Sentences with phrase «paint exposure in»

Not exact matches

Use low or no - VOC paint and finishes in your home, especially in your baby's nursery to decrease exposure to environmental chemicals.

Years of exposure to environmental toxins such as pesticides, paint strippers and other chemicals could be having more subtle effects on the way in which genes within the sperm are tagged and used later on.

Lead based paint and lead in household dust remain a more significant exposure for children, but you still might want to check out your diaper bag.

Two of the most common sources of lead exposure in children include (1) paint dust from chipped or peeling lead paint and / or home renovation (may be present in any home built prior to 1978) and (2) lead contaminated drinking water from lead water pipes or lead solder.

Since lead is no longer allowed in paint and is usually found only in older buildings, exposure to toxic levels is not as prevalent as it once was.

Burstein also reiterated her belief that the chief cause of lead exposure to children is lead paint in homes built before 1978 and not the drinking water supply.

Old paint and dust from lead paint are considered to be the leading pathways for exposure in children.

Most exposure comes from old, deteriorating lead - based paint, which was banned in 1978.

Professor Nicola Cherry, originally from the University of Manchester but now at the University of Alberta, commented on a recent companion paper published by the group in the Journal of Occupational and Environmental Medicine: «In addition to cannabis exposure shown in this paper, we also know that men exposed to paint strippers and lead are also at risk of having sperm with poor morphology.&raquin the Journal of Occupational and Environmental Medicine: «In addition to cannabis exposure shown in this paper, we also know that men exposed to paint strippers and lead are also at risk of having sperm with poor morphology.&raquIn addition to cannabis exposure shown in this paper, we also know that men exposed to paint strippers and lead are also at risk of having sperm with poor morphology.&raquin this paper, we also know that men exposed to paint strippers and lead are also at risk of having sperm with poor morphology.»

Prenatal exposure to mercury and other pollutants can lead to lower iq in children — even at today's lower levels, achieved in the United States after lead paint and leaded gasoline were banned.

«But these single factors don't paint a comprehensive picture of what a person is exposed to in their environment — and may not be as helpful in predicting cancer risk, which is impacted by multiple factors including the air you breathe, the water you drink, the neighborhood you live in, and your exposure to myriad toxins, chemicals and pollutants.»

According to the Centers for Disease Control and Prevention, the best ways to lower lead levels in the body are to eliminate sources of exposure (like old paint in homes built before 1978), and to eat healthy foods with calcium, iron, and Vitamin C — nutrients that «may help keep lead out of the body.»

High - level exposure to paints, inks and chemicals can result in a decrease * in the brain function level and could contribute to causes of brain fog.

External toxins include substances such as pesticides in food, chemicals in personal care products and cleaners, heavy metals, mold exposure, prescription drugs, and outgassing from new furniture, carpet, paint and cars.

The more common kinds of exposure are from dust in houses with lead paint, from water contaminated with lead (by passing through old pipes, which is what happened in Flint), or from toys, jewelry, tableware, or home remedies that may be contaminated with lead.

Also a high exposure to the solvents Toluene and Xylene in paint and thinners and even some carbonated beverages, allow the flukes to multiply in the brain.

Lead from old pipes, paint, or even leaded gasoline still in topsoil (with children particularly at risk because even brief exposure can affect brain development)

There's a twist in the story whereby one of the characters is having a reaction to his exposure to the alien that gives him some superhuman side effects but this side angle feels undeveloped, seemingly more an excuse to showcase the inky - veined special effect shots that have our protagonist give an eerie, glowy - eyed and painted - face look.

Just remember that cage paint is rarely a source of heavy metal exposure in a recently manufactured North American cage.

Her primary focus has been to raise awareness of Multiple Chemical Sensitivities (MCS)-- a chronic medical condition resulting from exposure to toxic chemicals — which is found in paints, adhesives, construction materials, and even common household cleaning and personal care products.

You can take double - exposures, create light paintings, take photos at the clap of your hands using sound triggers, and control every tiny detail in manual mode.

Working in painting and drawing, photography, sculpture, video, body painting and other media, this interdisciplinary group show presents the work of the accomplished artists from Southern Exposure's year - long program.

The six paintings featured in this exhibition not only received extensive exposure in their time, but they also serve as incontestable examples of the most important phases of Denny's career in their most accomplished resolution, allowing us to experience and review the full scope of his impressive legacy.

Presenting work in a range of mediums, from painting to sculpture, performance, photography, and video, these 9 artists / estates to watch are positioned to up their exposure and take their practices to the next level.

Ikeda had no exposure to the world of fine arts but was interested nonetheless, teaching himself Oriental brush painting by copying pictures out of books and later becoming interested in Contemporary Art.

Although Francis Picabia's paintings of anthropomorphic, often sexualized, mechanical forms from before and just after World War I are routinely exhinited alongside the art of his contemporaries, his subsequent work from the 1920s until his death in 1953 has received only infrequent public exposure, and rarely comprehensive at that.

