Sentences with phrase «paint effects over»

Not exact matches

THE WATERCOLOR EFFECT In this illusion by Italian vision scientist Baingio Pinna, a thin, orange contour adjacent to a darker purple contour casts an orange tint over long distances — as though a watery paint was filling in the gaps between the orange lines [see «Illusory Color and the Brain,» by John S. Werner, Baingio Pinna and Lothar Spillmann; SCIENTIFIC AMERICAN, March 2007].

Once the paint has dried, apply glue dots in a random pattern then sprinkle glitter over the eggs for a sparkling polka dot effect.

To create an ombre effect, use another paintbrush for darker colors and slowly paint over one another.

Buy some cool patches and sew them on at odd angles, or get some metallic spray paint and create an ombre effect over the damaged area.

She spent well over an hour with me showing me all the great effects you can get with the chalk paint.

DIOR HOMME skinny jeans by Hedi Slimane come in a light weight gray stretch cotton canvas with all over marbled distressed paint effect.

The wax coat will eventually dissipate over time with use, but because the poly is under it, the wear won't effect the paint.

The whole film is wobbly enough that many of scenes could be moved or cut altogether with no effect, with one obvious example being a stop - over in a village, where Snatched makes some half - assed attempts to paint Emily's largely unsympathetic character in a better light and tries (and fails) to mount a gross - out slapstick bit with a cheap - looking CGI tapeworm.

With the new silver paint on the BMW's wheels and the infrared heaters switched over from the Clio, Terry added the final «liquid» effect coat to the V6.

Paint is very presentable but not perfect - as mentioned some is original and some panels have been painted over the years, the overall effect is pleasing but not quite up to the quality of its body, mechanicals and interior.

Tick just a few more options — like red brake callipers ($ 980), privacy glass ($ 1200), crystal - effect paint ($ 1490), powered door closure ($ 1400), night vision ($ 4890) and a 1200 - Watt, 15 - speaker Bang & Olufsen sound ($ 12,000)-- and you can easily spend over $ 300,000 on either RS model.

We advise you choose any of the following five colours over the Viper Green metallic paint you see here: Candy White, Rising Blue metallic (our choice), Reflex Silver metallic, Deep Black Pearl Effect or Iridium Grey metallic.

Scumbling is the technique of dragging (usually) lighter paint over a darker coat in a semi dry - brushed effect.

As I dug deeper I was struck by the sense of outrage and loss this painting aroused in so many people: The family of Lea Bondi, determined to reclaim the stolen portrait she had failed to recover in her lifetime; the Manhattan District Attorney who sent shock waves through the international art world and enraged many of New York's most prominent cultural organizations when he issued a subpoena and launched a criminal investigation following the surprise resurfacing of Portrait of Wally; the New York art dealer who tipped off a reporter about the painting during the opening of the Schiele exhibition at MoMA; the Senior Special Agent at the Department of Homeland Security who vowed not to retire until the fight was over; the art theft investigator who unearthed the post-war subterfuge and confusion that ultimately landed the painting in the hands of a young, obsessed Schiele collector; the museum official who testified before Congress that the seizure of Portrait of Wally could have a crippling effect on the ability of American museums to borrow works of art; the Assistant United States Attorney who took the case to the eve of trial; and the legendary Schiele collector who bartered for Portrait of Wally in the early 1950s and fought to the end of his life to bring it home to Vienna.

Ranging from complex visionary compositions to disquieting corporeal abstractions, his paintings are, firstly, exquisite objects, many taking form over years through inexorable experimentation with medium, technique and effect.

He achieved this effect by hammering scores of carefully placed nails into elaborate wood supports, stretching the canvas over their protruding heads and then painting it, usually white but also silver, red or black.

Technology plays a major role in her art, however it never takes precedence over the desired aesthetic effect — her computer is the equivalent of oil paint, palette, and brushes.

There followed a number of dark paintings with irregular or mottled surfaces, often with relief effects produced by placing pieces of fabric or newspaper on the canvas and then painting over them.

Conservators, working on some of his first experiments in painting like this, have found he very consciously used grids and other aids to help him achieve that «all - over,» weightless effect.

The collection continues to grow, and, together with select additions, now holds over 100 Hartley drawings, two small early paintings, memorabilia such as souvenirs from his travels, ephemera including letters and exhibition programs, personal effects, and many photographs.

Goldstein's oeuvre developed over the years in an unusual breadth of media, from sculpture, performance, and film, to photography, records of sound effects, paintings, and aphorisms.

From an art historical perspective Grigonis's anxious constructions are in ironical fact deconstructions of Abstract Expressionism: she in effect shreds «heroically» all - over painting, undermining its masculinist pretensions, not to say delusion of grandeur.

Like Abt herself, the paintings don't indulge in unnecessary showmanship — each is completed on a modest 15 by 19 inch panel — but they are meticulously laboured over, painted and repainted by Abt until she achieves her desired effect.

