inexpensive second hand or dollar store glasses with red craft paint to create custom dripping blood glasses perfect to serve drinks in all Halloween night long.

The framework that holds the dish in place has been painted so many times that the white paint has formed into stalactites that drip down from every strut.

The pretty in pink ensemble is beautifully decorated with a delicate floral pattern that is artfully splattered with paint drips.

Maybe, if you have too much water, it is dripping down instead of soaking in, so in that case I would increase the paint quantity.

It's important to make sure that the tape is tightly hugging the surface of the jar to avoid any paint from dripping in — you want clean, straight lines.

The lengthy looker made its debut dripped in nautical blue metallic paint.

It isn't as eye - catching as an Impala dripping in candy paint, but it's strange enough to be welcome at any cruise - in or car show around the nation.

Factory options include but are not limited to 21 - inch Cayenne Sport Edition wheel painted black with wheel arch extensions, Porsche Dynamic Chassis Control (PDCC), Panoramic roof system, Extended monochrome black exterior package high - gloss, Porsche Torque Vectoring Plus (PTV Plus), Roof rails / drip rails in black finish, Tow bar system with electrically deployable tow ball, Air cooled seat ventilation, Porsche Entry & Drive, Stainless steel skid plates front and rear, Automatic tailgate, Reversing camera with Park Assist front and rear, Heated 3 - spoke multi function steering wheel, Privacy glass, Porsche logo and model designation painted, Side airbags (rear), Servotronic, Monochrome black exterior package high - gloss, Universal audio interface, Brushed aluminium interior package, Non-smoker package, One owner from new, Over one hundred thousand pounds new with this specification.

There must be a drip pan under the ABS brake controller to prevent any brake fluid from coming in contact with any painted surface.

When ordered brand new from the supplying Porsche dealership the original loving owners opted to upgrade this vehicle with # 12,903 worth of the most desirable optional extras which includes; Porsche Communication Management (PCM) with navigation module, Black smooth - finish leather interior, Panoramic roof system, Comfort memory package, Porsche Active Suspension Management (PASM), BOSE Surround Sound System, Metallic paint, Telephone module (SAP and HFP), Reversing camera including ParkAssist front and rear, Roof rails / drip rails in black finish, Digital radio, Heated windscreen, Privacy glass, Seat heating (front), Heated 3 - spoke multifunction steering wheel, Servotronic, Monochrome black exterior package (high - gloss), Wheel centre with full - colour Porsche crest, Black smooth finish leather, Jet Black - Metallic, Monochrome black interior package (high gloss) and so much more.

Einar's hefty trader's ship keens chorus with the other knarrs: twenty - five in all, each with bright - painted shields of wood and clanking metal hung upon their low - slung rails, and outstretched, dripping oars.

Like many French colonial cities, Vientiane is characterised by broad, often leafy boulevards, a riverside promenade, creaking colonial mansions painted in sun - bleached tropical hues and mod 1960's era villas with large gardens dripping in bougainvillea.

Much of the work made post 2000 consisting of paintings executed in a bold pop style with defining features of drip marks, iridescent colours and black outlines.

He also penned the seminal ArtNews article, «Pollock Paints a Picture,» a first hand account of Jackson Pollock's novel drip painting technique (also included in this new volume - along with an interesting new revelation about that text).

For example, in the Jackson Pollock show at MoMA you saw him abandon the drip paintings toward the end of his life and almost revert back to what he was searching for as a young painter.

Secondly, I would like to propose what I think is a fresh, if not in fact entirely new, way of looking at the lines, forms and spaces of the classic drip paintings.»

Kurchanova writes: «Apart from large canvases covered by Pollock's signature all - over web of patterned, dripped or sculpted paint, a range of his smaller abstract paintings adds complexity to our understanding of his work as that of an «action» painter... Pollock's active engagement with printing presents his achievement as a painter to us from a completely different angle and complicates the understanding of his work as based in physical action and unmediated involvement of the artist's hand.

Andy Baird bairdstudios.com «My paintings are unique in that they are finely rendered subjects done by dripping paint instead of the traditional methods of «medium and brush.»

A number of key works have been recreated inside the gallery and one wall has been given over to a new painting, Muddy Water Falls (2015), using mud from the River Avon: the top half, a dynamic hand - and finger - painted mural; the bottom half, a flurry of drips, splashes and smears, created by gravity, reflecting the constant redistribution of this mud in the tidal river of its origin.

Like Krasner's «Little Image» paintings, they eschew the big, swashbuckling gestures of textbook Abstract Expressionism in favor of a wiry sgraffito (or occasionally, in Krasner's case, a thin and tightly controlled drip).

Following in the tradition of Jackson Pollock, whose drip paintings finally broke the bond between painter and canvas, and Frank Stella's Black Paintings which discarded the need for spatial illusion, Judd makes the next, unassailable step of taking art into a new dimension — a dimension in which it could finally achieve the full potential of crpaintings finally broke the bond between painter and canvas, and Frank Stella's Black Paintings which discarded the need for spatial illusion, Judd makes the next, unassailable step of taking art into a new dimension — a dimension in which it could finally achieve the full potential of crPaintings which discarded the need for spatial illusion, Judd makes the next, unassailable step of taking art into a new dimension — a dimension in which it could finally achieve the full potential of creativity.

