Sentences with phrase «paint drips for»

Not exact matches

For one project, a crew member dripped paint all over someone's roof, and some other problems emerged.
Old boxes stuffed into each other, paint cans with drips that have dried to cracking, and an ancient washing machine and dryer, the only practical reason for the whole space to exist.
Make sure your Easter eggs have a large enough hole in the bottom to allow for the paint to drip through.
A slight variation of the splatter is some drip painted Easter Eggs which are perfect for Toddlers from Toddler Approved
For the drip effect, take your paint and literally drip it down the stem, until it overflows on each side.
The hoods rarely fit properly and need a strong wrist to close and open [the Lotus people argued, when I mentioned my MX - 5 hood catches, that they had to develop the whole top for the price of those catches] and the drips fall onto your thigh; the Vauxhall dash warps and fades; the gearchange is a bit awkward and the cables and pivots have to be modified to get it to a decent standard - cheap bits again; the paint fades and there's an awkward rust spot.
The only similar looking thing I saw, that wasn't rust, was tree sap dripping on one car that sat under a tree for years, the stuff was as hard as the clearcoat, took forever to clean it off without damaging the paint, but hard to say just from pics
For example, in the Jackson Pollock show at MoMA you saw him abandon the drip paintings toward the end of his life and almost revert back to what he was searching for as a young paintFor example, in the Jackson Pollock show at MoMA you saw him abandon the drip paintings toward the end of his life and almost revert back to what he was searching for as a young paintfor as a young painter.
Philippe Starck handled the interiors, and Markus Linnenbrink was commissioned for the exterior, emblazoning 40,000 square feet of the concrete facade with his signature drip painting.
Following in the tradition of Jackson Pollock, whose drip paintings finally broke the bond between painter and canvas, and Frank Stella's Black Paintings which discarded the need for spatial illusion, Judd makes the next, unassailable step of taking art into a new dimension — a dimension in which it could finally achieve the full potential of crpaintings finally broke the bond between painter and canvas, and Frank Stella's Black Paintings which discarded the need for spatial illusion, Judd makes the next, unassailable step of taking art into a new dimension — a dimension in which it could finally achieve the full potential of crPaintings which discarded the need for spatial illusion, Judd makes the next, unassailable step of taking art into a new dimension — a dimension in which it could finally achieve the full potential of creativity.
During the early 1950s, the couple was spending thousands on Sèvres and Spode dinner services at a time when a Jackson Pollock drip painting could be bought for $ 800.
Paul Jackson Pollock born 1912 in Cody, Wyoming was an influential American painter and a major figure in the abstract expressionist movement well known for his unique style of drip painting.
When you look at works such as Sobel's untitled 1944 painting shown, the temptation is not to see the vegetation like drip pattern blending with the figure as much as to see the dripped paint obscuring the figure — just as circumstances conspired to obscure the figure of Janet Sobel for more than half a century.
In the 1940s and 1950s the main groups within the Abstract expressionism were the «Gesture Painters» and the «Color - Field Painters», who experimented with new techniques for applying paint: dripping, pouring, throwing, squirting, squeegeeing, and spattering, and with the use of unconventional tools, such as wall paper brushes, sticks, and trowels.
Pollock, who exhibited his drip paintings in 1951, freeing the line from figuration, was for Greenberg the pinnacle of American Modernism, the most important artist since Picasso.
[Many thanks to Gary Snyder Fine Art for providing me with the image above and press materials for Janet Sobel at Gary Snyder Project Space: Drip Paintings and Selected Works on Paper, running now through February 27, 2010.]
While the people have a definite appeal, most gallery - goers come for the drip paintings.
As the term says for itself, Action Painting is a style used in painting — a style that emphasizes the process of making art, often through a variety of techniques that include dripping, dabbing, smearing, and even flinging paint on to the surface of thePainting is a style used in painting — a style that emphasizes the process of making art, often through a variety of techniques that include dripping, dabbing, smearing, and even flinging paint on to the surface of thepainting — a style that emphasizes the process of making art, often through a variety of techniques that include dripping, dabbing, smearing, and even flinging paint on to the surface of the canvas.
Someday, for instance, I'd like to see Janet Sobel's 1944 drip paintings — admired by Pollock and which Greenberg would later cite as the first instance of» all - over» painting — placed within an Abstract Expressionist context.
In his November 1952 exhibition at the Sidney Janis Gallery in New York City Pollock showed Number 12, 1952, a large, masterful stain painting that resembles a brightly colored stained landscape (with an overlay of broadly dripped dark paint); the painting was acquired from the exhibition by Nelson Rockefeller for his personal collection.
For example, in her «Rubaiyat» series (1995 - 96) the 12th letter of the Arabic alphabet, sin, is distributed across a sheet of paper in such systematic fashion that its effect recalls the poured or dripped paint in a canvas by Jackson Pollock.
It also fills a real need at the Met (despite, just for starters, one of the best drip paintings by Jackson Pollock).