With the nine oil paintings and three works on paper that comprise the exhibition, Miller continues to explore the narrative potential of the animal world by revisiting many of the themes that she has surveyed in her work for the past thirty years, including the relationship between predator and prey, the effect of changing habitats upon both flora and fauna, the folly of our human sense of control over nature, and the passage of time.

At times the camera is still; at others, it pans quickly over the landscape, creating the effect of Impressionist paint strokes.

She achieves much the same effects in watercolor, on sheets up to a meter in height, while her paintings over the years have approached calligraphy.

It's interesting that someone involved just in the process of putting paint on a canvas would have this resounding ripple effect over the years.»

Foregrounding structural investigation over optical effects, he states, «As far as my work is concerned, I prefer the term systematic painting.

Subsequent layers of paint — added over periods of several weeks — decrease in size, leading to the striped effect that characterizes the works as well as thick agglomerations of paint that evoke the material's physicality.

Hoppin writes that the «unconventional works emphasize expressive form and brushwork over changes in light effects, weather, and time of day, the more traditional concerns of plein air painting.

Over time, his innovative sharp - focus effects helped him to paint detailed and smooth - surfaced compositions that best suited his self - proclaimed style of Precisionism - a style of realism that focused on linear precision so as to capture the exact geometric shapes of skyscrapers and other similar structures, like industrial factories, machinery and associated plant.

Gronquist's paintings, for example, are created using sanded plexiglass over hand - painted drop boxes, creating a foggy, luminous effect.

Barnett Newman, the minimalist before his time, whose paintings strike you with their spectacular simplicity, is presented here as a seeker after sublime religious effects whose art looms over you like a clerestory window and bathes you in thin zips of celestial light.

In a reaction to the all - over, process oriented abstraction of the midcentury, Landfield painted his abstractions from nature, incorporating an horizon as he used random effects of pouring and staining.

Or they make paintings that look like edgy hard - core abstraction, deploying fields of black or monochrome paint; Polke, Richter, or Oehlen — like effects; splashes; all - over composition; switching styles willy - nilly within works.

Features that once drew their meaning by seemingly not being his, now seem to be almost compulsive traits: we imagine Polke still obsessing over minute printing errors, over the aleatory stretched effects made by moving an image while it is being photocopied, over the bacterial and toxic - looking residues brought about by mixing resins and paints with foreign substances.

Over the next decade Longo became known as a leading protagonist of the «Pictures Generation,» working across drawing, photography, painting, sculpture, performance, and film to make provocative critiques of the anaesthetizing and seductive effects of capitalism, mediatized wars, and the cult of history in the US.

By partially painting it over, Richter undoes this depictive aspect — an effect similar to the painterly blurring in his later works.

She continued to employ her stain effect, but acrylic provided her with greater control over her effects as it was quicker to dry than oil paint.

It takes guts to shed your clothes in public, but this, in effect, is what Chris Ofili has done in his paintings over the past five years.

«Although de Kooning and Pollock made use of chance effects,» notes Calvin Tomkins in his book Off the Wall, «letting the paint run and drip in their spontaneous encounters with the canvas, they were not about to hand over the whole process to accident.»

Through employing painterly genre in a thematic way the work chooses juicy effects and bruised saturation over craft — absolutely embracing paintings» fear of becoming décor.

However, Quinn's real contribution to Irish art over the past 12 years has been his mixed - media «technology» painting, in which he incorporates Printed Circuit Boards or PCBs (the ultimate hi - tech icons) into his compositions, in order to reference the revolutionary effect of computers on our daily lives.

His art developed in close contact with Pissarro and the Impressionists and he took over many of their techniques, painting out of doors and using brighter colours and broken brushwork to convey effects of light and atmosphere.

Over the years, several exhibitions (most memorably at the Chinati Foundation in Marfa, Tex., and at New York's Cheim & Read gallery) have juxtaposed Chamberlain's painted - metal sculptures with canvases by Joan Mitchell to amazing effect.

All created with Sperling's original technique of stretching painted canvas over stacked wooden shapes, Sperling's newest sculptural paintings now playing with texture, transparency and more complex shapes, while keeping the striking effect of clean lines and vibrant colors.

These two shadows [sic] like eclipsing objects, since light spills over their edges; the effect is the obverse of Robert Irwin's paintings.

«The first works we see are rather beautiful, surreal watercolours from the 1950s, which occasionally echo Klee and Miró,» wrote Mark Hudson in a review of the exhibition at Tate Modern for The Telegraph; in the Infinity Net paintings, Hudson continues, «endlessly repeated semicircular brushstrokes are covered in veils of thinner paint, creating a weblike effect which extends Pollock's idea of the «all over» composition, with the sense that we are seeing just a fragment of a potentially endless work.»

By pouring acrylic paints onto a length of canvas and then folding it over on itself while still wet, or vice versa, he created prismatic spatial effects and unexpected color combinations, pushing the brushless staining and soaking techniques also employed by artists like Thomas Downing, Morris Louis, and Kenneth Noland to a newly lyrical extreme.

Over the last 45 - years, his investigation into the effects and sensations of color in abstract painting has considerably impacted students, artists and color theorists alike.