Dominique Levy's much admired show of Gerhard Richter's Color Chart paintings gets prominent exposure in the New York Times:

MW Capacity is known among painters and art enthusiasts as an online hub for exposure to and discussion about painting, particularly painting in the Midwest, although the artists selected for this exhibition reside in a wide variety of locations throughout the United States.

Far from ignoring the lessons of Duchamp, such a treatment of paint was derived from an understanding of his predecessor's artistic strategies, to which Rauschenberg had his first in - depth exposure in the spring of 1953 at Sidney Janis's exhibition, Dada 1916 — 1923.8 Throughout that year, he explored various precedents set by the older artist.

Whereas the forms of his wooden panel paintings feature the careful precision and hard - edges of geometric abstraction, the imperfections and «accidental noise» innate in Biltereyst's cardboard relief prints appear exploratory and rapidly configured, expressing not only the raw energy of creative problem - solving usually revealed in artists» preparatory sketches, but also an interest in graphic elements battered by everyday use, exposure and interaction.

Demonstrating the elegant stillness of a Giorgio Morandi painting, Shirreff's images are the result of extraordinarily extended exposure times, revealing assemblages of simple, almost Platonic forms and surfaces evocative of «sculpture,» bathed in light and shadows.

Using slow exposures to paint with her skin, Argote takes a diffuse, abstract ownership of the mansion; she records her own existence in the space and claims agency with her body.

Classic in - camera and studio techniques such as masking, double - exposure and glass matte painting have been used.

Gooding is also very thorough in writing about the exposure Hoyland's paintings were getting and the favorable responses they were receiving — as well as one big response that wasn't favorable at all.

In 1973, NOMA organized Louisiana Folk: Paintings by Clementine Hunter, Sister Gertrude Morgan, Bruce Brice and Marion Souchon at the Museum of American Folk Art in New York, which brought national exposure to the unique contributions of artists from the SoutIn 1973, NOMA organized Louisiana Folk: Paintings by Clementine Hunter, Sister Gertrude Morgan, Bruce Brice and Marion Souchon at the Museum of American Folk Art in New York, which brought national exposure to the unique contributions of artists from the Soutin New York, which brought national exposure to the unique contributions of artists from the South.

In this light, Carnegie's «bum» paintings take on a new significance; as acts of exposure and vulnerability but at the same time a dare, a challenge to our gaze to linger.

In a nutshell: portraits painted in three days — what Hockney calls a «20 hour exposure» — on identically sized canvases, in Hockney's Los Angeles studiIn a nutshell: portraits painted in three days — what Hockney calls a «20 hour exposure» — on identically sized canvases, in Hockney's Los Angeles studiin three days — what Hockney calls a «20 hour exposure» — on identically sized canvases, in Hockney's Los Angeles studiin Hockney's Los Angeles studio.

Ultraviolet light should be kept away from the paintings as fugitive dyes and colorants used in paints will eventually discolour under exposure to this type of light.

Her drawings, paintings, photography and large scale installations have gained international recognition and national exposure with solo exhibits at the Alexandria Museum of Art in Louisiana (2008) and Umbrella Arts Gallery in New York (2015).

Presenting multiple exposures fused together, this large - scale work depicts the artist in his studio in Cologne, seated among examples of his squeegee paintings.

Her paintings and drawings have been featured in exhibitions nationwide including Morgan Lehman Gallery in New York and Interface Gallery and Southern Exposure in the Bay Area.

Service in the Army during WWII allowed Feinstein to explore the wider art world outside his hometown leading him to New York and exposure to more modernist trends in American painting.

His artistic development was affected by his exposure to French modern painting, Asian culture and Zen Buddhism in particular.

I plan on utilizing a variety of techniques such as rubbings, field recordings / sound experiments, and long term sun exposure «paintings», which will result in a collection of visual and sonic stories inspired by the rich history of the Headlands.

Abstract mixed media paintings that incorporate the scraps (castoffs) of Carol Bernier's students» work, and two series of layered multiple long exposure photographs from Mariette Roodenburg's residency at the Baer Art Center in Northern Iceland are the subject matter of the next exhibition at Studio 21, running from June 9 to July 6, 2017.

Oppenheim speaks of growing up in Washington and California, his father's Russian ancestry and education in China, his father's career in engineering, his mother's background and education in English, living in Richmond El Cerrito, his mother's love of the arts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of development.

In much of his work, Falls has investigated deterioration and photographic exposure, focusing on the long - term effects of sunlight, rain, and time on materials like paper, steel, painted aluminum, and cloth.

«To make the five shaped panels, Murray shot double exposures of ten of those sites, once in the summer, and again in the winter, then painted atop the negatives.

Realized in loud, garish hues partly informed by the artist's early exposure to Socialist Realism, Rauch's enigmatic pictorial narratives never vanish into explanation: «My paintings have something vital about them, like an animal, a living thing,» he says.

In 1937 Gottlieb moved to Arizona, where exposure to Native American wall paintings and the desert landscape contributed to his developing aesthetic.