Sentences with phrase «paint effects like»

17 Contemporary paint effects like stencils and colour washes create interest and surprise.

Not exact matches

It'll let you apply fun effects like Cartoonize, or to edit photos look like an oil painting or pop art.

Like the phrase «mad as a hatter,» which was caused by mercury toxicity, another, «crazy as a painter,» referred to the toxic effects of lead in paint.

I've personally always noticed the same effects from other types of creative activities like painting, drawing, and DIY projects but can see how coloring can be even more relaxing as there is no need to create anything from scratch and the ability to follow a pattern and template removes some of the need for active thought.

I love making black and white a little more fun and interesting with fun patterns — like with this cool painted effect!

Like a watercolor painting, our bedding showcases strokes of cool hues and a dappled effect in soothing tones.

Just like dark cars show more dirt, dings and scratches - this halo effect seems more evident on darker colored painted pieces.

Taking a rather punk attitude toward their musical flavoring, they've painted a portrait of «70s groove landscapes with psychedelic effects dripping off the strings with vocals that sound both dream - like and otherworldly.

That's why we revised its iconic outline to reflect the truth about a In some cases the same effect can happen with a photographic or even painted mural, whether or not it looks like an actual view of the outdoors.

Some of this humour even comes unintentionally, due to it's cheap budget and sub-par special effects — the blood used looks like vibrant, red, children's poster paint.

Daniel Barnz seeps into and out of the story like a fly on the wall, allowing us to take in his subject with all her scuzziness intact, not trying to paint a pretty picture so much as replicate the after effects of a fatal accident.

The effect is a little like a Roger Brown painting, and it works: This looks like it's going to be a new approach to the basic street and rock images.

There are many subtle details in the art design; things like cultural influence in character models and background environments, beautiful hand - painted textures, vivid effects, smooth animations, and, of course, incredible transitional areas where lighting, shadows, and color blend so well, it could make a grown, bearded man cry.

There's still plenty to like aside from Big Red, though: Del Toro builds in much of the comic's backstory, while the HP Lovecraftian creatures combine puppetry and pixels to spectacular effect, channelling Mignola's art to paint each frame with a singular style.

Special effects are asked to behave like character, motivation, and narrative while the actors paid exorbitant amounts to caper by themselves before a blue screen do their best not to cackle like Snidely Whiplash making off with burlap bags that have dollar signs painted on them.

(1990) where a similar kind of desaturation creates what almost feels like a watercolor painting effect.

Cars hold up to all but the closest scrutiny, with reflections, vibrant paint shades and environmental effects like rain and dust modelled with incredible detail.

Tick just a few more options — like red brake callipers ($ 980), privacy glass ($ 1200), crystal - effect paint ($ 1490), powered door closure ($ 1400), night vision ($ 4890) and a 1200 - Watt, 15 - speaker Bang & Olufsen sound ($ 12,000)-- and you can easily spend over $ 300,000 on either RS model.

Some grouses are there like some panel gaps and the paint quality, which though is really good with respect to Maruti standards, but still some faint amount of orange - peel effect can be seen if observed closely.

Thing is, it's pretty obvious the changes were performed with minimal effort, maximum effect in mind, sort of like «modifying» your daily driver with a rattle can paint job because you can't afford a real body kit.

-- Old placeholder paint effects replaced with new placeholder paint effects that are more paint - like.

It's this fusion of a retro - inspired aesthetic following suit with its inspiration, and the possibilities present with improved technology like painted backgrounds and detailed particle effects, all accompanied by a gentle and melodic soundtrack, that creates a captivating aesthetic suited to the narrative.

The backdrops are painted - like with weather - effects, making the updated user interface a huge plus.

Like so many other unusable doors in video games, it's merely painted on the wall with no real effect on the game itself.

Just like Portal 2, each paint colour has a different effect on the environment.

Its more than just a new layer of paint and some bloom effects; everything looks like its been completely redone.

The environments have more of the paint look and I especially like the effect that happens when a Ravenii destroys some buildings.