Paul Jackson Pollock born 1912 in Cody, Wyoming was an influential American painter and a major figure in the abstract expressionist movement well known for his unique style of drip painting.

Spontaneity, chance, spilling, dripping and brushing became important working methods in the mid to late 1970s and Bowling began referring to his work as «poured paintings».

Her politics changed from being subtle — the way a rough, concrete shell with rosy insides hints at a heartbroken landscape — to hitting the viewer over the head with dripping red paint, photos of lower Manhattan covered in dust, and titles like «Oil XI.»

In the 1940s and 1950s the main groups within the Abstract expressionism were the «Gesture Painters» and the «Color - Field Painters», who experimented with new techniques for applying paint: dripping, pouring, throwing, squirting, squeegeeing, and spattering, and with the use of unconventional tools, such as wall paper brushes, sticks, and trowels.

In the biggest, most dizzying painting, she lays foundation with meandering blue, flat and sliced like the remains of a cut - paper project, and inundates it with drips, swipes, and scrawls, each section offering a new tension.

Pollock, who exhibited his drip paintings in 1951, freeing the line from figuration, was for Greenberg the pinnacle of American Modernism, the most important artist since Picasso.

Gary Snyder Fine Art in New York City presents the work of Janet Sobel, whose early 1940s drip paintings inspired Pollock to explore the possibilities of that style and essentially found the Abstract Expressionist school.

Three Hirst «spin paintings» are included in the exhibition, because, as the gallery explains, they «point to the foundation of gestural abstraction, which places significance on techniques such as dripping, dabbing or flinging paint onto the surface of a canvas.

The way the paint was applied to the canvas, or dripped on it, gave his abstract expressionism a level of distinctiveness in the similar way his personal life was different from other artists.

As the term says for itself, Action Painting is a style used in painting — a style that emphasizes the process of making art, often through a variety of techniques that include dripping, dabbing, smearing, and even flinging paint on to the surface of thePainting is a style used in painting — a style that emphasizes the process of making art, often through a variety of techniques that include dripping, dabbing, smearing, and even flinging paint on to the surface of thepainting — a style that emphasizes the process of making art, often through a variety of techniques that include dripping, dabbing, smearing, and even flinging paint on to the surface of the canvas.

Greenberg, art critic Michael Fried, and others have observed that the overall feeling in Pollock's most famous works — his drip paintings — read as vast fields of built - up linear elements often reading as vast complexes of similar valued paint skeins that read as all over fields of color and drawing, and are related to the mural - sized late Monets that are constructed of many passages of close valued brushed and scumbled marks that also read as close valued fields of color and drawing that Monet used in building his picture surfaces.

In his November 1952 exhibition at the Sidney Janis Gallery in New York City Pollock showed Number 12, 1952, a large, masterful stain painting that resembles a brightly colored stained landscape (with an overlay of broadly dripped dark paint); the painting was acquired from the exhibition by Nelson Rockefeller for his personal collectioIn his November 1952 exhibition at the Sidney Janis Gallery in New York City Pollock showed Number 12, 1952, a large, masterful stain painting that resembles a brightly colored stained landscape (with an overlay of broadly dripped dark paint); the painting was acquired from the exhibition by Nelson Rockefeller for his personal collectioin New York City Pollock showed Number 12, 1952, a large, masterful stain painting that resembles a brightly colored stained landscape (with an overlay of broadly dripped dark paint); the painting was acquired from the exhibition by Nelson Rockefeller for his personal collection.

Unlike the kind of action that is so identifiable in Abstract Expressionist painting, which entails the different layers in the case of Pollock's drip paintings, scraping and repainting in the case of de Kooning, you sort of invented your own kind of action painting, in a way.

Brooks began diluting his oil paint in order to have fluid colors with which to pour and drip and stain into the mostly raw canvas that he used.

In Gorky's most effective and accomplished paintings between the years 1941 and 1948, he consistently used intense stained fields of color, often letting the paint run and drip, under and around his familiar lexicon of organic and biomorphic shapes and delicate lines.

However, the gestural brushstroke, the evidence of fingers being dragged through the paint, or a drip of contrasting color, breaks the viewers interaction and draws them in to examine the intricate evidence of the artist's hand at play.

The strange violence that has been exerted on the canvas, and therefore to the Nurse of Greenmeadow herself, with paint dripping down the surface, recalls the shock and scandal with which de Kooning's celebrated paintings of women were received in the late 1940s and early 1950s, puncturing the myth of the woman in art.

In the late 1940s, Jackson Pollock (1912 — 1956), now recognized as one of the most important Abstract Expressionist artists, began experimenting with a new method of painting that involved dripping, flinging and pouring paint onto a canvas laid flat directly on the floor.

Tucked away in the back galleries are some of the exhibition's greatest showstoppers, including a mesmerizing painting by Ukraine - born Shimon Okshteyn; two red - drip paintings by Israeli - born, East Hampton - based poet, musician and painter Haim Mizrahi; and an abstract painting by another East End musician and artist, David Demers.

Pollock had enjoyed great success with his drip paintings of 1947 - 50, some of which are included in a major show of his late work at Tate Liverpool (Summertime: Number 9A, 1948).

For example, in her «Rubaiyat» series (1995 - 96) the 12th letter of the Arabic alphabet, sin, is distributed across a sheet of paper in such systematic fashion that its effect recalls the poured or dripped paint in a canvas by Jackson Pollock.