Rodney Graham» show at 303 Gallery (loathed by bloggers for their «no photography allowed» policy) consists of drip paintings styled in the manner of Morris Louis, and a huge studio photograph in which Graham recreates the fictional livingroom where the paintings were created.
Jackson Pollock had the benefit of Cubism's fragments of perception, Dada's trust in chance, Surrealism's in dreams, a fashion for Jung, the passage from American folk art to drip painting in work by Janet Sobel, and Lee Krasner to keep him sober.
Her working environment, documented for the first time in a number of new photographs by the artist, will be recreated as installations in the gallery, down to the paint pots, brushes, books and discarded scraps of newspaper that are similarly covered in the spatters, splashes and drips that result from her obsessive painterly method.
The series of four studies reveals the process for Tompkins» paintings, while the additional drawing, Double Drip Mouth, 1971, relates to the pop art movement of which influenced the artist while she was an art student.
Pollock is usually remembered for his «all over» drip paintings from the late 1940s, which helped define the radical break from what was then considered advanced painting.
Historians have argued that the work stands as a precedent both for the artist's own performances in the 1960s and for the explosion of performative work in that decade.20 Paul Schimmel astutely places Automobile Tire Print on a trajectory of performative works based on the notion of capturing an indexical trace, reaching back to Pollock's drip paintings, moving up through Rauschenberg's blueprints, and on to Piero Manzoni's Lineas (1959 — 61), Paul McCarthy's video Face Painting — Floor, White Line (1972, fig. 5), and Ulay and Marina Abramovic's 1977 performance Relation in Movement, in which they drove a van in a circle for sixteen hours, leaving a circle of oil drips and tire marks on a public plaza in Paris.21
Elegant creatures can - can past bodies painted black and left for dead, while the artist herself drips over the corpses in a gesture between blood letting and Abstract Expressionism.
Originally partly inspired by Jackson Pollock's drips, this method became a sort of addiction for de Saint Phalle; for her, aiming a gun at a painting became an instantaneous release of her inner violence and anger — at her father, her conservative family values, and male - dominated society — and she was consumed by the process.
The complementary orange - blue pairing, where Rothko drips paint and soaks into the canvas, displays Rothko's penchant for experimentation.
Rauschenberg's «Bed,» for instance, is a landmark painting from 1955 that stands about six feet tall, with a stapled - on pillow, a cotton sheet splotched with red and yellow, and rivulets of white pigment dripping onto a patchwork quilt.
The changes did not stop either as drip painting became a basis for formalism.
Compare, for example, the horizontal, dripping stroke of brown paint overlapping the bottom edge of blank cloth at the top of the first panel and its reiteration in white at an analogous spot in panel two.
Centering on 1934 - 1954, Pollock's work moved from mythical, primal figures and scenes, to imagery that combines elements of representation and abstraction, to the «drip» paintings that Pollock is now known for.
He purchased an abstract painting for MoMA, a drip painting — and another for himself.
Aptly titled, Robert Rauschenberg's Collection (1954) presents an array of photographs, fabric scraps, newspapers clippings, wood blocks, paint drips, shapes, colors, and textures jostling with one another and jockeying for position on one vibrant canvas.
I think they share a lot of qualities with Jackson Pollock's drip paintings, so I'm including these for comparison.
The abstract expressionist is known for dripping and pouring paint across large canvases.
For four years, Pollock had electrified the art world with his now - famous drip paintings, paintings that fascinate or confuse people with their multi-colored webs of lines and splashes.
As Pollock developed from his early abstractions to the «drip» paintings for which he is known, his work fell more into Greenberg's ideal — painting about space and color and, above all, about painting itself.
And for not being inventive enough, though Janet Sobel was arguably the first to drip paint.
For those interested in discovering the home of artists Jackson Pollock and Lee Krasner and seeing Pollock's art studio and famous paint drips, The Pollock - Krasner House offers one - hour guided tours by appointment only on Thursdays, Fridays and Saturdays between 11 am.
As for the stuff that gets on your hands, try another token of Abstract Expressionism, the drip painting.
One enters for oneself the space between Pollock's drips, Arshile Gorky and his Surrealist nightmares in painting and drawing, and de Kooning's rapid witticisms.
Now one must settle for a single odd drip painting from Jackson Pollock and a small black painting from Willem de Kooning.
For all the surprise it caused over the Atlantic, abstract expressionism was not the start of something, but rather a beautiful ending, the epic finale of a long tradition of Romantic nature painting, gone up in the fireworks of Newman's zips, Pollock's drips and the smoky miasma of Rothko's colour fields.
In 1944 — the year Clyfford Still completed 1944 - N No. 2, Jackson Pollock — probably the best - known American Abstract Expressionist painter of the 20th century, was still searching for his signature style and was a year or so away from creating his first drip painting.
Since we don't have a Pollock drip painting in our permanent collection this will be a great opportunity for our guests to experience Pollock's energetic application of paint.
Ultimately, he became internationally famous for his experimental dripped and poured paintings.
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