Reynolds also pays homage to Andy Warhol's Do It Yourself, paint by numbers series from the 1960s — leaving areas for the viewer to visually fill in the blanks, while also creating a metaphoric ghost - like effect within the snowy mountains.

This has encouraged his use of devices like the Bezold effect to divide the virtual plane of a painting.

Although predominately a painter, I have recently expanded my art into video and animation, «In effect I have always thought of my work cinematically, I set the stage and then fill it with props and actors so with video it feels like I'm still painting, just in time and space.»

Some people call this «color harmony»; but I think the effect is not preset like the rules of harmony in music, but rather is discovered anew in each painting.

This single, all - white cast of a Halloween mask is inset into the wall but is painted so that it alternates between looking like a cavity and a protrusion — a magical effect to say the least.

Registering the effect of sunlight hitting the blossoms, the paintings are a sort of tachistic patchwork of quietly lyrical, atmospheric hues, sometimes amorphously spreading, sometimes striking and concentrated, like the red patches that suddenly appear as spontaneous accents in «Untitled,» 1999.

It should be noted that while the overall effect of Murray's work is one of abstraction, and the artist described herself as an abstract painter in an interview included in the 1987 catalogue, there are many representational elements and references in her paintings, in a stylized style emerging from cartoons, comics, and graffiti as well as from pop artists like Claes Oldenburg: works are shaped like shoes or cups and contains stylized abstracted but identifiable figuration and still - life imagery.

A painting like «Elysium» (1973/2002) illustrates the effects Riley achieves just combining colors organized in stripes.

In effect, the painting, like its namesake, questions the notion that visual perception is absolute and consistent from person to person.

Highlighting the spatial depth, Fish often changes the importance of the foreground and background which results with unexpected spatial effects like in the painting Dog Days (1993) where the figure of the dog seems smaller than the watermelon pieces on the table in the foreground.

The surface of the paintings appears wax - like, an appropriate effect in relation to the molten pools of color which spread and -LSB-...]

Triple Action / Tear Production / Hydrophobic Effect (2017) by Ala Dehghan is an extraordinarily poignant piece — its eyes literal slits torn out of the black mesh fabric, its spray painted pupils dripping and gazing unblinking into eternity, and the strips of mylar running down like crocodile tears reflect the onlooker, distorted and mutated.

The surreal, dream - like «cave» paintings, such as beyond all walking, imaginary cave, and pool of light luxuriate in rich palette and uncanny light effects.

The painting's icy blues, shifting like lace curtains across the light bulb and soda bottle pictures hovering beneath its limpid surface, are reminders of the artist's «hoarfrost» (his term) effect in the Dante drawings.

Chung's use of the collage medium is not obvious — the dried acrylic paint and the paper are hard to separate — and the grid - like effect is created by ripping portions of paint off the canvas, then refilling the gaps.

He liked the effect, and made it his own, combining the wiped marks with sprayed loops to create complex abstract fields that began to look, squinted at from a distance, like black and white reproductions of paintings by Franz Kline or de Kooning.

By spraying paint, rather then by brushing, the effects are like a photographer's use of depth of field.

Dana Miller, the show's curator, describes the effect as being less like paint on canvas than «like cuts in space,» an innovation Ms. Herrera shares with painters like Frank Stella and Ellsworth Kelly (though they became famous for their versions 40 years before hers began to enter important public collections).

The concept may be slender, but the effect is sensational; the result is a tribute to Modern pioneers like Agnes Martin, one that also recalls the knitted paintings of Rosemarie Trockel.

However, whereas Monet's paintings were more concerned with the effects of light and the deconstruction of the physical landscape, it has been argued that Mitchell's work is more like that of van Gogh and Cézanne in its adherence to the structural grid of the canvas.

Seen individually, the whispers might seem like a gimmicky move, but together they have the effect of further uniting an already cohesive installation, particularly in the back gallery, where Rolph's paintings have just the right amount of breathing room.

Conservators, working on some of his first experiments in painting like this, have found he very consciously used grids and other aids to help him achieve that «all - over,» weightless effect.

Braque also calls attention to the canvas by adding sand to the ground layers to form a stucco - like surface and combing through wet paint in areas of the table to replicate a wood grain effect.