Sentences with phrase «paint effect into»
Embrace this season's ombre micro trend and incorporate the graduated paint effect into your bathroom.
http://www.idealhome.co.uk/ Not exact matches
Very little research has been carried out into the effects of paint fumes on unborn babies.
Oneida County's housing stock is among the oldest in New York State, and while sturdy and architecturally aesthetic, is covered with lead - based paints requiring specialized knowledge of lead - safe work practices compliant with the Environmental Protection Agency (EPA) regulations that went into effect in 2010.
If scientists can get a good handle on exactly how the thermal effects play out, they could steer a threatening asteroid into a safe orbit just by painting parts of its surface black (to absorb heat) or white (to reflect).
The film is handsomely mounted and Lewin uses an interesting cinematic device to great effect: he cuts to full color when the new portrait is first unveiled and when the aged, diseased image of Dorian is revealed after his descent into depravity, which provides a visual shock to the black and white drama and enhances to horror of the grotesque mutation of the painting.
In Child of Light, the effect is that playing becomes akin to stepping into an interactive painting.
Daniel Barnz seeps into and out of the story like a fly on the wall, allowing us to take in his subject with all her scuzziness intact, not trying to paint a pretty picture so much as replicate the after effects of a fatal accident.
The final effect is an interaction of the performance of the actors playing Vincent's famous portraits, and the performance of the painting animators, bringing these characters into the medium of paint.
As its name suggests, there are microscopic gold - tinted glass flakes infused into the red paint, creating a spectacular effect in the deep, lustrous paint as the light catches the finish.
The Tahoe Limited had a distinctive exterior appearance that included a factory equipped ground effects, a monochromatic theme with bumpers and grille painted in the same high gloss black as the body, removal of the roof rack, and fog lamps integrated into the front bumper.
The Corvette Yellow paint was complemented by maroon stripes on the lower body panels that faded into black, all giving the visual effect of lowering the vehicle.
«I used to make murals throughout the nineties and early 2000s but hadn't done one in 10 years,» Labourdette tells Shelter Me — but the prospect «of BSL coming into effect in my town got me to pick up spray paint again.»
In Child of Light, the effect is that playing becomes akin to stepping into an interactive painting.
Featuring 60 paintings and collages made between 1954 and 2013, the exhibition was monumental in both scope and effect: by showing a less frequently seen side of Katz's work, it prompted the viewer to reconsider the artist's overall project, now well into its sixth decade.
Once the reflections have been applied, tapping the chisel edge of the brush horizontally into the wet paint «lifts it off and creates a nice subtle effect of ripples:
Walking down the slot canyon of Vandam Street and into the mini-cavern of the Kate Werble Gallery and Michael Berryhill's show of recent paintings can have the effect of discovering a fecund microclimate of crystalline flora and fauna nestled among the bleached, late summer - bones of lower Manhattan.
The effect is a stunning first notice, a rhythmic horizontal read and then a deep plunge into the painting's inner structure.
Although predominately a painter, I have recently expanded my art into video and animation, «In effect I have always thought of my work cinematically, I set the stage and then fill it with props and actors so with video it feels like I'm still painting, just in time and space.»
And it creates a spatial effect where the white, even though it's not receding endlessly into space, it's nonetheless quite literally just behind the painted passages.
This single, all - white cast of a Halloween mask is inset into the wall but is painted so that it alternates between looking like a cavity and a protrusion — a magical effect to say the least.
His obsessive investigations into the effects (visual and psychological) of colour and line echo Riley's own, and both of them knew instinctively that meticulous composition could be just as expressive as a more virtuoso handling of paint.
Set into a painted film of white gloss, opalescent hues of the butterflies» gossamer wings produce the effect of a Gothic stained - glass rose window.
Triple Action / Tear Production / Hydrophobic Effect (2017) by Ala Dehghan is an extraordinarily poignant piece — its eyes literal slits torn out of the black mesh fabric, its spray painted pupils dripping and gazing unblinking into eternity, and the strips of mylar running down like crocodile tears reflect the onlooker, distorted and mutated.
In effect, Liu turns old photographs into new paintings.
Three major paintings in which Schapiro took her first steps towards putting into effect what she had been teaching and lecturing about that first year at CalArts — «Eurydice,» «Flying Carpet» (both 1972), and «Voyage» (1973)-- are the highlight of the exhibition at Firestone, and important new exemplars of her work.
His work draws on a history of abstraction, often incorporating complex optical effects into detailed drawings and paintings.
In addition this room also houses Jones's experimental works merging painting and sculpture to great effect in Stand In (1991/2) and Barely There (1967) in which tiled steps lead up and into the canvas.
He achieved this effect by hammering scores of carefully placed nails into elaborate wood supports, stretching the canvas over their protruding heads and then painting it, usually white but also silver, red or black.
The catalogue chronicles Grotjahn's series of Butterfly paintings and drawings, in which he combines varying schemes of one - point perspective and a systematic investigation of color to mesmerizing effect; his penetrating flower and face paintings; and a recent series of «mask» sculptures that extend Grotjahn's idiosyncratic investment in process and ritual in painting into three dimensions.
This has a crucial effect on the overall pictorial appearance, in that it immediately transforms the planimetric structure of the painted motif into an illusory perception of three - dimensionality within the image.
A rising star represented by the talent - spotting dealers David Kordansky (in Los Angeles) and Anton Kern (in New York), Jonas Wood creates his visually punchy portraits and still lifes by taking copious photographs of the scene he wants to depict and then cuts and pasts the results together for a Cubistic collage effect — and then he painstakingly transfers these compositions into paintings, drawings, or prints.
Lavier personalizes and softens these industrial objects by painting them (Claes Oldenberg's cloth toilets and telephones have a similar although more comic effect), and thus also calls into question the accepted distinction between sculpture and painting.
Tools are invented in order to achieve intended effects, such as daubers made of balled up knit fabric (which delivers flower - like forms which he then rocks into a bed of paint) or origami - like pincers that he uses to pull the spines off the monads.
Group Island Press: Recent Prints, Mildred Lane Kemper Art Museum, St. Louis, MO, 2018 Thinking Through Art, Middlebury College Museum of Art, Middlebury, VT, 2018 Sunrise, Sunset, Emerson Dorsch Gallery, Miami, FL, 2017 The Unhomely, Denny Gallery, New York, NY, 2017 Women Painting, Miami Dade College, Kendall Gallery, Miami, FL, 2017 New Faces, Different Places, Central Features Contemporary Art, Albuquerque, NM 2017 The Home Show, form & concept, Santa Fe, NM, 2016 Girls Who Dance in Dissonance, Wayside, Los Angeles, CA, 2016 Surface Area: Selections from the Permanent Collection, Studio Museum in Harlem, New York, NY, 2016 Self - Proliferation, Girls» Club, curated by Micaela Giovannotti, Fort Lauderdale, FL, 2016 Faces and Vases, Royal NoneSuch Gallery, Oakland, CA, 2016 Visions Into Infinite Archives, SOMArts Cultural Center, curated by Black Salt Collective, San Francisco, CA, 2016 Summer Art Faculty Exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY, 2015 Paula Wilson & Jovencio de la Paz, Saugatuck Center for the Arts, Saugatuck, MI, 2015 Perception Isn't Always Reality, Kranzberg Arts Center, St. Louis, MO, 2015 DRAW: Mapping Madness, Inside — Out Art Museum, curated by Tomas Vu, Beijing, China, 2014 - 2015 Lake Effect, Saugatuck Center for the Arts, curated by Mike Andrews, Saugatuck, MI, 2014 I Am The Magic Hand, Sikkema Jenkins & Co, Organized by Josephine Halvorson, New York, NY, 2013 Sanctify, Vincent Price Museum, Los Angeles, CA, 2013 The Bearden Project, Studio Museum in Harlem, New York, NY, 2012 Configured, Benrimon Contemporary, Curated By Teka Selman, New York, NY 2012 Art by Choice, Mississippi Museum of Fine Art, Jackson, MS, 2011 The February Show, Ogilvy & Mather, New York, NY, 2011 Art on Paper: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC, 2010 Defrosted: A Life of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors Show, Arkansas Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 Collected.
This application gave something of the effect of acrylic paint stained into raw canvas, a method of application that was common at the time.
New York - based artist Keltie Ferris covers her mostly large - scale canvases with layers of spray paint and hand - painted geometric fields, creating the effect of brightly colored digital screens dissolving into pixels.
Each painting has the effect of peering into many windows and the grid work he uses makes the viewer feel welcomed to not just peek in and observe, but step in and participate in the stories being told.
These farmhouses have a similar effect on Green's characters: their central position in each painting seems to force the characters into compliant circles, giving the effect that the farm exerts a subliminal directorial role.
As de Kooning had mixed his oil paints into a thick, viscous yet airy consistency and applied them in heavy impasto - laden strokes, Wool veers toward the opposite end of the spectrum, creating a barely - there scrim of a surface that's been leached of all color, save for the effects of black and white.
More strongly related to the effects of photography than En Plein Air painting, and has a mismatched title that references Courbet's modern art icon and alludes to Magritte's inquiry into linguistic signs.
The achieved effect can be compared with the physical entering into an abstract painting.
Harnischfeger's wall - mounted works, in which she paints, builds up and carves out layers of paper and plaster to a deliberate but rough - hewn effect, or shapes hunks of clay and plaster into freeform objects, resemble fantastical topographical maps, odd geological formations, or fragmented, expressive portraits.
This has the effect of tipping them into the place I'm painting.
Sunshine twists and curves branches into eccentric shapes, attaching colored plastic and string and then paints stripes or layered colors or dips parts of them into colorful wax all to whimsical effect.
His process involves pouring acrylic painting into ice trays and swirling it, creating a marbleized effect.
Hints of blue are blended into the surface while paint is built up in rectangular shapes for an interesting impasto effect.
The effect is that of walking into a room mirroring the one depicted in Morse's painting.
While it is always possible to read Wood's paintings as being of something, his process produces imagery that veers toward abstraction by alternately or simultaneously flattening, elongating, or fragmenting spaces and forms, effects that he seamlessly translates into the paintings.
In addition to canvas collages, Loving also began piecing together torn strips of paper and cardboard into massive compositions that he would paint in a variety of colors and mount to metal supports so that they jut out from the wall, causing shadows that in effect became part of the overall composition.
In the web introduction for the show Rabinow writes that Matisse «used his completed canvases as tools, repeating compositions in order to compare effects, gauge his progress, and, as he put it, «push further and deeper into true painting.»